An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Extremely rare Preferred Pra Niyom Category Gammagarn Ongk Kroo Version, of the Pra Somdej Hwaek Man Hlang Pra Mae Toranee amulet (Buddha with Dharani Goddess on Rear face), from Luang Phu Hmun Tidtasīlō of Wat Ban Jan (2437 BE - 2546 BE)
Released at Wat Sap Lam Yai Temple, after recieving multiple empowerments from Luang Phu Hmun at Wat Ban Jan, and a final empowerment during Buddha Abhiseka at Wat Sap Lam Yai. Made with the Wicha and Dtamra of the Great Luang Por Guay of Wat Kositaram, through the lineage continuation master Pra Ajarn Dtiw, who is the direct first apprentice Looksit of Luang Por Guay HImself.
The edition was petitioned by Pra Ajarn Dtiw to Luang Phu Hmun, in order to finish the bullding of the Luang Por Guay Shrine at wat Sap Lam Yai. It is ot to be confused with the Som Pratana Edition of 2543, which is also a Niyom Class edition, but of lesser esteem than this 2542 Edition, for the presence of the 350 Powders Muan Sarn.
The rear face of the Pra Somdej features an image of the Dharani Goddess squeezing a deluge of water out of her hair to wash away the Mara Demons of Illusory Existence. Made using the Dtamra of Luang Por Guay (Wat Kositaram), through Pra Ajarn Dtiw (prime Looksit and Wicha Inheritor of Luang Por Guay)
This Gammagarn version of the Pra Somdej Hwaek Man can be considered to be an excellent acquisition that is almost impossible to find these days in its golden special version. Luang Phu Hmun's amulets are now very hard to come across. his amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics
Made from the Muan Sarn Sacred Powders of over 350 Great Kanajarn Guru Masters, and Pong Chompoo Nuch which Pra Ajarn Dtua had gathered over decades, for the purpose of making powerful amulets. The edition was created by Pra Ajarn Samh Pās Mangkala Sangko (Ajarn Dtua), who tells that he needed many decades to collect and gather the powders, which he then used to create his now rare and famous Pra Pid Ta Look Prakam, and the Pra Somdej Hwaek Man.
This Pra Somdej Hwaek Man, is a special golden Gammagarn Version, which was made only in limited numbers and distributed as a special top model amulet, along with the Pra Pid Ta Look Prakam and other amulets. this model and editionshould not be confused with the 'Run Som Pratana' edition of 2543 BE which was performed in Ceremony to raise funds for the Meru Crematorium Building fund, for it is a much rarer and highly sought after amulet, which both precedes and stands above the 2543 Edition in popularity.
Luang Phu Hmun made his special empowerments of Metta Maha Niyom and Choke Lap Magic, over the powders given to him from Pra Ajarn Dtiw (Primary Inheritance Apprentice to the Great Luang Por Guay, of Wat Kositaram). Both the Pong 350 Kanajarn powders and the Pong Chompoo Nuch were given to Luang Phu Hmun fror primary empowerment before they were mixed and pressed into amulets.
The amulets were passed through Buddha Abhiseka on the 5th of December 2542 BE A large number of Great Master Monks attended the Ceremony, including some Internationally Famous Names noted for their diligent Patipatā and Powerful Magic, amongst whom were; Luang Phu Samai, Luang Phu Hongs Prohmabanyo, Luang Por Ruay of Wat Tago, Luang Por Pian, Luang Phu Teer, Luang Por Sawai, and Luang Phu Hmun Tidtasīlō of Wat Ban Jan presiding over the Ceremony.
Luang Phu Hmun, of Wat ban Jan, Sri Saket, is the Looksit of the Lineage of Somdej Lun of Jampa Sak (Laos). Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who recieved Great reverence and Respect from the people of Tambon Jan for his Diligence and Puroty in practicing the Vinaya as a Buddhist Monk. His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime.
You can hear further information including a lost of some of the sacred Powders of Major Importance used in the making of this edition in the below podcast by Ajarn Spencer Littlewood
Kata Bucha Luang Phu Hmun
Luang Phu Hmun Tidtasīlō - Ma A U
Luang Phu Hmun Tidtasīlō U A Ma
