An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
The Immortal Classic of Great Fame and Legend, and one of the most sought after and highly revered amulets of the whole pantheon, Pra Luang Por Tuad Tao Reed 2497 BE, Pim B Yai Leuk (one of a number of different preferred block presses used for the various models), with solid gold waterproof casing. The Pra Luang Por Tuad 2497 was the first ever making, by the Great Ajarn Tim (Pra Kroo Wisai Sope).
Ajarn Tim made the first ever edition of Luang Por Tuad amulets, in the year 2497 BE, using a collection of very rare powerful and sacred herbal ingredients, ground by hand in a mortar, and mixed with black din Kakyayaks earths, sacred flower offerings, incense powders, Broken chunks of Puttakun Powders, Pong Wan Met See Daeng red powders, and Met Rae mineral crystalline fragments.
It is notable to observe, that despite Ajarn Tim's Luang Por Tuad Tao Reed being seen in many different colors, ranging from black, gray, and beige or reddish, when scrutinized under the eye loupe, you can find all the same essential ingredients, regardless of the color of the amulet. One thing that is always visible, especially on te rear face, in greater or lesser proportions, are tiny crystals of mineral sacred substance.
The Met Rae mineral crystals, when examined under magnification reveal sand grains too, which is assumed to have been stuck to the mineral fragments when they were added to the Muan Sarn. Small particles of red fragments are also to be seen, which come from the mixture of Pong Wan herbal Powders. Met Gruad Sai enchanted sandgrains are also visible.
The amulet has a Takrut inserted within the base. The 'Dtamni' of the Pra Luang Por Tuad Pim Yasi Leuk is identifiable from the Pim, by checking that the head and forehead of the image is protrusive, with a rounded forehead. The chin also protrudes out from the base with quite deep relief.The arms of Luang Por Tuad also are raise high above the flat surface of the iron shaped (tao reed) amulet frame.
The Knees and legs of Luang Por Tuad are also quite thick on the Pim B Yai Leuk model. Some models have brownish orange flecks visible, and in truth, if you were to clean any of all the different models with a toothbrush, you would find these orange herbal flecks to be visible in all models, but some models have developed Kraap mildew which covers it, which is why it is not always instantly visible on all amulets at first look.
It is also important to observe if the two layered lotus dais, must have a line separating the upper and lower level running between the two stories of lotus petals. The Pim Yai Leuk ('Leuk' meaning 'deep), is so namedf, because the relief of the features of the image raise up from the flat syrface of the amulet quite noticeably, and is deeper press than other models. Although one might think the Pim A Yai Hua Kheed might be the most piopular model, it is in fact thge Pim B Yai Leuk tyhat is the most highly preferred of all models, for its deep relief and distinctive features. The prices of this model differ depending on how good condition and clear cut the image is, and can range from anything between 1000$ to 10,000$ depending on beauty and inimitability, and how well kept the amulet is. We do not pay such 10,000$ exorbitant prices, rather use the knowledge and assistance of our main advisor Ajarn Spencer, to fiind the amulets at a more affordable pricve from individual owners around the country, in order to be able to offer them at an affordable price.
Ajarn Spencer, is highly experienced in finding and identifying Master C;ass amulets that can be found around the country, and uses his knowledge and good eye, to obtain amulets at a lower price than the Pantip and Ngam Wong Wan and Tha Prachan Showroom Holders, who charge truly exorbitant price standards, which are not necessary, and which we do not wish to preserve, as master class amulets are already pricey, and do not need any self promoted experts in suits to boost the price beyond and above what is reasonable.
Many High End Magazines state this amulet as being valued at the 10,000$ Mark, but we stand by the concept that the publishers and the master showroom owners are in cahoots with each other, to boost prices, and in fact, if you investigate, you will see many of the Ngam Wong Wan and Tha Prachan traders are the publishers of the books, which is of course a strategy to monopolise and boost prices.
Hence, due to our approach, and dislike for such Monopolism, this amulet costs a tenth of the price of a Tha Prachan trader, and is more accessible to the finances of those devotees who always wanted one of these most famous and prestigious amulets, so famous for their physical wellbeing and protection, Guru Worship, and wealthy fortunes.
The long time that has passed since their making has allowed the amulets to develop a soft and condensed appearance from the contraction of Muan Sarn Clay, with great character and depth.
Below, a High End amulet magazine from some years ago displaying an exhibit of the Pim A Yai Hua Kheed, at a price of 10,000$ (300,000 Baht). The PimA Yai Hua Kheed is less preferred than this Pim Yai Leuk Model
Above; magazine advertising this amulet at the Thailand collector price of 250,000 Baht (11-12,000$
The Luang Por Tuad 2497 BE Series featured various models in Sacred Powders; 1. Pim A Yai Hua Kheed 2. Pim B Yai Leuk 3. Pim C Yai Hlai Jud 4. Pim Gammagarn A 5. Pim Klang Yai 6. Pim Klang Leuk ุ 6. Pim Hnaa Hnoke 7. Pim A Klang Leuk Hnaa Yai 7. Pim B Klang Leuk Hnaa Yai 8. Pim Klang Mee Look Ta 9. Pim Klang Hnaa Glom 10. Pim Pra Rod Yai Hua Kheed 11. Pim Prta Rod 12. Pim Pra Rod Gammagarn 13. Pim Dtor Lek 14. Pim Dtor Yai 15. Pim Dor Klang.
A number of metallic Luang Por Tuad Tao Hlang Tao Reed were also released, in a Plethora of differing block press models; Pim A Yai Hlai Jud, 2. Pim A Yai Tammada, 3. Pim A Yai Kor Kheed, 3. Pim A Yai Bua Kheed, 4. Pim Yai Nuea Nava Loha, 5. Pim Yai Nuea Loha Pasom, 6. Pim B Yai, 7. Pim C Yai, 8. Pim Yai Bpam Sam Block Sorng Chaay, 9. Pim Yai Block Dtaek, 10. Pim Yai Bpam Sam Block Peek Kwang, 10. Pim Hnaa Yai Khao Dtum, 11. Nuea Maekapat Pim Hnaa Lek, 12. Pim Maekapat Nuea Nava, 13. PIm Klang Bpam Sam, 14. Pim Lek Hnaa Abachay Khaeng Kheed, 15.Pim Lek Hnaa Abachay Tammada, 15. Pim Lek Hnaa Cherd, 16 Pim Hlang Hnang Ser Yai Mee Dtua Tor, 16. Pim Yai Sao Agat, 17. Pim Yai Wong Duean, 18. Pim Lek Mee Dtua Tor, 19. Pim Lek Wor Jud, 19. Pim Lek Tammada
