An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An extremely pristine condition Pim Niyom exhibit, in top form, the Pra Pim Luang Por Dto (Bang Grating) from the great Blind Monk Luang Por Oe Intachodto, of Wat Hang Nam Nong Khaem, is an amulet which has legends around it from the many stories of devotees who experienced its power. The amulets were made in various colours sacred powders, with this model in Nuea Krang Pasom Wan 108 sacred resins and herbal pollens was released in the Piti Sao Ha 5th Lunar Saturday Ceremony in the year 2506 BE. The amulets are highly revered for their miraculous reputation, and are very rare amulets from a Gaeji Ajarn who was famously endowed with Abhinya Powers.
Luang Por Oe was born in the year 2438 BE, and was afflicted during his early years with smallpox, which was in epidemic at that time. When he reached the age of about 7-8 years old, he became apprenticed under the mentorship of Luang Por In, who was abbot of Wat Hang Nam Nong Khaem at the time.
Luang Por In was a highly reputed Master Monk with many Wicha, who was considered incomparably powerful in his Region. It is said that nobody was ever able to take a photograph of Luang Por Oe, unless he was asked and gave permission. Any photos people tried to take without asking him first would never turn out with any image visible.
And this is said to be the reason why the only photos which are documented are those as he was freshly ordained, and at the end of his life, but none from the middle of his life. When Luang Por Oe reached the age of 18 Luang Por In took him to be ordained by the Great Luang Phu Tes, of Wat Sra Tale, who was one of the Greatest Masters of that Era. Luang Por In was very loving towards Luang Por Oe, perhaps because he was Blind. Despite his Blindness, Luang Por Oe developed immense interest in the Khom Agkhara Sacred Scripture, and practiced until he was able to master it.
Luang Por Oe had the following Kroo Ba Ajarn as Initiating Mentors; 1. Luang Phu Tes (Wat Sra tale) 2. Luang Phu Sukh (Wat Pak Klong Makham Tao) 3. Luang Por Ngern (Wat Pra Prāng Lueang) 4. Luang Por Mee (Wat Ban Bon) 5. Luang Por Bpan (Wat Had Tanong) 6. Luang Por Derm Wat Nong Po.
Luang Por Oe learned how to make and empower Nam Mont Holy Water from Luang Por Ngern, whose Wicha Nam Mont was legendary for its power. This Nam Mont was known as 'Nam Mont Jinda Mani', and was so well known and popular that it is said even His Majesty King Rama 5 visited Luang Por Ngern for his holy water blessings.
There is a tale about Luang Por Oe, of a time when an enemy had paid a gunman to find and assassinate Luang Por Oe. The Gunman walked into the temple looking for Luang Por Oe, and found only one solitary monk sat under a tree. He asked the monk 'Do you know Luang Por Oe?'.
And the monk answered 'Yes i do'! So the Gunman and would-be assassin then asked the monk 'Where is he now?' the monk replied 'Oh he left the temple a long time ago already, i don't know where he has moved to'. The Gunman then went on his way, convinced that his target was long gone. in fact, he had been talking to Luang Por Oe, who was the only monk at the temple at that time.
Below; the Khom Kata 'Na Cha Lī Dti' for Pra Chimplee (Pra Sivali) is embossed on the rear face of this Pim
Even though Luang Por Oe was BLind, it is said that he had Wicha to command Rak Yom Devas within the temple, to patrol around and report to him what they had seen. He would often tell devotees what they had been doing or mention things that he could not have known without seeing.
The amulets of Luang Por Oe are very difficult to find, because the local devotees have never been prone to let their amulets from Luang Por Oe go. His Abhinya Powers are said to have paralelled those of the Great Luang Por Guay of Wat Kositaram in Chainat, another of the greatest Masters of that Era. Luang Por Oe's Pra Nuea Krang resinous herbal amulets are an incredible rarity renowned for their power to protect, heal and bring lucky fortunes, increase status, as well as for their mercy charm.
In the years 2501 - 2506 BE, Luang Por Oe began to make Loi Ongk Statuettes in his image, with the first edition being in Nuea Dtakua alchemical leaden alloy. In 2502 he brought out his second edition kown as the 'Pim Khao Kwang' (wide knees model). The 3rd edition was known as the Pim Dtor', in the same year as the Roop Lor fang Ploi image with gemstone inserts. Until in the year 2506 BE he stopped making amulets. In the year 2508 BE, Luang Por Oe passed away, and his remains were kept in the mausoleum until the year 2539 BE, when his relics (hairs and robes) were distrinuted to the devotees, with luang por's skeleton remaining on show to the devotees as a last teaching in the Dhamma of Anijja (Impermanence).
