An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Kru Pra Putta Chinarat Sacred Clay Ancient Amulet with gold leaf covering from the Great Luang Phu Yim, of Wat Jao Jet Nai, in Ayuttaya. Pim Yai (large model), the amulet is famously renowned for its Kong Grapan Chadtri and Klaew Klaad Protective Power.
Master Gaeji Ajarn of Pra Nakorn Sri Ayuttaya of the second world war Era, and the Indojin War. LP Yim was befriended on best friends basis with the Great Master Luang Phu Jong of Wat Na Tang Nork (Ayuttaya), who was slightly older than him by three years.
This beautiful Pra Putta Chinarat Buddha image was made sometime after Luang Phu Yim began to release amulets in the year 2475 BE, making it almost a Century old. Extremely rare, this Pra Kru Master-Class amulet is one of the classics of Luang Phu Yim, and a highly esteemed amulet of the amulet appreciation societies.
Many of Luang Phu Yim's amulets were made from red coloured earthen sacred clay, and also other coloured powders including creamy white, gray-green, brown and black powders.
He made amulets in many different forms, including this Putta Chinarat, pra Ngop Nam Oy, Pra Gleep Bua, Pra Khun Phaen, Pra Khone Samor, Pra Somdej Prok Po, Hanuman, Pra Pim Hyod Nam Luang Por Dto, Pra Put Song Hanuman (3 versions; gazing left, right, and with large head), Pra Somdej Rasamee, Pra Ruang Yern, and other amulets.
Luang Phu Yim always followed the ancient methods of having the block press molds made from stone, using the finest artisans to carve the designs. he would always make his editions according to the Buddhist method of pressing the same number of amulets as the number of sermons in the Tripitaka (84,000).
Made from Nuea Din Phao (baked clay) Another intimate friend and colleague in practiuce was Luang Por Parn of Wat Bang Nom Kho, who was exactly the same age as Luang Phu Yim. All three of these Masters would constantly visit each other at their respective temples, and swop and share the various magical Wicha of Buddha magic they had learned in the time they had not seen each other.
It began to be spoken, that all three of these Monks and their amulets had special power. They were said to be full of Puttakun and Metta Mahaniyom power, and strong with Kong Grapan Chadtri invincibility.
When any of these Masters would make amulets, the other two friends would always be present to help perform the Puttapisek Empowerment ceremony at each of the three temples. The rest of course, is History and common knowledge in Thailand.
All three of these Masters are of the most revered Masters for amulets in Thai Amulet history, especially Luang Por Parn with his Bang Nom Kho amulets (Pra Putta Jao Pratap Sathw - Buddha image riding on animal figures).
Apart from sacredness and certainty of power in this amulet, it is a wonderful example of old style clay 'Kru' amulet and was made at the same time with and in the same manner as Luang Por Parns amulets.
The amulet is thus interesting not only for having been blessed by Lp Yim, LP Parn and LP Jong together, but also for students of authenticity of Luang Por Parn Wat Bang Nom Kho amulets, who wish to study the Muan Sarn sacred powder and its aging process in order to fine tune their abilities of recognition.
This is a popular amulet to rent for the purpose of study, because it was made in the same way, from same substance same blessings and same method of Kru as the classig Wat Bang Nom Kho amulets themself.
Below: Luang Phu Yim and some of his famous Pra Ngop Nam Oy clay amulets
As to sacredness, this goes without questioning, and it can be concluded easily that this amulet is a perfect and much cheaper alternative to a Wat Bang Nom Kho amulet from Luang Por Parn.
