An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Kru Tri Gaay 2480 BE - Luang Por Ngern Wat Don Yai Horm (2433 - 2520 BE). The Pra Tri Gaay amulet is one of the rarer amulets of this Great Master, and also a highly preferred classic of Luang Por Ngern's Great Pantheon of Amulets.
The amulet is made from Nuea Din Saksit Long Rak - Sacred Clay made from earths taken from ancient holy sites mixed with other sacred powders, and then covered with black herbal lacquer.
This is one of the early era models, which he began making around the Year 2480 BE, and continued to make further editions through the following two decades. Luang Por Ngern made another style of this amulet 37 years later in 2517 after a block press modl was found in a Kru Burial Stupa from the ancient Lopburi Periodic era, and was used to press some different models in the 2517 BE editions.
The front face of the amulet depicts Three Buddha Images within a lotus petal shaped frame with a crystal arch aura (rasamee) around them. All three Buddhas are sitting in Samadhi meditation.
The rear face of the amulet reveals hand pressing, and has traces of the thumbprints of the Master upon it, which are still visible through the black lacquer coating.
This is a Pim Klang medium size model measuring 2.8 x 2.3 Cm, and is a highly attractive acquisition for any true Buddhist, or devotee of Luang Por Ngern Wat Don Yai Horm.
For collectors of the amulets of the Lineage Masters of Wat Don Yai Horm this is an essential rarity to complete the showcase with, and is an extremely sacred amulet design which has been made over many many centuries of Thai Buddhist History, making this also an extremely valuable historical artifact indeed.
Luang Por Ngern had been making the Tri Gaay amulet for many years throughout the middle and latter part his ordained life, beginning in 2480 BE and many editions were made before the Year 2500 BE in Sacred Powders, But since the year 2517 BE, a different model was made from the Mae Block Pim which had been discovered from an Ancient Lopburi Era Burial Place Kru Chamber find during an archeological dig under the site of the sacred shrines. That later edition was called the 'Munlaniti' edition - the Pra Tri Gaay of that later edition was released along with another amulet, in different version, namely one of Luang Por Ngerns Classics, the Pra Baramee Sip Tat (see below image).
Above; 2517 BE Munlaniti Edition Amulets - Pra Tri Gaay and Pra Baramee Sip Tat
The Pra Tri Gaay three meditating Buddhas amulet of 2480 BE, was made in three different models; Pim Lek (small), Pim Klang (medium) and Pim Yai (large size).
Luang Por Ngern Jantasuwanno, of Wat Don Yai Horm (Official Ordained Name; Pra Racha Tammaporn), was known as the Taep Jao of Wat Don Yai Horm, and was extremely famous for his amulets, which are renowned for their Kong Grapan Chadtri, Klaew Klaad, Metta Maha Niyom, and Maha Lap Powers.
Luang Por Ngern was the previous Abbot of the temple of Wat Don Yai Horm, before the Great Luang Por Chaem, who continued after him.
He was a 'Pra Nak Pattana', which is the term given to a Monk who specialised in developing temples and Building Shrine Rooms, and local facilities for the common folk, such as schools and hospitals, to make merits helping living beings, to alleviate their sufferings.
In the times of Luang Por Ngern, the temple of Wat Don Yai Horm and the surrounding area were still in the midst of undeveloped countryside, and the temple was the centre of gathering for the local folk. The temple of Wat Don Yai Horm was hence the place where the folk would go to be educated by the monks of the temple who performed the duty of teaching children and schooling them, as well as healing illnesses and ailments.
Apart from this it was of course first and foremost the spiritual centre of the community, and the place where people received Dhamma teachings, and learned how to meditate, pray, and chant Kata.
Luang Por Ngern was renowned for his meritorious attainments in both restoring and developing the temple facilities, providing education in the form of schooling for children, and medical treatment for the poor, and was a great source of comfort to those who came in desperation to seek spiritual consolation. This is the reason why he was called 'the Angel of Wat Don Yai Horm'.
Luang Por Ngern was also extremely renowned for his high level of Patipatā (Practice of Restraint as an Ordained Bhikkhu within the 227 Rules of the Buddhist Vinaya Pitaka Canon), for his leadership in guiding the local devotees towards the right way to practice.
He was just as well renowned and revered, for diligently and tirelessly developing the temple and its annexed facilities. He build many Public Buildings for the benefit of the Local Folk, in order to alleviate their sufferings.
Even though Luang Por Ngern is long since passed on to the next world, the people of Nakorn Pathom province still pay respect and revere this Great Monk for his great Merits and Metta, and the selfless deeds he performed, and public facilities he built for the local folk, and his memory is as alive today, as it was during his lifetime.
he is considered one of the great Guru Monks of History, and his amulets are amongst the most highly sought after. His vast pantheon of amulets range from highly preferrred Pra Niyom Monk and Buddha coins, Alchemical Maekapat Metal amulets, his famous Pra Sip Tat, Takrut, Putta Chinarat, Pra Sip Tat, Clay amulets (such as the Pra Tri Gaay, Pra Baramee Sip Tat, and Pra Putta Chinarat) and Sacred Powder amulets, especially his Pra Somdej are very favoured indeed.
