An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Pong Kong Chay Chum 2512 BE - Ajarn Kong (front side), Ajarn Tong Tao (rear face). Ajarn Tong Tao is the Boromajarn root Lineage Master of the world famous Khao Or magical tradition of South Thailand. This is said to have been the most powerful magical lineage of Masters in all Thailand, of all time. Especially in those days, the Lineage and the Samnak was one single Lineage, and extremely powerful.
This edition of amulet was made in three Pim in total; Pim Khun Phaen, Pim Song Hnaa (two faced, with Ajarn Kong and Ajarn Tong Tao, which were again sub-divided into two different block press designs 'Hnaa Yai' and 'Hnaa Lek'), and the Pra Pong Pim Taep Nimit.
The amulets were made using 'Pong Gon Gru 108 Gru' - this is powder from 108 different 'Gru' (or 'Kru' if you like - a Gru is a chedi or other secret burial place where monks and master amulet makers will hide the amulets, to be later found and distributed as objects of faith and continuation of the Buddha Sasana).
This sacred powder of 108 Gru was made by Ajarn Kong and famous Lay Master, Ajarn Chum Chay Kiree, which they had been empowering and chanting into since the war till the time they made the amulets. The powders included 500 types of sacred magical ingredients, including; Pong Ittijae, Pong Dtinisinghae, Pong Yant Bpatamang, Pong Yant Normo Pra Intr.
Ajarn Chai, who was so very Adept in Khom Agkhara spells and the Sacred Geometry of Yant, made a three month ceremony of constructing a Yant (Piti Chak Yant). The Sangha then gave the special powder the Name 'Pra Pong Wised Kong Chay Chum'
We can offer free Waterproof Transparent Acrylic Casing with this item if you wish, merely select the option before checking out. Otherwise select from the other encasement options, such as solid silver or gold.
All three Ajarns made the amulets with pure heart to distribute to the devotees who came to make merit in the ceremony for the building of the Uposadha shrine room of Wat Ban Suan. The ceremony began with Pra Ajarn Kong (Wat Ban Suan), Ajarn Chum began 'Pratap Song' (let the Deity, or spirit of Kroo Ba Ajarn lineage enter him).
Many people attended, and even many Lay Ajarns in white attended (over a hundred). The first amulets were pressed about 10:00 am, and after about 20 amulets were pressed,.
Ajarn Chum entered into trance and became the spirit of a young boy, who then ordered to take the amulets that had been pressed down and to shoot at them with a gun to see what happened.
What happened then, was that the local village chieftain (Local 'Gamnan' of Tambon Makok Nuea), Mister Pum Sema Tong, took the amulets which were still wet down from the press, and stuck one on the trunk of a tree behind the Uposadha shrine room. He then ordered Mr. Nueang Paetch Suwan to shoot at it with his .32mm revolver, with all the crowd looking onwards in astonishment at what was happening. He shot three shots, but not one single bullet would shoot from the gun. Not one shot went off.
The amulets were given Puttapisek empowerment between Friday 1st to Saturday the 9th May 2513 (a nine day ceremony). Almost all of the amulets were in white sacred powder, but for some reason, a very few were made in black powder, but so few that they are an extreme rarity to find one at all.
There were two block presses which were slightly different images; Hnaa Lek, and Hnaa Yai (small or large face).
A classic famous and miraculous amulet which was put to the test in front of hundreds of onlookers, and passed the test of power. Made from one of the greatest and most powerful laymasters of all time, who was Ajarn to many a great Master Monk in Wicha Saiyasart.
Below Video - another amulet empowerment which Ajarn Chum made with famous creator of the Jatukam Ramathep amulet which was the source of many miracles; Khun Pantaraks.
Above Image; Amazing! the famous creator of the Jatukam Ramathep phenomenon - Khun Pantaraks Rachadech joins in amulet empowerment ceremony with Ajarn Chum
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