An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Takrut Tone with Sacred Paya Taew Aew wooden beads for healing and protection, and alleviation of backaches. A very rare talismanic charm of the great Luang Phu Maekh, of Wat Lam Gradan (Minburi), which consists of a metallic Takrut Tone scroll spell (3.5 Inches), attached to a garland of pieces of Mai Paya Taw Aew Dtaay Prai. Mai Paya Taw Aew is a magical wood found in the forests, considered to possess the power to alleviate aching back and waistline. The wood has protective and healing powers, along with the Takrut for Serm Duang Karma Improvement.
Mai Paya Taw Aew is a very rare sacred wood found in the forests, which has been used by olden days folk for centuriies to wear on a cord around one's waist for protection from poisonous beasts and to ease backpains, and heal illnesses. The Takrut serves to bring other blessings such as Serm Duang, Metta Mahaniyom and Klaew Klaad to the compendium.
Luang Phu Maekh Became very famous for his Palad Khik amulets made from Mai Kheuy Dtaay Prai sacred wood. Local Devotees consider the Palad Khik Mai Kheuy Dtaay and other amulets of Luang Phu Maek to be extremely sacred. His Palad Khik are very rare, but an item like this Takrut Mai Paya Taew Aew is amongst the rarest items, for the Paya Taw Aew wood is one of the rarest and most difficult sacred woods to find, and so only very few were ever made.
Luang Phu's Palad were first made by himself, and after their popularity became much greater, he would allow the local devotees to help to carve the amulets, and bless them. When devotees came to give alms at the temple, he would have a large bowl full of the Palad Khik, and allow each devotee to take one handful of Palad Khik home with them after making Merits.
Luang Phu's Palad were first made for locals to hang around the waists of their children to prevent them accidentally being bitten by cobras when playing in the fields, and it soon came to light that the children who received Palad Khik, were playing with cobras without being harmed, and even using the Palad Khik to taunt the Cobras, who would flee at the sight of the Palad Khik.
A young man of the town who wore one was shot at riding a motorcycle, but the gun did not fire the bullet, and he was unharmed. he came to the temple to recount the story, and the legend of Luang Phu Maekh's Palad Khik grew.
A lady Devotee wore the Palad Khik around her waist on a cord belt. She was walking home one night, and entered a dark small soi (alley), and was suddenly pounced upon by a thief, who, when he saw it was a woman, then began to demand that she undressed, so he could rape her.
The lady Devotee prayed to the Palad Khik of Luang Phu Maekh as she undressed, to save her from her plight anmd danger, and as she removed her dress, the robber and to-be rapist cried out in surprise when he saw the Palad Khik poking out of her dress, and, thinking the lady was a man (transvestite), ran away, leaving the lady unharmed, and with all her money and possessions intact.
Many market traders who Bucha the Palad Khik Luang Phu Maekh would use the Palad as Luang Phu had instructed to stab the wares they were selling with the Palad Khik in hand and chant the Kata for Luang Phu Maekh, and their sales would skyrocket.
Luang Phu Maekh's mortal remains are said to be 'Mai Nao Mai Bpueay' which means that the corpse does not rot, without any mummification.
This is seen as a miracle of Arahantship by devotees.. Luang Phu Maekh was known for his direct speech which did not beat about the bush, but also for his great truthfulness of speech, and open hearted honesty.
His sacred wooden amulets are known for their power to ward off the dangers of poisonous beasts such as snakes and deadly insects, as well as for its Kaa Khaay power to increase successful sales of goods.
Kata Bucha Luang Phu Maekh
Light 9 sticks of incense and call Luang Phu Maekh to you by merely calling him.. 'Phu'
Chant Maha Namsakara 3 Times;
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa
Then Chant;
Idti Sukadtō Arahang Mēkhō Sajja Sappō Nāma Dtē Bprasitti Mē Ēhi Ahō Namō Puttāya Putta Sangmi Nachā Lidti U-Ā-Ga-Sa Mi Dtē Pā Hu Ha Dti Ahang Wantāmi Sappatā Sappa Lāpang Bprasitti Mē
