An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Ta Gradan Yorn Yuk Nuea Chin Dtakua Pim Gaes Yaw Wat Pra Sri Mahatat - Classic Nostalgia Piece, and an Eminent Member of the 'Trai Pakee' (Top 3) Category of Leaden Hiding Place Amulets. This Pim (model), was released from Wat Pra Sri MahaTat in Supanburi, in a Yorn Yuk Edition (Nostalgia Reproduction), using amulets which were made, blessed, empowered and buried in Kru Hiding Chamber some years before.
A classic edition that was hailed in the National press and became a well known edition throughout the Nation, and beyond to other shores. This memorial commemorative edition is a perfect replica of the Centuries old Pra Ta Gradan Kru Sri Sawad Amulet of Trai Pakee fame, and was smelted using various pieces of the original Pra Ta Gradan Kru Sri Sawad, as part of the Sacred Chanuan Muan Sarn ingredients.
The Pra Ta Gradan is a Pra Kru hiding place archeological dig amulet from Wat Klang, Wat Nuea and Wat Tai temples of the Kanjanaburi Region. Made from Nuea Chin (leaden alloys). It is assumed to have been created in the U-Tong Era, and not thought to have been created by Buddhist Monks, rather is believed to be created by the Ruesi (Lersi).
This belief arose, because of 2 gold and silver bound Bai Lan parchment scriptures, from Kampaeng Paetch and Supannburi Provinces, which tell of these amulets being created by the 11 Ruesi Sages. Of these 3 Sages, three of them were renowned for their great power and wisdom; Ruesi Ta Fai, Ruesi Ta Wua and Ruesi Pilaalai
The most famous find of all the Pra Ta Gradan amulets was the Pra Kru Sri Sawad
The Pra Kru Ta Gradan Sri Sawad amulet was discovered when the Kru hiding place broke open at the enpty dilapidated temple in Sri Sawad district in the year 2460 BE. The first amulet was found at Wat Klang, then more turned up at Wat Nuea, and at Wat Tai.
The Pra Kru Ta Gradan is honed in the image of a Lersi hermit sitting in Meditation, with a bound topknot. found in two different 'Pim' (models); Pim Gaes Yaw (long topknot), and Pim Gaes Dtum (short stumpy topknot). Both models have a flat rear face. On the 'Pim Gaes Yaw' longer haired model, the topknot of the bound hair of the hermit will bend to one side in one direction or the other. On the Pim Gaes Dtum, there is only a small stump pointing upwards.
The Pra Kru Tha Gradan is one of the 'Trai Pakee' set of 'Top Three Regions' amulets made from Leaden Alchemical alloy, which are the Pra Ruang Rang Phern, the Pra Hoo Yan, and the Pra Kru Ta Gradan. The Pra Ta Gradan Kru Sri Sawad was said to have been only one of a large number of different amulets found in the hiding chamber by those olden days folk who were alive to witness the opening of the hiding place. There were also some Pra Mahaesuan, Pra Ruang Yern, Pra Paruhnang, Pra Pim U-Tong, and the Pra Yord Tong.
It is believed that it was Ruesi Ta Fai who made the Pra Ta Gradan amulet which he invited the Lord and Ruler of Ta Gradan City. Once they had made the amulets, they were buried in Gru hiding place chambers in various important sacred places around Kanjanaburi, Ta Gradan and Sri Sawat areas.It is also called Pra Gaes Pid Ta Daeng (meaning ' with topknot and closed red eyes - as in 'Ngang Ta Daeng'), meaning 'red eyes', for the red rust on the leaden surface which gives a reddish glint to the amulets face.
The topknot of the image, which is in meditation posture, is long and wound up in a high bundle, like that of a Lersi. The face is typically that of a Lersi. The Lersi would never cut their hair, which is why the image has a long bound topknot rising up from the head.
The Pra Ta Gradan was made with a number of variations of topknot, both short (Gaes Dtum), and long (Gaes Yaw). The 'Gaes Yaw' long topknots, are found to have both straight topknots pointing up, and are called 'Gaes Dtrong', and the slanted ones that lean to one side or the other which are called 'Gaes Kot'. This model is a 'Gaes Kot', because it leans to one side.
The Ta Gradan amulet is one of the Ancient members of the Traipakee family of amulets, and a powerful wielder of Kong Grapan, Maha Amnaj, Maha Ud, and Klaew Klaad magic for invincibility and safety, evasion of dangers and obstacles.
The file marks on the edge of the amulet where the images were hand filed off the 'Chor' tree which they were cast on. This was not an edition made using modern casting machinery, as is the case with all 'Yorn Yuk' amulets, where the creation method adheres to the original ancient methods, to produce perfect replication of olden days methods, and exactly identical results in the finished work.
This Pim is not only an Extremely sacred Consecrated Votive Tablet that deserves and requires Great reverence, it is also an excellent and low priced amulet, perfect for students to begin studying the way in which true Ancient cast Leaden amulets are made, and what the tell-tale signs are.
A Yorn Yuk Nostalgia Piece of an Ancient Masterpiece of Historical Sacred Art, in addition to being a truly Powerful Authentic Amulet of Importance in its own right, for its highly documented status and Sacred Chanuan Muan Sarn, along with a very large Buddha Abhiseka Ceremony with a large number of Great Guru Masters present.
The 'Khai Khaw' white 'froth' 'Sanim Khiaw' (green rust), and 'Sanim Daeng' red 'rust', are clearly visible to appear as 'Roi Raberd' (explosion marks). This is most visible when perusing the surface of the rear face of the amulet. The surface of the leaden amulet is full of pinprick-holes which are a result of the 'roi raberd' exploding elements of Muan Sarn rising up through the surface of the amulet from within.
This amulet is still in the original box from the temple.
Really Ancient 'Kraap Kru' (residue stains) of 'Pra Nuea Chin Dtakua (leaden amulets), appears through the process of the residues rising up from within the amulet, and breaking through the surface. The thicker the residue (Kraap Kru), the more likely the amulet is much older. Thin layers of Kraap Kru Khai Khaw (white froth residue) as opposed to thick layers, mean less aged. Areas of reddish rusty residue are visible called 'Sanim Daeng', meaning 'red rust'. This reddish stain is in some areas to be perceived as having a maroon/brownish tint to it.
The Pra Kru Ta Gradan is one of the red rust category of 'Pra Nuea Chin' (leaden amulets), and is through this classification and its Trai Pakee status, worthy of the title 'Pra Yord Niyom Nuea Chin Sanim Daeng' (Buddha Amulet of the Highest Preferred Class of the red rust leaden amulet category).
There are various categories of 'Pra Nuea Chin' (leaden amulets), including 'Khai Khaw' (white froth), 'Sanim Daeng' (red rust) and 'Sanim Khiaw' (green rust). One of the recognition factors which elevate the Pra Ta Gradan Nuea Chin Dtakua Sanim Daeng from the first hiding place find at Wat Klang, is the fact that those amulets were placed into their burial place with gold leaf pasting, which then flaked into dust and mixed itself into the Khai Khaw froth of the Kraap residue which rose up through the interior of the amulets to form a covering over the amulets. In the finest and most highly prized models, this gold dust is visible within the white froth lending a brown sugar kind of look to the surface residue, with a golden brown yellowy color, interspersed by the snowy white fine powdery Khai Khaw residue.
This amulet is therefore a Classic Ancient Amulet, of Authenticity and High Esteem, with true Kong Grapan Chadtri Klaew Klaad Maha Ud Maha Amnaj Powers, and is an extremely affordable alternative to the Pra Kru Ta Gradan from the Wat Klang, Wat Nuea, and Wat Tai Finds. Its Sacredness and Mark of Authenticity is confirmed through the National News Coverage which this edition received, and the Importance of the Sacred Chanuan ingredients, and the Guru masters who blessed them, as well as the Importance and relevance of the temple of Wat Pra Sri Mahatat. A Classic Amulet, at a Classic Price.
Leaden amulets are amongst the rarest amulets to find, and are mostly highly priced. This sacred Leaden Amulet is of a much Higher sacred Value than its price tag reveals, and is a most recommendable choice for those Devotees who seek an Ancient Sacred Amulet of High Buddhakhun power, for protection, increased status, and auspicious blessings.
