An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A very rare amulet from one of the Great masters of the Nakorn Panom Region, Luang Phu Pra Ajarn Dter Ajala Tammo, of Wat Pha Aranyawiwek, whose Magic was known for its primary powers of Metta Maha Niyom Mercy Charm, and Klaew Klaad Evasion of Dangers. The Takrut is wrapped in cord binding, and is in excellent condition for an amulet of its age, estimated made around the year 2490 BE
The Takrut is made from Nuea Tong Daeng Copper Yantra Foil, and has been cut using the classic 'Dtat Peek' method of cutting the sharp corners of the Takrut, for efficient seal of the outer scroll. This was done to stop the corners of the Takrut foil from ensnaring itself on objects and catching on the skin or clothing when worn.
What is a Takrut?
The Takrut is a form of Talisman or Amulet, which dates back for Centuries, and was originally popular as a Kong Grapan Chadtri and Klaew Klaad Protection amulet for Warriors. The Takrut, is in essence a Scroll Spell made using the Inscription of Sacred Geometry Design, Numerology, Pictorial Images, and Khom Agkhara Lettering. The materials used for Takrut were and still are manyfold, and could be made of gold, silver, or bronze metallic foil, bamboo, wood, animal skin, or even parchment paper. Some Takrut are not scrolls,and can be made from solid objects, such as a piece of wood, coral, or other sacred substance.
Some were covered with cord wrapping and lacquered (Dtak Chueak Long Rak). These scrolls would then either be worn by threading a cord through them (for in olden times there was no steel capped transparent tube or waterproof casing). Sometimes, Takrut are also inserted within a protective exterior, also made from Sacred or Magical Substances, such as 'Mai Phai' Bamboo, or even a Cast Metal Decorative Tubular shel.
This is also known then as 'Takrut Hlor Boran', which means 'Ancient Cast Metal Takrut'. Because Olden Days were full of Wars and different small Kingdoms battling with each other, it was most common to see Takrut made specificaly for Kong Grapan Chadtri and Klaew Klaad Protection.
Pra Ajarn Dter, of Wat Pha Aranyawiwek, was born in the year 2431, and lived for 86 years until his passing in the year 2517 BE He was a disciple of the Great Luang Phu Mun Puritatto, Founder of the Tudong Forest Tradition Dhammayut Lineage.
His trajectory was full of attainments and miraculous events, and his Patipata (purity of practice) was exemplary, and brought him to be regarded as one of the Great Arya Sangha monks of the Provinces around Nakorn Panom, and indeed, the whole country.
He was ordained into the Maha Nikaya lineage tradition in the year 2454 BE, and then was re-ordained once again in the year 2471, when he changed lineages to become a Dhammayut Forest Monk, with 19 years as ab Maha Nikaya Monk, and 65 years as a Dhammayut Lineage Monk
Below; Pra Ajarn Dter (2431 - 2517 BE) - Wat Pha Aranyawiwek
His Wicha Akom was said to be immensely powerful, and manyfold were the magic spells he had mastered, on his many years of Tudong forest wandering, where he traveled the Northern Jungles and entered into Burma, and met many Great Sorcerors and Forest Chee Ba Khaw Hermit Spirits, from whom he learned Wicha from.
He was even visited by two Angelic Beings who revealed to him where a stash of gold and silver Buddha statues were hidden and buried. Luang Phu Dter was known for his extremely direct and open, and to give powerful Dhamma teachings, which people find fascinating to listen to, for they are inimitably in his own style. He was one of the great Kroo Ba Ajarn of the Forest tradition lineage of the present Era of Thai Buddhism, who was one of the first generation of direct apprenticed disciples of the great Ajarn Mun.
It is said that once, there were some new monks who had come to the temple who were academics, with high degrees in Dhamma, who were of the younger generation, and were discussing Luang Phu Dter's old fashioned Dhamma Sermons, and how they were 'old stuff' and not up to the present times. Suddenly, Luang Phu Pra Ajarn Dter called out to the monks who were whispering in the background, and said 'Hey you, i invite you to come and give the sermon instead of me, but i only want to hear 'new stuff', no 'old stuff', and invited the monk who had been whispering about his old sermons up to the Tammas throne to give his version of the Dhamma;
The monk was obviously still surprised as he couldnt figure out how on earth Luang Phu Dter had known what he was whispering about from that distance, but was also arrogant and happy to step up to give his 'learned version' of the Buddha-Dhamma. The monk stood up and walked up to the dais, and looked satisfied with himself.
The monk seated himself into the Tammaas proudly, and raised his hands together and began; 'Namo Tassa....' He got no further, for Pra Ajarn Dter shouted out "Stop right there!.... I said i wanted to hear New Stuff.. thats old stuff.. get down from the chair" . The monk looked embarrassed, and silently got down from the Dais, and disappeared into the throng of monks who were in the congregation listening. Luang Phu Dter then continued his 'Old School' Sermon without further event. This was a typical example of Luang Phu's direct method of teaching people to be humble.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
