An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Luang Por Ngern Run Pern Dtaek - Nuea Loha - Pim Khee Ta - Released in 2528 BE, and one of the most popular editions of Luang Por Ngern Amulets
The 2528 BE Pern Dtaek Edition has become a Nationally famous edition and is fervently sought after for its great beauty and similarity to the first edition Pra Luang Por Ngern. It is also highly favored for the fact that the edition was personally blessed and empowered by the great Luang Por Ngern himself of Wat Bang Klan, the Highly sacred Chanuan Muan Sarn Ingredients used for the Casting, and for its repeatedly proven Miraculous Powers.
The edition came to be made through a series of seemingly random events, which brought thid classic and truly powerful edition of amulets into existence;
Luang Por Jae became the new Abbot of Wat Bang Klan Nuea, since Luang Por Ngern has split the temple into two temples of Wat bang Klan Nuea and Wat Bang Klan Tai, and then had moved to a new temple to begin developing and restoring it through his meritorious ability to attract devotees and fund the construction of Buddhist temples.
Luang Por Jae was the adept at the actual creation of amulets, and very expert in the mixing of Sacred Powders and Herbal Magic, as well as the casting and forging of Alchemical and Sacred Metals. In contrast, Luang Por Ngern himself was the Adept Sorceror with the ability to empower amulets and physical objects with Buddhakun Magical Power, attained through his long life of Tudong, Meditation, and Vipassanā Practice.
And so the combination came into being, of Luang Por Jae, a Master Artisan Guru Monk for the design and formulation of the alchemical metals, with Luang Por Ngern, a Guru Tudong Gaeji Ajarn Master Monk of Meditation, with Psychic Powers, to empower them.
And so then, in the year 2528 Luang Por Jae eas eandering through a nearby temple less than a kilometer away from Wat Bang Klan, and stumbled upon some old Buddha Statues half buried, mostly damaged.
After digging to see what else was underneath, a number of ancient Deity Statues and original Luang Por Ngern Pim Niyom and Pim Khee Ta amulets, and some Rian Job Pim Yai and Pim Lek triangular metal Luang Por Ngern 1st edition coin amulets were also found, but they were all broken and in damaged state.
There were many statues from the Ratanakosin Era too, which were covered with green malachite. The amulets and other artifacts were dug out of the Kru Burial chamber and Luang Por Jae then took them back with him to the temple of Wat Bang Klan.
On the day the amulets were to be cast, a strange thing happened, that when they went to raise the chanuan metallic base ingredients to the place of the casting ceremony, they were unable to lift the container, despite the fact it had been easy to carry there in the first place.
No matter ow they tried, the container would not budge left or right or up or down. So Luang Por Chuea then prayed to Luang Por Ngern, and it was then possible to lift the chanuan to be cast.
As the metals were mixed into the smelting oven, and heated to the melting temperature, a strange thing happened once more; The metals refused to melt. So Luang Por Chuea once more performed a ceremony to pray to Luang Por Ngern, after which the metals suddenly began to melt.
This now extremely famous and sought after 'Gunstopper' edition of Pra Luang Por Ngern amulets carries an extremely sacred history to it, and also a Miraculous Occurence which has brought this series of Luang Por Ngern amulets back into the Public Eye, more than a Quarter Century after it was released.
A devotee who was wearing one of the amulets was hit by a ten ton truck on the highway and his car was completely wrecked and crushed like a concertina. The wearer of the amulet was however completely unharmed. Below you can see the Thai Language Newspaper clipping which recounted the event. It turned out that the person was completely unharmed, and that he was wearing a Pra Luang Por Ngern Pern Dtaek amulet.
The Pra Luang Por Ngern Pern Dtaek series is made from a most sacred Chanuan Muan Sarn Metal, made exclusively from old first edition Luang Por Ngern Pim Khee Ta, Naa Yim, Niyom, Job Lek and Job Yai amulets smelted together with Ancient Deity Statues and Buddha Statues. Its appearance is classic and one of the most beautiful of the editions of its era.
