An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Sacred Yantra Cloth with Pantheon of amulets, and the image of the Great Luang Phu Poo Kangkabanyo, of Mai Amataros (Wat Bang Khun Prohm), from the year of the great 25 Centuries of Bีddhism Celebrations which were held around Thailand, being one of the most important years in the history of Thai Buddhism, for its Religious Significance, as well as for the many editions of Sacred Amulets Blessed and Released during this year.
The Pha Yant measures 11 x 8.5 Inches, and is portable if folded in the pocket, or can be framed on the wall, or to stand on your altar for Bucha.
The Pha Yant features the image of Luang Phu Lampoo, seated with his most famous amulets of the time around him, with some Khom Agkhara Inscriptions of the Kata Pra Sivali (Na Chā Lī Dti), and two Sacred Yant Dto, with Unalome. A very rare exhibit that is highly recommendable for those devotees who revere Luang Phu Poo and is amulets, to accompany and enhance the power of the amulets you wear from this master.
Luang Phu Lampoo was the Vice Abbot of Wat Bang Khun Prohm, and made amulets which are all Pra Niyom Classics within the Dtamra Pra Somdej. The Pra Somdej Wat Bang Khun Prohm amulets of Luang Phu Lampoo are amongst the most highly preferred and sought after amulets of the Pra Somdej Wat Bang Khun Prohm Pantheon.
They are considered to be the perfect alternative for the extremely rare and difficult to afford Pra Somdej Wat Bang Khun Prohm of the Gru Chedi Yai from Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram.
Luang Phu Lampoo made his famous editions of amulets using using broken pieces of the Pra Somdej of Somdej Pra Puttajarn (Dto) Prohmrangsri/ He used amulets which were removed from the Chedi Yai (large Chedi Stupa at Wat Mai Amataros (Wat Bang Khun Prohm), during the grand 2500 BE Opening of the Kru, to grind down into Muan Sarn Sacred Powders. When the Kru was opened in 2500 BE, he took a large number of Somdej Dto's amulets, which were found to be broken and not distributed during the opening of the Kru, and used these sacred Votive Tablets to grind down into Muan Sarn Sacred Powders.
He used these powders to repress them into the Pra Somdej Pim Wat Bang Khun Prohm, and replaced them back into the Chedi Stupa for a time. He then removed each edition again from the Chedi Stupa Kru Chamber, and began to hand them out in each of the various years of his various editions. Luang Phu is known to have personally the number 9 on the rear face of some of the editions, which he would place some of in the Chedi, for later distribution. The last of his amulets were remove from the Kru in 2519 BE, mostly with the number 9 Inscription towards the end.
The Pha Yant is not only a Sacred Blessed Bucha item, but is also a powerful Sacred Artifact blessed in important ceremony during the Grand Blessing Ceremonies of the 25 centuries of Buddhism Celebrations. The Pha Yant is in addition a Testament to the Eminence of the amulets of Luang Phu Lampoo, and pays tribute to them. To perform Bucha to the Pha Yant, and wear his amulets simultaneously, can only serve to strengthen their Miraculous Power.
If we speak of the high end collector, devotee and aficionado who seeks the amulets of the famous Pra Somdej Wat Bang Khun Prohm Luang Phu Lampoo, all of which are extremely rare, we should also then know that the truly knowledgeable collector, who keeps his secrets well, turns to gaze at the Pra Somdej amulets of Pra Kroo Amara Kunajarn Luang Phu Lampoo Kangkapanyo, the ex Vice Abbot of Wat Mai Amataros (Bang Khun Prohm).
It is impossible to overlook the amulets of Luang Phu Lampoo as a true aficionado, for their eminence, great beauty, and highly sacred value. His amulets have become extremely rare in the present day, and have joined their predecessors to become essential rarities, that only the diligent amulet hunter and collector can find.
Luang Phu Lampoo was Vice Abbot of Wat Bang Khun Prohm temple, and was born in 2444 in Amphoe Ta Ruea, Nakorn Sri Ayuttaya. He was Ordained at Wat Gai Jan in Ayuttaya, in the Year 2465 BE on the 1st of May, which was a Monday (Moon day) of the 6th Lunar Phase of the 6th Lunar Month.
His Upachaya was Pra Ajarn Luang Por Badtr Intachodti of Wat Sadteru, of Ayuttaya. His Gamma Wajajarn was Pra Atigarn Luean of Wat Thalung Hlek, and his Anusawri Ajarn was Pra Ajarn Tong Dee of Wat Bua Nam in Ayuttaya. Luang Phu then diligently studied Khom Agkhara Ancient Sanskrit Magical Script.
Then, in the year 2469 BE, Luang Phu Lampoo moved to practice further at Wat Chang Tong in Ayuttaya, where he spent 7 years practicing Kammathana Vipassana. During these years, he studied Khom Sanskrit Agkhara and Putakom Sorcery. In 2473 BE he reached his Batchelor's Degree which he passed at Wat Nong Khuean Kang in Sra Buri.
Then the year 2469 BE Luang Phu Lampoo moved to practice further at Wat Chang Tong in Ayuttaya, where he spent 7 years practicing Kammathana Vipassana. During these years, he studied Khom Sanskrit Agkhara and Putakom Sorcery. In 2473 BE he reached his Batchelor's Degree which he passed at Wat Nong Khuean Kang in Sra Buri.
Then, in the year 2477 BE Luang Phu moved from Wat Chang Tong to stay at Wat Bang Khun Prohm in Bangkok to continue his practices, and was elected to become Vice Abbot the first time in 2502 BE, which Luang Phu refused, saying they should choose a younger Monk. In the Year 2512 However, Luang Phu Lampoo was given the task of Vice Abbot, and accepted.
Luang Phu Lampoo was one of the members of the Gammagarn Comittee who performed the official opening of the Chedi Yai Gru Chamber in 2500 BE to remove the Pra Somdej Wat Bang Khun Prohm amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri (Wat Rakang Kositaram). After most of the amulets were distributed, those which were broken and left over, were taken by Luang Phu Lampoo and kept in his Kuti hut.
As the unbroken amulets were all depleted, and the devotees found out that Luang Phu Lampoo had kept a large number of the broken ones at his Kuti, the devotees began to flock to him to ask for hims to give them a broken amulet. Luang Phu then decided to grind the broken amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri into powders again, and repress them into newly formed Pra Somdej. He mixed the sacred amulets which were ground down with some other Muan Sarn Sacred Powders which were gathered from the most magical and sacred sources, temples and masters, and repressed the powders into amulets again within the Dtamra Pra Somdej of Somdej Pra Puttajarn (Dto) Prohmrangsri Wat Rakang Kositaram. There were both light colored amulets, and some were also mixed with black Pong Bailan powders (made from burning ancient Buddhist parchment magical grimoires into soot).
Luang Phu Lampoo created 2216 Amulets in all in the 2502 BE Edition. Of these, 11 different Pim (design models) in the famous 2502 BE release were created, which were;
1. Pim Yai 2. Pim Yai Gaes Talu Sum 3. Pim Yai Dtor 4. Pim Ok Krut 5. Pim Sen Dai 6. Pim Thaan Koo 7. Pim Thaan Saem 8. Pim Prok Po 9. Pim Kanaen 10. Pim Jantr Loi and 11. Pim Saiyasana.
As to the 11th Pim (Sayasana sleeping Buddha), only very very few of this model were made, which Luang Phu distributed himself handing out to his closest devotees at the temple.
Luang Phu Lampoo finished the amulets in 2502 BE, and began to distribute them. He also took a number of the amulets and hid them back in the Chedi Stupa Gru chamber until the year 2519 BE, after which they were removed and handed out to devotees who came to receive Holy Water Blessing to heal illnesses, which was performed at the temple in that year by Luang Phu Lampoo.
Apart from the Pra Somdej Wat Bang Khun Prohm 2502 famous Pra Niyom amulet edition, Luang Phu Lampoo also created many other editions of preferred amulets, including the Pra Somdej 2514 BE Hlang Yant edition, 2515, 2516, 2517 and 2519 Editions.
Luang Phu Lampoo also has famous Guru Monk Coin edition amulet, which has a first and second edition, known as the Rian Roop Khai (oval egg shaped coin), and the Rian Met Dtaeng (Watermelon Seed shaped small coin). The coin featured the image of Luang Phu Lampoo sitting in meditation (Samadhi). The blessing of those amulets was made in is Kuti with a number of Great Monks he was befriended with, in the Year 2515 BE. After this Luang Phu Lampoo made and released his 2516 BE and 2517 BE Pra Somdej Wat Bang Khun Prohm, which were blessed in Buddha Abhiseka at Wat Gai Jan, the temple of is original Ordination into the Sangha, where they were also released.
The remaining amulets left over were re-hidden within the Chedi Stupa at Wat Bang Khun Prohm, until the Year 2519 BE. In 2519 BE, the Chedi Stupa was reopened and the amulets from all of his editions till then were removed and re-entered distribution, with certain models being stamped with rubber ink stamps for differentiation from the original releases in 2502, 2514, 2515, 2516 and 2517 Chedi Openings.
Some years later, in the Year 2521, Luang Phu Lampoo initiated a Kathina Robe Ceremony at Wat Gai Jan in Ayuttaya, to raise funds to help the building of an Uposatha Shrine Room, which was attended by His Majesty the King Bhumipol Adulyadej Rama 9, and Pra Somdej Pra Nang Jao Pra Boroma Rachininat (Her Majesty the Queen), on the 18th July 2521 BE. Their Majesties performed the Intitiation of the raising of the roof beam struts (Chor Fa) of the Uposatha, and performed the 'Piti Dtat Look Nimit' Nimitta Arahant Ball, which is traditionally buried beneath the Shrine Room
Their Majesties installed the Buddha Relic within the Pra Gaes Mala topknot of the Buddha Image, and signed the Sila Reuks foundation stone and Invited the Buddha to dwell within the Image. Their Majesties also planted 2 Pikul Trees (Asian Bulletwood - Latin; Mimusops Elengi), and donated a large donation of funds to the temple of Wat Gai Jan.
Below Image; An example of a Pra Somdej Luang Phu Lampoo 2502 BE Edition amulet (Pim Yai Gaes Talu Sum)
Luang Phu Lampoo is also known to have created Pra Somdej amulets at Wat Gai Jan Temple too, in the years 2521, and 2522 BE, making only one single Pim Model, the Pra Somdej Pim Yai. Many amulets of Luang Phu Lampoo were also secretly hidden under the base of the Pra Pratan Buddha Image at Wat Gai Jan, and in the Year 2542 BE they were removed for distribution.
Below left image; some of the many amulets in the pantheon of Luang Phu Lampoo featured in the Lanpo Amulet Appreciation Society Publication.
Luang Phu also made some Guru Monk Coins in 2524, which celebrated his 80th Year of Age, and in the same edition, Wat Gai jan also created a Bucha statue in his image to pay respect to Luang Phu Lampoo.
This is considered to be Luang Phu Lampoo's last ever edition. He did not make any Pra Somdej amulets in that edition at all. Luang Phu Built a Vihara srhine at Wat Gai Jan for his body to be kept at after his death, but remained at Wat Bang Khun Prohm until his death, leaving instructions for his body to be moved to Wat Gai Jan after one year of his passing.
On the 1st September 2533, Luang Phu Lampoo finally passed away, and after one year of respect giving at Wat Bang Khun Prohm, his remains were moved as instructed to Wat Gai Jan, and installed in the Vihara Shrine which he had allocated for himself to be placed in.
Luang Phu Lampoo's body did not decay in any way over the years as they have passed, but In the Year 2552 BE, the committee of Devotees of Luang Phu Lampoo began to rumour about the need to perform a Royal Decree Cremation for the remains of Luang Phu Lampoo according to Tradition. Luang Phu Lampoos remains were finally cremated on 14th November 2552 BE at 16:00 hours.
