An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An extremely rare limited edition Pim Niyom amulet that is seldomly seen, the Sacred Roop Lor Loi Ongk Statuette in Nuea Rae Maekasit alchemical meta alloy, with the image of the Great Thai Buddhist Nun, Mae Chee Bun Ruean, of Wat Awut and Wat Sarnath. Mae Chee Bun Ruean was famous for her 'Pra Putto Noi' amulet, Thung Khiaw Hniaw Sap treasure pouches, and Khaw Dtok Pra Ruang Sacred Elements. Her amulets and those in her image enjoy immense reverence with Buddhist Folk of every Province in Thailand, for her great healing powers and her Merits made for Buddism, and her meditative prowess and teachings.
The Roop Lor is made from Nuea Maekasit, a special magical alloy forged using metallurgy and alchemy, and was blessed in 2521 BE at Wat Awut, with the Great Luang Phu To of Wat Pradoo Chimplee presiding over the Blessing ceremony and empowerment.
It is worthy for students of amulets to note, than a later edition of the Roop Lor Mae Chee Bun Ruean was also famously released in the year 2532 BE with Luang Phu Buddha Thanawaro performing blessings. the 2521 BE and 2532 BE editions asre noticeably different by the fact that the later 2532 BE edition had Muan Sarn Sacred Powders filling in the base of the Loi Ongk Statuette.
Nuea Maekasit is obtained by Alchemically smelting Iron Artifacts, with Mercury as the main base Magical ingredient, and performing Elemental Invocations until the structure of the metal changes, and becomes a sacred Metal of Alchemical Nature. Alchemy and Metallurgy are combined here as one facet of the various aspects of empowerment of the amulet. The Maekasit and Maekapat Sacred Alchemical Metals are not only especially apt for channelling Magical Forces.
This is only possible with metals which will usually not smelt, by the use of Incantation and Meditative Prowess, as well as Metallurgical expertise and experience in this Wicha, because the turning point must be held at a precise temperature, along with the proper incantations, which must be performed simultaneously as the separate substances melt and are forged into one substance. The resulting alchemical alloy may take on any of a number of colour tones, depending on the formula of Kaya Siddhi substances used, and the nature of the Magic. Colours can range from matt black, silvered, rusty red, to bluebottle blue and greenbottle green, silver, and even golden and purple, much like Lek Lai Kaya Siddhi Adamantine Substance.
Mae Chee Bun Ruean is perhaps the most famous of Thai Buddhist Nuns, which is underlined by the fact that a Buddhist Nun made such great impression and influence in the Thai Buddhist religion is a statement in itself of her great merits to propagate and preserve the Buddha's teachings, and to lead her devotees towards the true path of practice.
The Roop lor is made from cast alchemical iron alloy with blackened finish, with series edition code stamp on the rear side of the image, and is hence a preferred pim, which devotees prefer above those versions with no code stamp.
Who was Mae Chee Bun Ruean?
Kun Mae Chee Bun Ruean was a Buddhist Nun whose purity of practice was so exemplary that she became a Buddhist master in her own right in Thailands Theravada tradition, which is highly unusual and a difficult task to acheive, in a Tradition where women are not permitted to ordain as a Bhikkhuni, and must remain in white as a Karavasa Holder of Precepts.
Despite these disadvantages, her great practice, Metta (Compassion) and her teachings, and Charitable Works for Buddhism, brought her to become the most highly beloved Buddhist Nun in the History of Thai Buddhism. She was known to practice and listen to the Dhamma mostly at Wat Sampant Wongs in Bangkok.
Her most famous amulet is of course the 'Pra Putto Noi' amulet, which was made in various kinds of sacred powder clay. The most popular model being the 'Pim Jumbo' large size model, in its white powder version.
The Pra Putto Noi was created in the year 2494 BE, with the Mae Chee Bun Ruean as the Organiser of the raising of the funds for their making and the Charitable Acts which were planned from the funds. The Pra Putto Noi amulet in its Pim Niyom model, if in pristine state, can fetch tens of thousands of dollars in the high end auction rooms of the Sian Pra Niyom.
Luckily there were many models, and some are still affordable in this time, but they are very far and few to discover for collection. The devotees who wear her amulets walk confidently in faith of the Metta Maha Niyom and Serm Duang Klaew Klaad Powers, and healing effects of the amulets of Kun mae Chee Bun Ruean. Devotees would rub the powders ointment onto giant centipede and snake bites and infected wounds, to heal them.
Her amulets are said to heal illnesses and to improve Karma. They are believed to be full of Puttakun Power to bring auspicious blessings and prosperity, because of Mae Chee Bun Ruean's life of charitable acts, and her practice of great generosity. They are full of Metta Maha Niyom from Mae Chee Bun Ruean's Equal treatment and Loving Compassion for all of her devotees regardless of their social or financial status. All were treated with the same Metta.
Her purity is believed to have made the amulets she created to be so powerful, and caused her Pra Putto Noi and other amulets to be extremely sought after amulets. She blessed the amulets in 2494 BE, with a ceremonial prayer for the Welfare of the Temple of Wat Awut, in Thonburi. The aim of the funds raised from the edition was to construct the Pra Putto Paas Chinarat Jom Muni, as the 'Pra Pratan' Main presiding Buddha Image of the Uposatha Shrineroom at Wat Sarnath Dhammaram temple, in Rayong.
She bestowed permission to Pra Ajarn Sanguan Kosago, the Abbot of Wat Awut Wikasitaram, who had already collaborated in the making of the Pra Putto Noi Amulets which were previously distributed during the Tord Pha Pha robe donation ceremony. Ma Chee Bun ruean also made extra batches to donate to the Monks at Wat Sampant Wongs, for them to give to their devotees who came to make merits.
Apart from the Pra Putto Noi amulet, Kun Mae Chee Bun Ruean made various other amulets which are also in extremely high regard for their Sacredness, such as the Pra Chaiyawat Putto Brass Votive Tablet of 2499 BE, and the Rian Pra Putto Jom Muni coin of the Pra Putto Yai Statue Installation Ceremony of 2499 BE.
Another very popular 'Krueang Rang' Talismanic Charm of Mae Chee Bun Ruean was the 'Thung Hniaw Sap" treasure glue purse (lucky purse to attract treasures and money like glue sticks to paper), made in 2497 BE. The treasure purse was made in various colours; white, blue, yellow, pink, red, black, and with various styles and designs. Som were made from sack cloth, others from fine cloths, some were large others small purses. The closures of the purses were also varied, ranging from zip to string closures.
Mae Chee Bun Ruean empowered the Thung Khiaw Hniaw Sap treasure attractor purses at the temple of the Buddha Footprint at Wat Pra Puttabat, in Sra Buri, where they were blessed in a large Buddha Abhiseka ceremony and released in early 2488 BE. Some purses actually had something inside of them, and others didn't. The purses are reputed for their Maha Pokasap power to increase wealth and professional success, but have also gained a reputation for powerful healing and protection powers too.
Kata Bucha
Na Chā Lī Dti Chimpalī Ja Mahā Thērō Suwana Mā Mā Pō Chana Mā Mā Pōka Mā Mā Mahā Lāpō Mā Mā Sappē Chanā Pahū Chanā Pawandtumē
The Kata is said to have been transmitted to Mae Chee Bun Ruean in Meditation from the God Indra, to pay reverence to the Chimplee Arahant (Pra Sivali), in order to bring Maha Lap Lucky Fortunes, Maha Choke, Lucky Windfalls, and Maha Pokasap Treasures.
For Auspicious Blessings, the Kata should be chanted on any Sunday that falls on the 6th day of the month, any Monday falling on the 15th of any Month, Tuesdays which fall on the 8th day of any Month, Wednesdays which fall on the 17th of any Month, Thursdays which fall on the 19th of any Month, Fridays which fall on the 12th day of any Month , and Saturdays which fall on the 10th day of any Month.
