An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Rian Job Luang Por Plai Nuea Ngern Code Wor-Gor-3 2543 BE Wat Kampaeng. Sacred Guru Monk Image of Luang Por Plai, in Solid Silver Magical Alchemical alloy made from ancient sacred silver artifacts, smelted with mercurial substance, with code Wor-Gor 3 stamp on rear face. Released in very small numbers, along with Bucha statues and Loi Ongk Roop Lor Statuettes, at Wat Kampaeng, in Buddha Abhisekha ceremony in 2534 BE, with the Abbot and lineage masters of Luang Por Plai present, to invoke the spirit and blessings of Luang Por Plai.
Free Registered Airmail Shipping Worldwide is included with this amulet. Already an extremely rare amulet to find, and a preferred alternative to the 2478 and 2485 'Lang Pha Cha' cemetery restoration editions, and is a highly preferred rare amulet, which stands above the already highly popular (but easier to find) 'Run Sam' third edition Commemorative edition of 2555 BE. Many people mistake the Pim Wor Gor 3 amulet for the third edition (for indeed it was the third made), when in truth, the official 'third edition' 'Run Sam' series was released much later in 2555 BE.
The Rian Lor Job LP Plai Pim Gor Por 3 was released along with Loi Ongk Statuettes, and Bucha Statues of Luang Por Plai, and was issued in Nuea Tong Kam (solid gold) Nuea Ngern (solid silver), Nuea Nava (9 sacred metals), Nuea Ngern Yuang (ancient Chinese Silver), Nuea Tong Lueang (Brass), and Nuea Kong (Temple Gong).
The solid silver version of the Rian Lor Job Gor Por 3 was released in two versions, distinguished by the code stamp, of which only 16 amulets were stamped with the Wor-Gor 3 on the front face, with the remaining amulets in silver receiving the Wor-Gor 3 stamp on the rear face. The version with stamp on front face can hence not really be expected to encounter, for it is doubtful that any of the only 16 owners in the world would wish to part with it.
The amulets of Luang Por Plai of Wat Kampaeng (2408 - 2489 BE), are world renowned, for their powerful Kong Grapan Maha Ud magic, and highly preferred for their traditional classic style, as well as immensely revered for his Magical Powers. He was seen as an equal to the Great Luang Phu Iam of Wat Hnang.
The Rian Lor Luang Por Plai is one of the 'Rian Yord Niyom' preferred amulets of true appreciation society collectors and of course, the prized possession for protection and auspicious blessing, for the devotees of LP Plai. It was made in various editions during Luang Por Plai's lifetime. and is sometimes remade on rare occasions to this day, as a 'Yorn Yuk' memorial replica amulet, by the temple of Wat Kampaeng, due to its immense fame and high demand from devotees.
Below; Code Wor-Gor 3 embossed on rear face of amulet
This is because the Rian Lor amulets of Luang Por Plai carry so many stories of Miracles with them from the many occurrences over the decades. Hence, many people seek to wear one, despite the elevated price of many of his amulets. People's belief in the protective power of all editions of the Rian Lor Luang Por Plai.
Luang Por Plai was lovingly known in his day by devotees as 'Khun Pol Haeng Fang Tonburi" which insinuates his immense power of Maha Amnaj, Maha Ud,Grapan and Klaew Klaad protective Magic.
Luang Por Plai was born in Bang Bon in Thonburi on a Tuesday in the year 2408 BE, the son of Mr Maekh and Mrs Hem (Surname; Tong Hluea). He had 9 siblings and helped his parents on the farm as a child. There came a time when the great Luang Por Kong of Wat Lawaek Pasi Jaroen came, to finance and perform restorations at the temple of Wat Kampaeng (at that time still named 'Wat Sawang Arom).
Luang Por Kong built a school-room to teach the local children. Luang Por PLai's father thus took him to be educated under the tutelage of Luang Por Kong.
Luang Por Plai had to both work on the farm and go to school, so was not always able to attend school every day, but with great effort and the fact that he was an intelligent child, he managed to advance faster than all the other children in his class.
This made Luang Por Kong of course love him very much for his great effort, and forged a bond between the teacher and the student.
When Luang Por Plai reached the age of 20, he then went to Wat Kampaeng and was Ordained by Luang Por Kong himself as Upachaya ordaining Officer, and given the Ordained Surname of 'Jantasaro'.
Luang Por Plai would help Luang Por Kong to teach the Samaneras and Orphans in the school and help with temple duties, until in the year 2430 BE, Luang Por Kong had reason to disrobe, and Luang Por Plai was aked to become the next Abbot of the temple.
Luang Por Plai continued to teach Samaneras and even visit other temples to teach, and even called in teachers from many different apprenticeship professions to teach the local children abilities that would give them a profession when they grew up, and not have to worry for sustenance.
Luang Por Plai released his first official edition of the Rian Lor alchemical metal Guru Monk coin amulets in the year 2478 BE, with three main models, as a Pim ha Liam 5 sided amulet, a Roop Khai oval shaped, and a Rian Job rounded arched shape.
Luang Por Plai was known to be possessed with powerful mastery of Wicha Akom, which he had received from Luang Por Kong, which was revealed to be extremely powerful after he began to release his alchemical metal Rian Lor Boran amulets.
Below; Buddha-Rupa Inside the Shrine Room of Wat Kampaeng.
In the year 2485 BE, a terrible storm flooded and destroyed the cemetery and funeral installations of the temple, so Luang Por Plai decided to raise funds with the making another edition, of the Rian Lor Boran, and repaired the cemetery, and built new installations.
During the ceremony, it was not possible to light any fireworks, and many devotees found that their guns were not able to shoot. This then made the ceremony legendary for the miraculous Maha Ud Gunstopper Magic for which Luang Por Plai's amulets are so renowned.
Luang Por Plai passed away in the year 2489 BE. Since his passing, on special occasions of commemoration, an edition of Luang Por Plai amulets is released very rarely at Wat Kampaeng, all of which are highly prized collectors items and reside in the glass cases of personal museums, and around the necks of old local devotees and of course, wealthier collectors.
