An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Pid Ta Run Jong Ang Seuk 2514 BE Vietnam War Protection Edition for Soldiers Edition Luang Por Pae Wat Pikul Tong (Singhburi). Also known as 'King Cobra' edition after the Thai Cobra Regiment.
Amulet was released in the same time as the Luang Por Pae 2000 and 3000 editions and the famous Pra Rord Amulets, which were all equally famous, and belong to the early Era of Amulets from this now World Famous Master who is one of the most famous and sought after amulet making monks in the History of Thai Buddhism. This amulet is perhaps only still overshadowed by the Demigod 'Saint Level' Master amulets, such as those from Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram. The amulet is useful for protection and is popular with armed forces, bomb squad technicians, pilots, dangerous extreme sports, narcotics officers, Swat Team Police, and those who need to travel in dangerous continents or countries.
The front face features an image of a Buddha, with his hands over his eyes, which represents about entering the meditative state of Nirodha. This position when drawn in sacred geometry, is known as 'Pra Putta Jao Ham Tugkh', which means, the Lord Buddha forbidding suffering. This refers to The practice of a Buddha entering the state of Nirodha, which is a meditative state, where are no suffering can exist within the mind. This state is attained by the closing off of all attachments to a exterior phenomena, and this is represented with the closing of the eyes and in some cases with some Buddha images also the closing of all orifices in the human body.
Luang Por Pae is respected for his rigid practice and purity of trajectory in his lifetime of practice. His amulets are of the finest grade of make and design and are considered top amulets that are equally attractive as many of their peers which cost many tens of times the price. They are hence considered to be highly attractive collection pieces because of the fact that they are so highly rated and regarded for their power, beauty and future speculative value increase.
They are also known by those who study well, to be approaching the point where they are disappearing due to both Thai and International collectors & Devotees snapping them up as they dwindle and prices slowly but surely increase in tune with the dwindling numbers of amulets still left to be found available.
The Protective Kong Grapan Chadtri and Klaew Klaad power of this edition, which Luang Por Pae distributed to the Military during the Vietnam War, to keep them safe from danger and harm, has made this particular Pra Pid Ta one of the most popular of the Thai Amulet Pantheon.
It is truly amazing that this amulet despite its status, is still not holding a high price as much as others of the same status do such as Pra Pid Ta Luang Phu To Wat Pradoo Chimplee whose amulets now rise into the tens of thousands of dollars, and the Pra Pid Ta Luang Phu Bun of Wat Klang Bang Kaew, which also cost tens of thousands of dollars (US).
One day for certain this amulet will reach the same price value as those equally legendary amulets. which have arrived at the Millionaire Status earlier, but which do not necessarily have any more power or sacred value as this most inimitable, famous and certainly powerful protection against physical harm and danger.
Luang Por Pae, or, better known as Somdej Sangkarach Pae, is one of the last half century's most reverent and long-standing respected monks of the royal procession of stateesteemed monks, Who has excelled in both his behavioural practice as well as his academic studies and adepts applied practice of Vipassana Kammathana in the Thai Tudong Forest tradition.l
of this great master, have been seen to dwindle from the public amulet markets, which is due to the fact that not only Thai people have been reverie and holding his Amulets over the last decade or so up, rather that all around Southeast Asia and even as far as western world, people have been snapping up and hiding and stashing away his Amulets like treasure that may never be found again, which is indeed going to be true pretty soon.
This has resulted in an accelerated depletion of his Amulets, despite the fact that classic Amulets made according to the official formlas such as the Pra Somdej amulet, are making numbers of up to 84,000 per edition they have still managed to begin to disappear from the public view. They are now not only becoming classics but also extreme rarities and the next decade can expect to see these Amulets becoming immensely difficult to seek out.
The Pra Pid Ta amulet has a deep meaning, ranging from the representation of the state of Nirodha (Cessation of Suffering), reaching back into the earliest Buddhist Legends to tell of the Sangkajjayana Buddha.
Pra Sangkajjai Buddha – Metta Mahaniyom Maha Sanaeh amulet
Pra Sangkajjai represents one of the Pra Sidtisawok Aedtakka (One of the Buddha’s the most admired and praised practitioners). The Buddha praised him for his ability to put long complex teachings into short understandable formulas.
He has a golden tinted skin complexion, and was originally so similar in appearance and stature to the Lord Buddha, that sometimes people would mistake him for the Buddha if seen from a distance. For this reason, he used his mind powers to force his body to grow fatter and not so handsome as before, in order to not confuse others if he was the Buddha or not. The ancient masters would often use the visual symbolism of Pra Sangkajjai’s features to create statues in this image, which has served as an important preserver of the Faith over the Centuries, and a very old form of Buddha image dating back to the early times of Buddhism.
Pra Maha Sangkajjai was originally called ‘Ganjana’, which means ‘Gold’ in Pali. He was the son of a Brahman called Bpurohidtgajjayana Kodtra in the City of Usenni. He studied and completed the Traiwaet (Tri Veda). After his father passed away, he inherited the title of Bpurohidt (advisor to the King). This happened in the time of the King Jantabajjodti
Pra Sangkajjai had 7 close companions who cam,e with himn to attend the Buddhas teachings at Wat Weluwanaram, and after listening to the Dhamma, becamse Arahants instantly and asked to ordain. In the Turasutra it is mentioned that Pra Sangkajjai lived to the age of 120 years old.
Pra Sangkajjai Amulets.
The making of amulets in the image of Pra Sangkajjai have been made since ancient times by many different Temples and Samnak. The Sangkajjai amulet has always been a very preferred amulet and believed ot have great power, for the insertion of the ‘Puttakun’ qualities of the Sangkajjai Buddha of Metta Mahaniyom and Maha Sanaeh and forcing these powers to become a Sacred Na spell within the image of the amulet. Sangkajjai amulets are also sometimes made as Pid Ta amulet posture too, as a mix of wealth increase, and protection from harm amulet..
The Na Sangkajjai Spell can be made as a Takrut and inserted into the image of the Sangkajjai Buddha, which awakens the Metta Mahaniyom power within, The amulet can be worn, placed on an altar for Bucha, or even kept in your money purse.
Kata Hua Jai Bucha Pra Sangkajjai
Arahandti Gajjaayana Thaero Mahaa Poko Pawandtumae.
This Kata calls luck and fortune and brings wealth, and other great treasures.
Full Version of Kata Bucha Pra Sangkajjai
Gajjaiyana Ja Mahaa Thaero Putto Puttaanang Puttadtang Puttanja Putta Sapaa Sidtang Puttadtang Samanubpadt-dto Puttachodtang Namaa Mihang Bpiyo Taewa Manussaanang Bpiyo Prahma Namudtamo Bpiyo Naaka Subannaanang Bpiyinsiyang Namaa Mihang Sappae Chanaa Pahuu Chanaa Bpuriso Chanaa Idthii Chanaa Raachaa Paakinii Jidt-dtang Aakajchaahi Bpiyang Ma Ma
Chanting this Kata is Good for increasing popularity, business sales and promoted status.
In addition, Sangkajjai amulets have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet. This particular aspect of the Sangkajjai magic is what is called a ‘Prisnatam’ (mysterious phenomenon).
The confusion between images of Pra Sri Arya Maedtrai and Pra Sangkajjai Buddhas
There is sometimes a little confusion between these two Buddhas, because some artistic interpretations of Maitreya (called ‘Pra Sri Arya Maedtrai’ in Thai) depict this Buddha as a plump sitting buddha with Bald head. This causes people to think it is the Sangkajjai Buddha. The way to tell the difference is that the Sangkajjai Buddha will have curly balls on his head (representing the curly hairs), and the plump image of Maitreya has a shaved head.
Origins of the name Sangkajjai
Pra Sangkajjai was not called this from the beginning, but came from Thailand, when in the Radtanakosin Era, whilsst digging to place the central pillar of a temple shrineroom that was being built for a temple in Tonburi, and they found a Gajjaiyana Buddha and a Conch shell (Conches are called ‘Sangkh’ in Thai). This temple was then called afterwards ‘Wat Sangkh Grajay’ (temple of scattered conch). It is assumed then, that the namke of this amulet came from the name of the temple, and that a double word play or ‘Chinese Whispers’ style distortion of the name occured and Gave the Ganjana Buddha the name of the temple it was found in.
The Origins of Pra Pid Ta
Pra Pid Ta amulets, as well as Pra Pid Ta in form of Pha Yant, and Bucha statues, have been produced as objects of reverence and protection since very ancient times in Thailand. The artisans of that time created various styles and interpretations using the various periodic influences of Buddhist art and sculpture available at the time. Varios Deity forms were used to make the Pid ta posture (‘Pid Ta’ means ‘covering the eyes’) – various Buddhas or Bodhisattvas or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning ‘closing the orifices). Pid Tawarn can close 7, or 9 orifices (seven being called ‘Pra Pid Sadtatawarn’ and nine being called ‘Pra Pid Navatawarn’).
The Pra Pid Ta is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid ta Maha Lap’. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic, ancient artisans sometimes would use the image of the Sangkajjaiyana Buddha of riches and happiness, and carve it in the Pid Ta posture.
The Pid Ta amulet is one of the most popular of Thai amulets, and has been made by so very many temples and masters from all Provinces, that it is now classed as an important member of the Benjapakee family of classic top five types of Thai amulets.
Pra Pid Ta Silapa Mueang Nakorn
The Pra Pid Ta Silapa Mueang Nakorn amulet is an artistic interpretation found often in ‘Gru’ hiding places in the South of Thailand. They have been found in many different materials, including bronze, and copper sacred alloys.These Southern Nakorn Sri Tammarat period syled amulets have a much more attractive and special look to them compared to those from other regions in that time. The most famous of the Nakorn Sri Tammarat Periodic design Pra Pid Ta amulets was and still is the Pra Pid Ta Pang Pagan The Pra Pid Ta Pang Pagan Amulet is a Dtamnan (tradition and legend) of amulet making that dates as far back as 1900 to 2000 Years as far as is currently know from archeological finds in Thailand to date.
The Pra Pid Ta amulet has its Origins in the time of the Srivichai Kingdom; There was a Great Person born with the name ‘Taw Pang Pagarn’, who defended the Kingdom from Invasion, and brought it back to his Ruler. For his good leadership and Victory, he was awarded Lordship and rule over the City of Nakorn Sri Tammarat, ranging from the Sacred Chedi (Pra Boroma Taat Chedi), to the mountainside. The local Folk gathered in throngs and cgave honor to him raising him to Deva status by calling out the title; ‘Taw Pang Pagan’. The Srivichai Kingdom was returned to Thai rule, after a very long invasion from the Chawa. Shortly after this, the Northern warlords and Barons of Siam joined with the Sukhothai Kingdom, which then superseded the Srivichai Kingdom as the Ruling center of the Siamese Regions.
The following generations after the Era of Taw Pang Pagan were ever more initiated into Buddhism as the Dhamma travelled from Sri Langka to Siam, and they began to make Pid Ta amulets in what we now call the Pim Pang Pagan, in honor of Taw Pang Pagan and his family lineage. They personalized this particular Pim with the addition of a Cobra, as a mark of recognition, so that future Generations will remember the courage and heroism of the warriors of the Srivichai Kingdom who played an essential part in how Thailand exists today.
Pra Pid Ta Pang Pagan Amulets are the most preferred Pid Ta amulets and those with the longest History of all Thai Pra Pid Ta amulets.
Pra Pakawambodii is also known as Sangajjayana (the famous sitting laughing Buddha with round curly hair knots, and a large belly – the Buddha of Happiness and wealth), called ‘Pra Sangkajai in Thai).
Kata Pra Pakawambodee
Tamma Jaggang Bpatang Sudt Dtawaa Puch Chidt Dtawaa Adt Dtang
Bpatang Sandtigae Arahaa Laapo Logaanang Hidtagaranaa Pandtae
Pawam Bpadtinaama Dtisulokae Subpaagadto Prahma Budt Dto Mahaa Thaero
Araho Chaedtago Muni Bpidt Dti Thaero Samo Inta Kantappaa Asuraa Taewaa
Saggo Prahmaa Pi Bpuchidto Na Mo Put Tas Sa Kawam Bpadtissa
Na Mo Tammassa Kawam Bpadtissa Na Mo Sangkassa Kawam Bpadtissa
Sukhaa Sukha Warang Tammang Tammajagga Bpawarang Warang
The Kata for Pra Pid Ta are varied, both short and long. One of the best known ones is the Kata Pra Jao Ha Praongk (five Dhyani Buddhas) as well as the fivefold encoding of Namoputtaya of Na Metta
“Na Metta Mo Karunaa Put Pranee Taa Yin Dee Ya En Doo – Krai hen hnaa Goo rak Goo khad Goo midai”
(the above Kata is Maha Saneh Choke Lap – luck and fortune, and charming power)
Pra Pid Ta is also known as Pra Pakawambadee
Kata Pra Kawambadee (This kata is for increasing ones wealth and belongings and good fortune);
Namo Puttassa Kawambadtissa
Namo Tammassa Kawambadtissa
Namo Sangkassa Kawambadtissa
Sukha Sukha Warang Na Mo Puttaaya Ma A U
Tugkhang Anijjang Anatta Jaewa
Another Kata you can use for Pra Pid Ta is;
Na Erd Ad Bad Mit Na Bid Jit Bad Satroo Na Ning Yoo New Mew Pew Tew
Mo Erd Ad Bad Mit Mo Bid Jit Bad Satroo Mo Ning Yoo New Mew Pew Tew
Put Erd Ad Bad Mit Put Bid Jit Bad Satroo Put Ning Yoo New Mew Pew Tew
Taa Erd Ad Bad Mit Taa Bid Jit Bad Satroo Taa Ning Yoo New Mew Pew Tew
Ya Erd Ad Bad Mit Ya Bid Jit Bad Satroo Ya Ning Yoo New Mew Pew Tew
Na Ma Pa Ta Na – Mo Put Taa Ya – Ja Pa Ga Sa – Na Ma A U U A Ma I-Swaasu Suswaa-I
You can change the words “bid jit” for “bid bpaag” - bid jit means to close the mind of [the enemy] used for stopping them from harming you – bid bpaag means to close the mouth – used in for example, a court case where the enemy is bearing witness against you or speaking against you) – You can change the words “bad satroo” (meaning “swipe the enemy down”, to “haam satroo” (meaning “forbid the enemy”) depending on your needs.
