An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An extremely rare amulet, from a varied pantheon that is considered a classic series from 2507 BE, one of the first editions made after Jao Khun Tiang's electiin as Abbot of Wat Kositaram. This Pim is one of various released in 2507 BE by Luang Por Jao Khun Tiang, and Luang Phu Hin (Wat Rakang Kositaram) present to empower with Jao Khun Tiang, and other invited masters of the Wat Rakang Kositaram lineage.
The amulets were made using sacred earths from the casting mold usde to forge the giant statue of Somdej Pra Puttajarn (Dto) Prohmrangsri at Wat Rakang Kositaram in 2500 BE, which were mixed with Sacred Powders from Somdej Dto, and broken ancient Pra Somdej Wat Rakang amulets.
The Somdej Pim Pra Pid Ta, along with the Pim Prok Po, Somdej Khang Daw, and Pim Pra Pratan are among the rarer amulets made by Jao Khun Tiang, Abbot of Wat Rakang Kositaram, and Wicha inheritance lineage Master of the Dtamra Pra Somdej Wat Rakang of Somdej Pra Puttajarn (Dto) Prohmrangsri, through the transmission of previous abbot, the great Luang Phu Nak, and Luang Phu Hin (Wat Rakang Kositaram). Made using broken pieces of Pra original Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, and black bailan ancient grimoire soot.
Jao Khun Tiang was born in the year 2478 BE and ordained at a very early age as a Samanera Novice Monk, and at the age of 20 in the year 2501 BE was reordained as a fully fledged Bhikkhu. He moved from Nakorn Rachasima to Wat Rakang Kositaram to study Dhamma, and was able to complete all degrees from Batchelor to Masters.
He began making amulets very early on during is ordained life, with Luang Phu Hin and Luang Phu Nak, sometime around 2500 BE - 2505 BE He continued releasing amulets constantly each year after year. He has released many famous editions throughout time, and continues to do so since he became the abbot of Wat Rakang Kositaram in 2550 BE.
Below; the Official Chadtra Parasol stamp of the Kana 4 Comittee of Wat Rakang Kositaram is embossed on the rear face.
But his early Era amulets are these days extremely rare, and part of three pantheons; that of Jao Khun Tiang himself, that of Luang Phu Nak, and of Luang Phu Hin, all monks being residents of Wat Rakang Kositaram. He became a great sermon giver and known for his great achievements to raise funds and complete charitable projects to develop the temple and other temples in need. In the year 2550 BE he was elected to become Abbot of Wat Rakang Kositaram.
Jao Khun Tiang, has been taking care of the temple and the amulet editions of Wat Rakang Kositaram, since then, till now (2560 BE), and was already releasing amulets long before even becoming vice-abbot of Wat Rakang Kositaram. Now since his elevation to the status of Abbot of one of the top Royal temples of Thailand, of perhaps the most famous of any temple built in Bangkok, outside of the Temple of the Emerald Buddha in the Royal Palace. For foreigners, perhaps the palace and the temple of the dawn and Wat Po may be the most famous, but for Thai people and for amulet aficionados, Wat Rakang Kositaram is of course, perhaps the top temple as far as amulets are concerned, due to the fame of the Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri.
Jao Khun Tiang received his Wicha from the Great Luang Phu Nak, and Luang Phu Hin of Wat Rakang Kositaram, especially the Wicha of making amulets according to the Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri, and the mixing of Muan Sarn Clay, by method of making Yantra Powders, mixed with hordes of other secret ingredients.
His amulet trajectory began very early around 2505 BE, as he received Wicha from his Mentors Luang Phu Nak and Luang Phu Hin, and as a lineage continuance abbot and Wicha Holder of Wat Rakang Kositaram, is also an Eminent Member of the Gaeji Ajarn Master Lineage of this great Temple. His amulets are very hard to find, especially this early edition Masterpiece, which is known to have passed Buddha Abhiseka in the year 2507 BE, with both of his Mentors, Luang Phu Nak, and Luang Phu Hin attending to assist in the empowerment. This amulet is one of the first made by Jao Khun Tiang from his very early Era, and is an immensely rare acquisition for aficionados and devotees of Wat Rakang Kositaram, and the amulets of this world famous sacred temple.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
Kata Pra Kawambadee (This kata is for increasing ones wealth and belongings and good fortune); Namo Puttassa Kawambadtissa Namo Tammassa Kawambadtissa Namo Sangkassa Kawambadtissa Sukha Sukha Warang Na Mo Puttaaya Ma A U Tugkhang Anijjang Anatta Jewa Segkhaa Tammaa Yataa Put Mo Na
