An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Somdej Putto Nuea Jad Nuea Pong Wat Rakang Gao Luan Indojin Ceremony 2484 BE by Luang Por Supoj Wat Sutat. A most classic and famous amulet and eminent member of the Dtamra Pra Somdej. The Indo-China war ceremony edition amulets are all without exception highly regarded Sacred amulets, for having been blessed in what is considered to be the second biggest Amulet Blessing Ceremony in the History of Thai Buddhism.
Free Registered Air Parcel Shipping Worldwide is included. Luang Por Supoj was one of the Important Gaeji Ajarn Monks of his Era, and a colleague of the other Great Masters of the Royal Bangkokian Temples of Wat Sutat, Wat Rakang Kositaram Wat Bang Khun Prohm. He was a close friend and colleague in amulet making with Sangkarach Pae, Luang Phu Nak, and Pra Kroo Lamoon. For his amulets, he was able to receive a generous portion of Muan Sarn Sacred Powders and broken old Pra Somdej Wat Rakang Kositaram of the great Somdej Pra Puttajarn (Dto) Prohmrangsri from Luang Phu Nak.
The Buddha is sat in the Mara Wichai posture (Conquering Mara). A Bodhi Leaf is behind the Buddha and tapers upwards to blend with the 'Pra Gaes Mala' Pointed Topknot. The Buddha is framed within a curved arch. The arch on our right, almost touches the edge of the votive tablet on the lower section, and is slightly further inwards on the left side, which is to be noted as one of the points of reference for authentication in this particular block press mold. The left hand of the Buddha has a raised thumb, which almost touches with the 'Prakot Aew' (Monks belt strap)The Buddha's left armpit is slightly deeper and raised higher than the right armpit. The arms of the Buddha are plump, and the chest and shoulders are wide and powerful.
Luang Por Supoj gathered and saved up a large repository of the most powerful powders, and as many Pra Somdej Wat Rakang Kositaram pieces as he could before he made his Muan Sarn Sacred Powders for the amulets he had planned, and other amulets which devotees had brought to him when they broke, and ground them down into the extremely rich and sacred Muan Sarn.
It is the powerful Muan Sarn clay, and the great Indojin (Indo-China Wartime) Blessing Ceremony that has made his amulets so Important and Sacred from a religious, national, and Historic point of view. The presence of pure Pra Somdej Wat Rakang Kositaram Somdej Pra Puttajarn (Dto) Prohmrangsri in the clay of the amulets is what has made his amulets so highly regarded and famous historical artifacts in the present day, as well as the fact that all amulets blessed in the Piti Indojin Indo-China War Ceremony are considered to be powerful Master-Class amulets. The Piti Indojin Ceremony was considered to be the second biggest and most important amulet Blessing Ceremony in the History of Thai Buddhism.
The Pra Somdej Putto amulet, is a Classic Amulet, of Historic Fame, and an Eminent member of the Dtamra Pra Somdej, and in our opinion stands its ground with many amulets which carry extremely high prices compared to this amulet. Its Sacredness and Miraculous Power should be undoubted, for the fact that it was included in the Great 'Piti Indojin' Blessing Ceremony during the Indo-China Wartime. The Indojin Ceremony was considered to be the one of the 3 Biggest Ever Mass Blessing Ceremonies in all Thai History, along with the Wat Racha Bopit and the 25 Putta Satawat Ceremony (2500 Years of Buddhism Celebration).
The rear face has clearly visible elements of pieces of Pra Somdej Wat Rakang within the Muan Sarn Clay. The highlight of the Pra Somdej Putto of Luang Por Supoj, is the fact that it is made mostly from a Muan Sarn created from broken up Pra Somdej Wat Rakang Kositaram, from Somdej Pra Puttajarn (Dto) Prohmrangsri, the most powerful and important maker of Pra Somdej amulets of all time, whose amulets are both Miraculous, Impossible to afford, and of the Rarest of all amulets to find anywhere.
The Pra Somdej Putto of Luang Por Supoj is made within the Dtamra of Pra Somdej which includes only a small number of Pra Somdej makers/temples in official status. and Belongs to the Pra Niyom Preferred Category of Sacred Pra Somdej Amulets within the Legend of Pra Somdej. The front face of the amulet features the Buddha seated on a double Lotus Dais (Thaan Bua Glab - 'Bua' meaning 'lotus' and 'Glab' meaning 'reversed').
The edge of the Pra Somdej reveals the age of the Muan Sarn, with a hardened and densified consistence, that is very dry, but looks almost wet with shine to it (Nuea Graeng). This is due to contraction of the porosity of the Sacred Powder. The pure content of Pra Somdej Wat Rakang Kositaram amulets used to make the ground Muan Sarn clay sacred Powder of the Somdej Putto, is so incredibly similar to that found in the original Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri. So similar is it, that the amulet is considered to be one of the classic 'Ongk Kroo' ('Teacher Models' Reference Comparison Amulets) for the study and recognition of the Legendary Pra Somdej of Somdej Dto.
Most of the world's top experts began their trajectory preparing to seek and find the Pra Somdej Wat Rakang Kositaram, by using this and other Pra Somdej of the 10 great temples of the Dtamra Pra Somdej, to study the Muan Sarn and characteristics. This is the method used to teach yourself to recognise a tru Pra Somdej Wat Rakang Kositaram, without having to spend millionaire type prices for a Pra Somdej Wat Rakang Kositaram of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri.
The amulet is made using the Dtamra of the Great Pra Kroo Moon (Wat Sutat). Luang Por Supoj was a close colleague of Luang Phu Nak (Wat Rakang Kositaram) and of Luang Phu Hin (Wat Rakang Kositaram). Because of his close friendship with these two Great Masters of Wat Rakang Kositaram, Luang Por Supoj received a large number of broken Pra Somdej Wat Rakang of Somdej Pra Puttajarn (Dto) Prohmrangsri.
A close look here from the side view, reveals incredible similarity with the appearance of the Muan Sarn of Pra Somdej Wat Rakang Kositaram Somdej Pra Puttajarn (Dto) Prohmrangsri. The Muan Sarn content is identical with the tiny black dots which are from various substances which were added by Somdej Pra Puttajarn (Dto) Prohmrangsri into his Pra Somdej, which include black Bailan Parchment Powder Soot, Banana Seeds, and Pratat Relics. The dense and hardened edges of the rim of the raised arch (Sum), are also highly reminiscent of the Pra Somdej Wat Rakang Kositaram amulet, with a wrinkly but shiny looking hardened surface, resembles a marbled effect.
Luang Por Supoj was known for his silent manner, and his great ability to perform the Wicha Lob Pong, which is the Magical Occult Art of making sacred powders by inscribing Sacred Yant Inscriptions with Sacred Chalk on a special wooden board, in an immensely extensive formula which completes the full compendium of 108 Sacred Yantra spells.
The powder residues from the Sacred Chalk was then collected, and used to make a new chalk stick. The chalk stick was then used to inscribe another 108 sacred Yant, until the process was performed 5 times in a row. This is of course the method used for making the famous 'Pong Wised 5 Chanid' (5 Sacred Powders) so famously used by Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram to make the legendary Pra Somdej Wat Rakang Kositaram.
Other ingredients used to make the Pra Somdej Putto support the study and appreciation of the Dtamra Pra Somdej Wat Rakang Kositaram, with the inclusion of broken amulets from the other Great Members of the Dtamra, including broken pieces of Pra Somdej of the Great Somdej Pra Sangkarach (Pae), and Luang Por Jao Khun Sri (Sonti, and Jao Khun Tip Gosa, who were foregoing Masters of of Wat Sutat, and Colleagues of the great Somdej Pra Puttajarn (Dto) Prohmrangsri.
Pong Tabai metal filings from the casting of the World Famous Pra Kring Buddha statuette of Wat Sutat were also added to the sacred Muan Sarn of the Pra Somdej Putto, making it an incomparably Sacred Set of Magical and Faith Instilling Sacred Ingredients, and an Extremely Powerful Votive Tablet in its own right. If there is one thing that shold be noted, it is the fact that this amulet possesses its own inimitable Sacred Power and Importance, and the fact that it contains an extremely high quantity of Pra Somdej Wat Rakang Kositaram within its Muan Sarn, should not detract from its own Individual Status as an All Time Classic Pra Niyom Amulet of the Highest Importance and Sacredness.
Luang Por Supoj was cnsidered one of the Great Masters of High Ability to 'Pluk Sek Wadthumongkol' (Bless and Empower amulets), and for this reason was one of the Masters who were always invited and asked to assit in empowerment of some of the most important Blessing Ceremonies in History, including the25 Centuries of Buddhism Ceremony (3rd Biggest in History), the 2506 Wat prasat Ceremony (4th Biggest and Important Ceremony in History), the Piti Pluk Sek Chonburi 2509 Ceremony (Wat Pha Chonburi).
The Pra Somdej Putto was made in 2484 BE at Wat Sutat Temple to be blessed during the Great Indo-China Ceremony (Piti Indojin). It was made by Luang Por Supoj, who then beseeched the Abbot of Wat Sutau Jao Khun Sonti, to allow them to be entered into the Indojin Ceremony for empowerment therein, to receive the Immense Blessings from the Masses of Great Master Monks who attended that Ceremony (2nd Greatest in History after the Wat Maha Racha Bopit 2481 BE ceremony)
