An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A Master Class Pra Niyom Category Pra Pid Ta amulet in pristine condition with herbal lacquer coating, gold leaf and the Yant Khaw Hlaam Dtat on rear face, in sacred Muan Sarn Powders of Luang Phu Kaew, first abbot of the previous century, of Wat Nong Tamleung, Luang Poon who was abbot at the same time, Discovered both entire, and broken amulets, and also Muan Sarn Sacred Powders of Luang Phu Kaew, within the hiding place chamber of the temple, which led to the release of these amulets, by order of Luang Por Poon. This amulet is one of the extremely rare amulets of the Pra Niyom Master Class category of the Chonburi Masters, and has a cult collectorship following in the Wongarn Pra Niyom Sai Chonburi (Chonburi Province High End Collector Scene). The exclusivity factor of this amulet is indescribably high, and its popularity with the Deep-Niche Chonburi Provincial Collector scene, only serves to underline it further, as an Ultra rare Pra Niyom Master Class Amulet.
The Pra Pid Ta Luang Phu Kaew, although discovered and released by the Abbot, Luang Por Poon, is an amulet made with Luang Phu Kaew's ancient and powerful sacred Muan Sarn, from the Kru Burial Hiding Place of Luang Phu Kaew, who was the first Abbot of Wat Nong Tamleung over 100 years ago, and who buried a few hundred amulets in a Kru Chamber under the Pra Pratan Buddha Image in the Uposadha Chapel of the temple, which were found as the temple was moved and a new Uposadha was to be built.
The old Uposadha was then in process of disassembly to be transported to its new location on a higher altitude nearby, in 2500 BE, and as they lifted the Central Buddha statue they found the doorway to the hiding place chamber. Many hundreds of amulets were inside, including a large number of extremely ancient centuries old ones were also found from before Luang Pu Kaew's time. The most ancient amulets of the find, were to a large extent broken, because they lay under Luang Phu Kaew's amulets and had been there for centuries, and so these amulets were used as sacred powders for making a new edition of Pid Ta Luang Phu Kaew. Two different separate Buddha Abhiseka empowerment ceremonies were made, on different dates, the first being in 2505, the second in 2506. The editions turned out to produce greate experience with devotees, and hence, further editions were made throughout the years, using remaining powders and broken amulets from the Kru, all of which were made in very small numbers, and which depleted immediately after release. This has made all editions of tyhis amulet become very rare indeed. Many wearers of the amulet have recounted miraculous results over the years, resulting in the Pid Ta Wat Nong Tamleung becoming a legendary essential; rarity in the Thai Amulet World.
The rear face features the Yant Khaw Hlaam Dtad Yantra Spell embossed. The Muan Sarn of the amulet is clear and easy to appreciate with the naked eye, with no need of an eye loupe or magnifying glass to authenticate. This level of pristine clarity in an amulet of this status is so very rare to encounter indeed, making this exhibit a definite 'Ongk Kroo Masterpiece Version', and an immensely rare amulet to find in the present day, under any circumstances.
The front face of the amulet glows with a truly seductive aura of beauty. and its surface texture of lightly lacquered Sacred Powders, with pure gold leaf. These elements have blended together to render a truly beautiful example of the Pra Pid Ta Pong Luang Phu Kaew The features of the Buddha Image with its slender arms and its perfectly detailed relief, full of depth and character, leave the eyes unstrained when authenticating and appreciating its subtle features.
True beauty in subtlety, with a sacred Muan Sarn powder content, that assures the wearer of high Puttakun Power, and effective Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap effect. These are the ancient powders of an authentic olden days master sorceror monk, which can hardly be found made by many modern day Masters, due to the distractions of the modern age, even for Monks, most of whom these days have mobile phones, and watch tv. In the days of the Great Masters such as Luang Phu Kaew, such things would be neither permitted, nor practiced, for monks were highly adherent to the Vinaya rules, and forest dwelling, and were not in any way focused on worldly matters at all, much less possessing televisions or mobile phones, which is something a mendicant monk should not own in the first place. The status and sacred value of this amulet, made with the blessed Muan Sarn Powders of the Great and Elusive old Abbot of Wat Nong Tamleung, Luang Phu Kaew, is unquestioned in Thailand, where it is considered one of the rarest of the Chonburi Province Master-Monk Amulet Pantheon, and its beauty and features are pristine.
Luang Phu Kaew was a Gaej Ajarn Guru Monk who was accomplished in Vippassana and Samatha meditation techniques, and was the Upachaya of Luang Por Bern Puttasaro and Luang Por Lon, as well as being the Kroo Ba Ajarn of famous Sorceror Monk 'Luang Por Gon Tammakoso' of Wat Bang Bakong. he had a very high reputation in his time for his Kata Akom spellcasting, and Magical Powers of Choke Lap, Metta Mahaniyom & Klaew Klaad evasive Magic. He was reputedly able to enchant Tamarind Leaves and make them come to life as Bees and Crickets, and was said to have kept two Prai Spirit Ghosts bound under his services. He was said to have bestowed immense magical protection over his devotees, but that anybody who was a selfish person would not receive his protection, because he detested selfishness.
The Kru Chamber Hiding Place of the amulets of Luang Phu Kaew was discovered on 5th December (King Rama 9's Birthday) in the year 2505 BE, at 9 am in the morning at Wat Nong Tamleung. The 400 year old sacred powders from the Kru of Luang Por Kaew were used for the making of amulets, and hasty preparations were made for a Buddha Abhiseka Amulet blessing, after which the Pra Pidta were released to the public.
The Buddha Abhiseka for the release of this first edition preferred ('Niyom') model in glaze coating with gold leaf was performed with Nine Great Guru Monks present, to invoke the spirit of Luang Por Kaew to attend, and to chant the Dhamma Chakra for the opening of the eyes of the Buddh, and to bestow further blessings posthumously, to imbue further auspicious lucky fortunes to the wearers of these amulets, and those present during the ceremony.
Kata Bucha Luang Phu Kaew
Chant the Maha Namasakara 3 Times first
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then Chant
Maedtaa Raachaa Chanaa Athii Jid-Dtang Bpidti Sukhang Arahang Bpidti Aehi Jidtang Bpiyang Ma Ma
Chant each day for Choke Lap Lucky Fortunes, Metta Mahaniyom Mercy Charm, Klaew Klaad Evasion of Dangers
