An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Prajam Wan Sukr (Friday Buddha) - "Nuea Maha Wan Chan Hmak Hlang Sor Kor Hneung" 2510 BE edition Sacred Powder Amulet, with the preferred 'Sor Kor Hneung' (ส.ค. ๑.) code stamp on rear face. The Muan Sarn of the amulet contains Chewed Betel Nut and Areca Powders of the Great Monk, Por Tan Klai. An extrememly rare and Sacred Amulet from this Great Master
This model is Pim Klang (medium size) and measures 3.8 x 1 Cm. This amulet was one of a series of different Buddha Image Votive Tablets featuring the different 'Birthday Buddhas' of the week days which are postures of the Buddha representing different moments or events in his lifetime as the Sakyamuni Buddha Sidhattha Gautama.
The rear face of the amulet has Sacred Khom Agkhara syllables as Hua Jai (Heart Mantra spells) embedded, and the code 'Sor Kor 1' (referring to 'Wat Suan Khan first edition").
Only a small number of each different model were released in this 2510 BE Classic Edition, in a Massive Blessing and Empowerment Ceremony, which was held for a period of seven whole days and nights, with the Great Luang Por Tan Klai Wajasit, and a host of the Great Master Monks of that Era, at Wat Suan Khan, in Nakorn Sri Tammarat.
A large number of different designs of Amulets were made for this edition, but none of them were made in any large numbers. This means that they are all very rare, despite the fact that there are many different designs found in the edition.
The Muan Sarn Sacred Powder clay is coarse from the main base of Chan Hmak chewed Betel and areca from Por Tan Klai, and visibly rich in Mineral and Herbal Sacred Powders, Woods and Pollens. Chewed Betel is considered a Sacred Substance in the case of Arahant Monks, whose purity is believed to render anything they touch or consume (or chew) to be full of Sacred Power.
Amulets by Por Tan Klai are in any case, extremely rare to come by, and only seen in circulation on very rare occasions. This is due to the massive worldwide following of Devotees, who Revere this great monk, and the fact that most of his amulets already found their rightful owners decades ago.
Kata Bucha Por Tan Klai
Puttang Arahang Putto, Tammang Arahang Putto, Sangkang Arahang Putto, Pisit Adthagaaro Na Mo Put Taa Ya
Por Tan Klai is one of the Top Guru Master Monks of the Last Century, and is one of the Four great Masters of the Previous Generation of Lineage Masters of the Khao Or Southern Sorcery Lineage, whose great Attainments, Humble and Diligent Practice, and Powerful Wicha Akom Magick have brought him to Legendary Status in the Annals of History of Thai Buddhism, and of Buddhist Amulets.
Friday Buddha
This Bpaang is of the Buddha is callled 'Bpaang Ramperng" The Buddha stands with his arms crossed over his heart. His feet are placed close together.
After the episode where two merchants Tapussa and Bhallika had seen the newly Enlightened Buddha, made their offerings and left (these were the first two laymen ever to become disciples of the Buddha), the Lord Buddha rose from where he was sitting under the Rachayatana tree and moved to sit under the Acabhalanikaroda tree and spent time considering the wondrous and most subtle Dhamma he had realised. He considered how difficult it was to undertsand, and the fact that it was almost impossible to grasp for the average mind. He then became a little doubtful that it was worth it to try to explain and teach to Human Beings, and declared to himself that he would not teach the Dhamma to others. At that time, Lord Brahma became aware of what the lord Buddha was thinking, and sent a host of Angels and Deities to go visit the Buddha under the tree he was sitting.
They went and paid reverence, and begged the Buddha to please teach the Dhamma to the people. To teach those who have dust in their eyes, and those who are devotees of the Buddha, in the hope that some may attain Enlightenment. The Buddha then took this into consideration, thinking of what previous Buddhas had usually done; namely once they attained Enlightenment, and before entering Nirvana, they would teach and preach the Dhamma and spread it widely for the sake of those who came after them.
The Buddha then contemplated whether there could be anyone capable of understanding the Dhamma he had realised, and thought of the various characters and personalities of different people on Earth. He saw there were people with rough coarse minds, average minds, and also fine subtle minds, with good hearts and merits made. Perhaps some of these might indeed be able to attain enough perfections and merits to finally be able to follow the Buddha's footsteps and attain Enlightenment! He saw some people could be taught easily, some with great difficulty, some could understand, and others not at all.
He thus compared them to Lotus flowers that are born under the water and grow in the water; Some flowers remain under the surface, some on the surface, and some rise above the surface. Those people who are like the lotus which has risen above the water and recieves the Sunlight will eventually bloom, and the flower which blooms will also have variations. Some people will attain the realisation of Dharma quickly and easily because they have low amount of cravings and desires, and made great merit in life.
Others will attain the Dhammma, but slowly, this type of person should still recieve repeated lessons of the basic principles in order to help condition the character until his practise is safely ensured and constant. This is how the Dhamma should be taught, in order to prevent the Buddha's teachings to not be in Vain. The basic Dharmic principles should be given to all, with the exception of those compared to the lotus underwater, Soft Lotuses who will eventually become nothing but fish food.
At this point, the Buddha declared that he would remain on earth as a living Human Being until the day that the Buddha Sasana was founded and fully established to safley survive the passing of time, for the sake of those Humans who wanted to try to Enlighten.
In remembrance of Buddha considering Teaching the Dhamma and establishing Buddhism for the sake of all beings, the Statue of Buddha in the pose of "Bpaang Ramperng " (consideration) was created.
Kata for Friday Buddha
Abp-Bpasannehi Naatassa Saasane Saatusammadte Amanusanehi Jandehi Sataa Gippi Sagaaripi Bparisaananja Dtassannang Mahingsaaya Ja Kudt-Dtiya Yantesehi Mahaawiiro Bparidtandtampanamahe
In Thai;
อัป ปะสันเนหิ นาถัสสะ สาสะเน สาธุ สัมมะเต อะมะนุสเนหิ จัณเฑหิ สะทา กิพพิ สะการิภิ ปะริสานัญจะ ตัสสันนัง มะหิงสายะ จะ คุตติยา ยันเทเสหิ มะหาวีโร ปะริตตันตัมภะณามะ เห ฯ
