An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Introducing an Eternal Classic - Pra Pong Roop Muean Somdej Pra Puttajarn (Dto) Prohmrangsri Wat Rakang Kositaram 2516 BE
Empowered by the Great Luang Phu Kam Saen of Wat Don Moon, with Special Second Blessing from the Arahant Monk Luang Por Kasem Khemago, released at Wat Udom Tamm Rangsi Temple, in Chiang Mai.
Luang Phu Kam Saen Kunalangaro of Wat Don Moon in Chiang Mai, performed empowerment for a full Traimas (Trimester) throughout the rainy retreat of the year of 2516 BE. After he had completed his empowerment rituals.
He then travelled to see the great Arahant Luang Por Kasem Khemago at the Sussan Trailaks in Lampang, to beseech him to offer his Blessings and Further Empowerment over the amulets. Luang Por Kasem conceded and gave these most attractive sacred powder images of Somdej Pra Puttajarn (Dto) Prohmrangsri another full Traimas Blessing, spending a full 3 months of nightly empowerments during meditation in his Kuti.
The front face of the amulet features the image of Somdej Pra Puttajarn (Dto) Prohmrangsri in his famous posture holding the rosary, sat in Samadhi Bhavana, inside a bell shaped arch, with a Vajra belltop, which of course represents Wat Rakang Kositaram ('Wat Rakang' meaning 'Temple of the Bell'). The words 'Somdej Pra Puttajarn (Dto) Prohmrangsri' are embossed on the base of the arch. The amulet has developed 'Kraap' stains, which come from Holy Prayer Water sprayed over the amulets during blessings.
Small cracks have begin to form, which is a part of the climatic changes due to humidity, and which over time, recede to congeal and condense, and will eventually become very tightly compressed to form a crackled surface, as is often seen in many examples of the famous Pra Somdej Wat Rakang Kositaram, adding to the beauty and character of the amulet.
Some exhibits may have Kraap Stains, and others may not, depending on each amulet. It is a matter of personal taste, as to whether one prefers the exhibit to have Kraap Stains, or not, depending on the personal preferences of each collector or devotee.
The rear face of the amulet has the Sacred Yant Pra Putta Jao Sip Ha Pra Ongk 16 Buddha Yantra, which contains the Kata of the turning of the 4 elements containing the invocation of the 16 Buddhas.
'Na Ma Na A - Nor Gor Na Ga - Gor Or Na A - Na A Ga Ang'
It is said that whoever chants this Kata regularly and possesses the 16 Buddha Yantra will never fall into Hell Worlds or the worlds of the Hungry Ghosts.
Kroo Ba Kam Saen of Wat Don Moon, was a top Gaeji Ajarn Guru Monk of the Lanna Tradition, famed for his Wicha Wua Tanu Sacred Arrow Bull. He was a direct student of the Great Arahant Monk Luang Phu Mun Puratto, and cose friend and colleague of Luang Phu Hwaen Succino, of Wat Doi Mae Bpang. Luang Phu was born in 2436, and passed away in 2522 BE, and is considered an Arya Sangha Guru Monk of highest reverence in the Lanna Tradition.
Luang Por Kasem Khemago
Luang Por Kasem Khemago of the Samnak Sussaan Dtrailaks, in Lampang, is considered an Arahant in Thailand. His Birth was predicted by the Great Kroo Ba Srivichai naming him as the ‘Meritorious One’, and his Legend is One of Great renunciation and Purity.
Read the Biography of Luang Por Kasem Click Here
Luang Por Kasem was inimitable for the fact that he was Abbot of a large temple, and one day disappeared, to be found on the edge of the forest in a Sala resting place, where the devotees had sought him out worrying where he had disappeared to. They beseeched him for hours until they finally had to give up when it became evident that Luang Por Kasem did not wish to be caught up with the worldly duties of a large temple, and had decided to flee to the forest to practice and follow in the footsteps of the Lord Buddha.
He remained in the forest in a deep zone of the Jungle where people found it almost impossible to remain, due to the massed of insects and mosquitos. But Luang Por Kasem was able to remain without being bothered, despite wearing only a sparse yellow Civara robe. It is said that he practiced the true Tudong Methods of keeping only one robe, and not bathing for a period of 3 weeks at a time, but that his body would not smell, and indeed had a perfumed odor to it.
The mountainside forest area where he remained finally became a Samnak Songk and eventually a temple, where the remains of the Arahant are kept to this day in a glass coffin, for Devotees to pray to and be inspired by his great Patipatā.
