An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
This is an extremely fine example of the Pra Pid Ta Hlang Yant Nam Tao, in Nuea Bailan Black Grimoire Parchment Soot Powders, from the 2513 BE Edition, In the very final edition of amulets made by the Great Jao Khun Nor, an Arya Sangha Monk of Historical Importance, who maintained a perfect, exemplary, and admirable trajectory of practice in his Patipata as a Buddhist Monk.
This series was made with various models of Pra Somdej, and Roop Muean Monk Images, in various kinds of color combinations, and in the case of the Pra Somdej, some were made in Nuea Sai Rung multicolored powders. This Edition is highly preferred, for the fact that Jao Khun Nor presided over this, his final edition Ceremony, and gave special Empowerments, along with a large array of other Great Master Monks, such as LP To (Wat Pradoo Chimplee), who would mostly accompany Jao Khun Nor in ceremonies.
Released in Buddha Abhiseka Ceremony at Wat Silakhant in the year 2515 BE, with Blessings from Kao Khun Nor and a host of Great Masters of that Era, including the Great Luang Phu To, of Wat Pradoo Chimplee. Jao Khun Nor was a Arya Sangha Guru Monk, whose Magical Powers as far as amulets are concerned are undisputed, and are known for their Metta Mahaniyom, Maha Lap, Klaew Klaad, and Serm Duang properties.
Below; various different color combinations found in the Pra Somdej and other amulets, which were also released in this final edition pantheon of Jao Khun Nor
A most recommendable amulet for the Family Heirloom Collection, and to Wear, with no black magic, and pure Buddhakun Blessings. Increase Wealth and Treasures and Klaew Klaad Protection, Serm Duang (Improve Auspicious Karma). The amulets were made using Pong Bailan Grimoire Powders, with Din Kakyayaks black sacred peat marsh earths, and also using dried Bai Tong (banana leaf) ,which Khao Khun Nor would use to place his food on and eat from (used in olden days instead of a plate), in his Kuti Hut, which were mixed with old Muan Sarn Sacred Powders from previous editions of amulets made by Jao Khun Nor, and other Muan Sarn donated by Many Great Masters.
Jao Khun Nor is officially known as 'Tan Tammawidtago Pikhu' or 'Prayan Radtnarachamanidt. He was known for his immense Mercy and Compassion and Sincerity, as well as for his Extreme Diligent Effort and Patience in his Practice of Purity in the Buddhist Vinaya as a Bhikkhu in the Buddha Sasana.
The Yant Nam Tao (also known as Yant Ongk Pra/ Yant Bai Po), is visibly embossed on rear face of Amulet. The Muan sarn of the amulet is extremely dense and hard. The features of this amulet have endured excellently and are still extremely crisp and refined, making it extremely eligible for competition entry.
Jao Khun Nor, was born on the 5th february 2440 BE, close to the temple of Wat Somanas Voraviharn in Bangkok with Somdej Pra Putta Kosajarn (Luang Por Jaroen) as his Upachaya. He Ordained into the Buddhist Sangha, in the Year 2468 BE. Jao Khun Nor was Extremely Revered for his Immense Patience, Diligent Efforts, and Merciful Personality. His Selflessness was highly noticeable, and his trajectory led him to become one of the most highly revered and respected Monks in the whole Nation, both by Devotees, and amongst his Peers in the Sangha.
His Merits were often Lauded by other Great Monks of the Time, whose admiration for Jao Khun Nor was often publicly stated. The presence of the Great Masters in his amulet Blessings is further proof of how the other Great Monks of the Sangha respected the Great Jao Khun Nor.
Jao Khun Nor died in the year 2514 BE at the age of 74, after 56 years of Diligent Service as an Ordained Monk. He passed away, after suffering a long time from a terrible cancer on his neck, which he suffered throughout his final time, but which disappeared just before his death, and which was an extremely large protuberance with a very painful open wound. But Tan Jao Khun Nor still went to every morning and evening prayer chanting of the Uposadha Chapel and would sit and give Dhamma sermons as usual, and never once showed that he was in pain in front of the Devotees, which is unimaginable to any normal Human Being.
Above, a picture of the Great Monk Jao Khun Nor, during the time he suffered with extreme throat cancer, but remained practicing as usual without fail, maintaining complete diligence, without taking a rest. The open wound of the Cancer disappeared before his death, despite the fact that he refused any special treatment apart from letting Dr. Paibun clean it regularly (after which he would always give blessings to everybody chanting the Chinabanjara Kata). He said 'The wound came by itself, and so, it should also leave by itself.
Before he passed away, he performed the blessing and empowerment of sacred earths and gravels, which he called 'Pra Por Mae Torani Bpatawi Dhatu' which means 'Mother and Father Dharani Earth Mother Elemental Relics', which are considered extremely powerful. He was reputed to say to Devotees that if they were to remember him, they should think of him by his Dhamma name of 'Tammawidtago', which means to think of the Dhamma, or 'Dtreuk Therng Pra Tam'.
This also means to think of the Dhamma (His birth Name was 'Dtreuk'). If we analyse this, we can see that he was leading his devotees to think of the Triple Gem and always be Mindful of it, which is of course the best form of spiritual 'self protection' through mindful practice of Dhamma, and Avoidance of Wrongdoing.
Above; The Pra Por Mae Torani Bpatawi Dhatu Relics of Jao Khun Nor
It was said by the Sangkaracha Royal Monk who was also the Upachaya (ordaining officer) of Jao Khun Nor, that "this is not any ordinary person. He is already a Noble Person (one of the four kinds of Enlightened Beings). In addition, The Great Luang Ta Maha Bua was known to have said that Jao Khun Nor was a 'Pra Arahant Klang Krung' declaring him an Enlightened Arahant.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
Above, a picture of the Great Monk Jao Khun Nor as he suffered with extreme throat cancer, but remained practicing as usual without fail, maintaining complete diligence, without taking a rest.
