An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Ban Neng Lersi Nang Suea; A one off original necromantic skullbone carving, in the image of a Lersi Hermit God, seated in meditative posture with a tiger head on lap, in Jumbo Size. An immensely protagonistic amulet, that stands out from the crowd with its powerful dark arts power. This large and highly detailed Lersi Bone Carving, is a most imposing amulet for wear, or ritual bucha object for the altar, and an immensely rare world class hand made ancient amulet of the Great Ayuttaya Lay Master Ajarn Heng Praiwan,. NOTE; At time of posting, despite the recent removal pf Paypal, until mid February 2022 you can still pay per paypal if you prefer it to Western Union, on https://www.paypal.me/amulets (we know it is easier and apologize that we are losing this payment method due to new Thailand rules), you can use this link to pay with (after ordering, and state so in order comments so we can check paypal and send your order).
This skull bone carving, is in quadratic shape, and is an immensely filigrain, and finely detailed master class carving from a top artisan, with an ancient and exquisitely filigrain carved details of the images of Por Gae Lersi Hermit God, with tiger head on lap for Maha Amnaj Kong Grapan, and decorative Lai Thai embellishments. This carving is so visibly, finely carved with immense details, that it can only have been made by a Master Artisan, with the highest level of prowess. specializing in the Lai Thai traditonal Buddhist Line-Art.
Free EMS / DHL / FedEx Express Shipping and the option of free solid silver Waterproof Casing is included with this item. An extremely rare, and exquisitely beautiful carving that is among the finest one could encounter by Olden days Lay Master Ajarn Heng Praiwan. Carvings of this level of fine detail, adherent to the ancient rules of Lai Thai fine line art traditional design, are in them-self, even when not powerfully blessed by great Monks, a piece of historical and cultural religious art that is of the museum curation level.
This particular Ban Neng in fact, is beyond any kind of true price estimation (Hence 'Priceless'), for its beauty, spiritual and cultural value, and the level of artistic prowess of the design carving, makes it a piece of fine art in itself, in a collector niche of 'The Man who has everything', that would not even blink to pay ten times what we would ask for this item. But we do not like the concept of traders offering different prices for the same item, depending on how wealthy the buyer is - we consider that fraudulent behavior, and unethical trader-attitude, same price for all with us. The price of an item such as this is not low in any case, so we see no reason why dishonest traders and those who sell to millionaires should 'bump up the price'. That is not necessary to succeed as an honest trustworthy trader. This is the philosophy of curator Ajarn Spencer Littlewood.
Below; Hand made spell inscriptions in Khom Agkhara (Khmer Sanskrit), are visible on the rear face (inner side of skullbone), of the Ban Neng Carving.
The Ruesi/Lersi represent the ancient Hermit God Deities of Vedicv Lore, who first took the psalms of heaven and wrote them down into grimoires, and created the multitude of Wicha (arts crafts magical arts, instruments, trades and sciences) to communicate to humans on earth. The Lersi on earth are practitioners who aspire to become lower human form emanations of these Devas, who are found on multiple dimensions/levels of the celestial realms, and the HImapant Forest.
Kata Bucha Ruesi;
Om Imasaming Pra Bprakone Tap Pra Muneetewaa Hidtaa Dtumhe Bparipunchandtu
Tudtiyambpi – Imasaming Pra Bprakone Tap Pra Muneetewaa Hidtaa Dtumhe Bparipunchandtu
Dtadtiyambpi – Imasaming Pra Bprakone Tap Pra Muneetewaa Hidtaa Dtumhe Bparipunchandtu
Kata to ask for the blessings of the Ruesi;
Om dtwa mewamaadtaa ja bpidtaa dtwa mewa dtwa mewa pantusaja sakhaa dtwa mewa dtwa mewa witayaa tarawinam dtwa mewa dtwa mewa sarawam ma ma tewa tewa
Kata for Bucha Ruesi Narot
Ugaasa Wantami Bhante Sappatang Abparaatang Kha Ma Dta Mae Bhante Mayaa Gadtang Bpunyang Saaminaa Anumotittappang Saaminaa Gadtang Mayhang Naadtappang Saatu Saatu Anumotaami
Wantaami Narata Burapaajaariyang Sappa Maetosang Khamadta Mae Bhante
It should be noted that to correctly Bucha Ruesi Deities, one should also have Korb Kroo ceremony performed on you in order to receive protection and lineage of the Ruesi Masters.
Kata Bucha Por Gae Ruesi Dta Fai
Ugaasa imang akkee paahoo buppang Ahang wantaa aajaariyang sappasayang winaassandti
sittigaariya abparabpachaa imasaming pawandtume
tudtiyambi – imang akkee paahoo buppang Ahang wantaa aajaariyang sappasayang winaassandti
sittigaariya abparabpachaa imasaming pawandtume
Dtadtiyambpi – imang akkee paahoo buppang Ahang wantaa aajaariyang sappasayang winaassandti
sittigaariya abparabpachaa imasaming pawandtume
Katas for Revering the Ruesi
Various Kata (general and specialized) for praying to the Ruesi, and empowering your Ruesi amulets, Por Gae Masks and Statues
General Kata (Good for all Ruesi)
Namasa Dtisadtawaa Isisitti Lokanaatathang
Anudt Dtarang Isee Ja Pantanang
Saadtraa Ahang Wantaami Dtang Isisittiwesa
How to Pray to Ruesi Narot (Naradha)
Offer Hmak Plu (Betel nut and Areca leaf), tobacco and grapefruit. Also offer flower garlands which have jasmine flowers in them.
Kata Bucha Phu Ruesi Nakarach
Om Mahaa Swaahome Na Leu ler Asisidti Tanuu Jaewa Sappae Aawutaanija Pakka Pakadtaa Wijuninaani Lomang Maamae Na Pussandti
โอมมะหา สวาโหม นะ ฦา ฤา อสิสิติ ธะนูเจวะ สัพเพ อาวุธทานิจะ ภัคคะภัคตา วิจุนินานิ โลมังมาเม นะผุสสันติ
Kata Por Phu Ruesi Narai
Om Namo Por Phu Ruesi Narai Na Ma (chant three times)
then chant;
Sahassa Naedt-Dto, Por Phu Ruesi Narai, Tippa Jagkhung Wisotaaya
Om Imasming Saggaara Wantanang Por Phu Ruesi Narai
Buchidt Dtawaa Mahaa Laapo Sukhang Palang Pawandtume
The Kata (mantra) for Ruesi Hnaa Suea (tiger head ruesi) is as follows;
Oem Rue Reur (Leu Leur if you like), Mahaa Rue Raa Payakkae Payakkoe
Ittirittae Ittirittoe Sirae Sirae Kuroe Kuroe Yaadoe Bpen Man Naa Ham
Guu Diar Bang Giar Doer Doer
Alternatively, or in Addition to the previous Kata;
Ugaasa Imang Akkee Paahu Bpub-Phang Ahang Wantaa Aajariyang Sappa Sayyang Winaasandti Sitti Giriya Abpa Rabpa Chaa Imasming Pawandtume
Tudtiyambpi – Ugaasa Imang Akkee Paahu Bpub-Phang Ahang Wantaa Aajariyang Sappa Sayyang Winaasandti Sitti Giriya Abpa Rabpa Chaa Imasming Pawandtume
Dtadtiyambpi – Ugaasa Imang Akkee Paahu Bpub-Phang Ahang Wantaa Aajariyang Sappa Sayyang Winaasandti Sitti Giriya Abpa Rabpa Chaa Imasming Pawandtume
Kata Bucha Ruesi Galai Gote (Deer Head Ruesi)
Namo Galai Godti Mahaa Munii No Suradtaba Chaanatarassa
Sujaridta Chanaanang Sappa Sitti Taaya Gassa Manussaa Taewaanang
Warakunatara Mahaa Muninodti Bpaadtagassa
Ahang Dtang Wantaami Dtumhae No Gaaya Palanja Jidt-Dta Palanja Sappa Sittinja Taetha
Ajarn Heng Praiwan, was a great Lay Master, and Adept Necromancer of olden days, of the Ayuttaya Province, whose Takrut, and hand carved ivory, bone, tooth, and other talismanic objects are legendary with high end collectors and curators, and devotees of this Master, whose magic is said to have been so very powerful. Ajarn Heng was born in the year 2428 BE, and was ordained as a Buddhist Monk when he came of age, at Wat Suwan in Ayuttaya. During his ordained years, je studied many ancient magical Wicha of the grimoires of Wat Pradoo Rong Tam, which was a great library of ancient magical grimoires, perhaps the largest in the country. He became extremely able in the inscription of Khom Agkhara Sanskrit Spells, Kata Incantations, and Sacred Yant, and became very well known as a great Master of Sak Yant Thai Temple Tattoos.
Ajarn Heng Praiwan, studied the Wicha Grimoire of the Dtamra Radtana Mala until attaining full Adept Mastery, after which he disrobed for a time to help his parents, after which, he ordained again once more, at Wat Prayatigaram in Ayuttaya, with the Great LP Glan Tammachodti, Abbot of Wat Prayat, as his Upachaya Ordaining Monk. He spent a long period of time learning and mastering the full Dtamra of the Wicha of Luang Por Glan, after which he disrobed again, and became a lay-sorcerer until the end of his days, when he passed away at the age of 75, in the year 2502 BE.
It is said that Ajarn Heng's father, was either a police officer, or a prison officer, and sent Ajarn Heng to Penang, and Singapoer to be educated.But Ajarn Heng did not finish his schooling, and left, because of his immense fascination and interest in the study of Saiyasart, & the Dtamra Saiyawaet Grimoires, of Thai Buddhist, Animist, and Necromantic Occult Practices. He even traveled to the South of Thailand to learn the most ancient Magical Practices of the Southern Khao or Sorcery Lineages.
After his time practicing and mastering the Southern Lineage Magical Practices, Ajarn Heng returned to his home Province of Ayuttaya, in Central Thailand. Ajarn Heng was now a Master of the Wicha of Luang Por Glan, and the Southern Wicha of Sorcery which dates back to the Sri Vichai Era of Siam. The Wicha Mastered in Entirety of Wat Pradoo, whgich Ajarn heng has undertook, came from the time when King Naresuan Maharach, ordered the Wicha Saiyasart Grimoire texts to be inscribed and stored at Wat Pradoo Roeng Tam.
The inscriptions were begin and finished between the years 2133 - 2148 BE. It was King Pra Mahesuan Maharach, who united the city Kingdoms of Siam and Unified the country into one Land, namely 'Siam', or 'Thailand', and made the city of Ayuttaya the first capital of the Kingdom (Later to be moved to Bangkok, for logistical and geo-political reasons).
Ajarn Heng began to serve the public and accept devotees, at first by only performing Sak Yant Tattoos, and became known as one of the Top Sak yant Masters in the Country of his Time. Another later Kroo Ba Ajarn and Friend in Dhamma, Luang Phu Si, of Wat Sakae in Ayuttaya (Temple of LP Doo), once told that during the time of King Rama the 3rd, during a time of military dispute, around the year 2475 BE, many regiments of Thai soldiers, of both high and lower standing went to Ajarn Heng for his protective Yant, due to the miraculous powers attributed to them, all one the same day. On this occasion, Ajarn Heng constructed the ritual place at Wat Hantra Temple. Ajarn Heng invited a host of powerful Monks with Psychic Powers to assist in the ceremony of Blessings.
In this occasion (around 2476 BE),Ajarn Heng had to work very hard to gather a large number of Master Monks to come and perform the Suad Nam Puttamont Chanting Ritual, and this was a very had task in those days in Ayuttaya, to travel around and fine enough top masters who knew the chanting of the Nam Pra Puttamont and the Putta Pisek (Buddha Abhiseka) ceremonie. He was assisted in this task, by the great Luang Phu See of Wat Sakae.
But on this occasion, Luang Phu Si could not attend as well, because he was busy with Dhamma Duties at Wat Liab. But, after this Ceremony, Ajarn Heng would always invite Luang Phu Si to attend all of his subsequent Blessing Ceremonies, and assist with empowerment.
Ajarn Heng was a relatively wealth person with two houses and land stakes, one in the countryside in Tung Hantra, and one in Bangkok. And so, he would have devotees seek him out in Bangkok and in Hantra, for Sak Yant Tattoos, and his powerful amulets. It became popular to get high class artisans to carve his amulets, as well as village people would carve animist charms from ivory, wood, and sometimes, necromantic Ban Neng skullbones, which are of course, along with his famous metallic, and inimitably designed Takrut Maha Jakkapat Metallic Scroll Spells, the most highly valued, rare, and sought after by devotees of the great anbcient Ayuttaya Lay Sorcerer. Finally, Ajarn Heng moved to stay in Suan Malee, until the Wars in Asia Broke Out, whereupon he left the Capital, and returned to his home Province of Ayuttaya.
During this time, there were many Gangsters and Highwaymen, and a lot of need for Sak Yant Tattoos for Kong Grapan Chadtri and Klaew Klaad protective Magic, and Ajarn Heng became a highly acclaimed master, renowned for his Yant Gao Yord (A Wicha Obtained from the Great LP Hrun). Ajarn Heng was able to receive additional Wicha from the famous temple of study of Sorcery, Wat Sam Jeen, as well as receiving Wicha from the great Luang Phu Tong, of Wat Rat Ayotaya, and Luang Phu Kam Wibun.
Ajarn Heng's Kong Grapan magic was so famous, that it became popular for police and military to get his tattoos, but also that they did not like the fact that so many Gangsters had them too, anbd were impossible to shoot dead. There was once a time when Ajarn Heng was parked in a boat on the banks of the river at Wat Cherng Lane Temple, where the Police came, and had to forbid Ajarn Heng from tattooing more, because the area was overflowing with Gangs of Highwaymen, and his tattoos were making it impossible for the police to catch them.
Ajarn Heng was known to have been highly able himself with Buddhist Arts, and Carvings, in wood, ivory, bone, and skull Ban Neng, as well as being highly famed perhaps most of al, for his famous Takrut, and Carved Ban Neng. It is even said, that the Great Artist Kroo Hem Waechakorn said of Ajarn Heng that "If there is anyone who can draw the four faced Brahma Image better than anyone, it is Ajarn Heng Praiwan". Ajarn Heng was extrremely adept in Wicha Hanuman for Invicnibility, Kong Grapan, Victory, and Loyalty, which were very popular of course with all devotees, be they Police, Civil Servants, Ganster Mafias, Triads, or Military. Ajarn Heng made so many different forms of carved amulets and animist charms, that it is very hard to catalogue all of them, but if one is to say 'which amulets are the most well known?' One would say perhaps his famous Rian See Hnaa 4 faced Brahma coin.
