An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A classic Necromantic Golem Ghost Soldier of the Lay Sorceror Ajarn Bee, this exhibit being a Pim Klang model, Sitting casting spells in meditation. This is an amulet that is immensely rare, and is an immortally famous Animist Spirit Charm amulet; The World Famous Hun Payont Hyaa San Mad Daay Daeng Akom Dtua Nang Raay Mont (Spellcasting Meditating Version) of Ajarn Bee, the first prime apprentice in Wicha Hun Payont to the great Ajarn Loi Po Ngern, the legendary Ayuttaya Lay Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram (Ayuttaya).
Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.
His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ajarn Bee's father. Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi's boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).
Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.
Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black maguic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.
Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.
Ajarn Loi's Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug from beside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking "this cannot be sacred water, he was using it for drinking at the chess game", and she upturned the jug to pour the water out onto the floor.
To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.
Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.
This version is medium size, measuring 3 x 2.5 Cm in casing, and is in pristine condition. The Hun Payont of Ajarn Bee are highly preferred, and considered the perfect affordable alternative to the Hun Payont of his predecessor, the Great Ajarn Loi Po Ngern (lovingly known as 'Mor Loi').Ajarn Bee immerses his Hun Payont in Nam Man Nga Sek and Nam Man Prai for extra empowerment imbued within the amulets, as part of the empowerment.
The Hun Payont Ajarn Bee (or also known as Ajarn Bee Saman Jaeng Jaroen), was the closest and top apprentice in magical wicha to Ajarn Loi, who was and is considered the number one Master of Hun Payont Magic, and whose amulets reach into the thousands of dollars these days for large versions (both Ajarn Loi and Ajarn Bee are known to have made giant versions as house guardians).Ajarn Bee was born a local of Ayuttaya, and was the son of farmers.His father was a close acquaintaance and friend of Ajarn Loi Po Ngern, annd through this, Ajarn Bee was able to be accepted as an apprentice in Magic to Ajarn Loi, through the great friendship he had with Ahjarn Bee's father.
Ajarn Bee was left to stay with and study under Ajarn Loi, and he spent the time learning Wicha, and when not, helping to watch and guard over Ajarn Loi's boat. The boat was parked on the riverside next to Wat Panan Cherng Temple (Wat Jeen).
Because Ajarn Bee had great curiosity and interest if magic was real or not, he would secretly hide and listen to Ajarn Loi performing invocations and incantations, and watch his perform rituals and the making of Hun Payon. He kept observing and learning and absorbing the methods for a good ten years or so.
Ajarn Bee Mastered many ways of making different Hun Payont with different forms of magical powers, such as Hun Payont Raksa Roke for healing illnesses, removing black magic and demonic possessions, Hun Payont Wicha Maha Sanaeh for Power of Attraction, and for Kong Grapan Maha Ud Klaew Klaad, Kaa Khaay Business Sales, Siang Choke Gambling Luck, and Metta Mercy Charm.
Below Pic; Ajarn Bee cutting herbs from his garden which are used for Healing Ailments, and for making Hun Payont, and Sacred Oils
Ajarn Bee once hid and spied on Ajarn Loi in his evening practices, and saw him perform a ritual by casting spells into a piece of Pha Khaw Ma cloth, to enchant it into becoming a snake, which slithered off. He watched and learned the Wicha Sek Nam Mont Klord Look Ngaay Sacred Water Blessing for easy giving of birth.
Below; 10 armed version of one of Ajarn Bee's Hun Payont amulets. 12 armed versions were also made.
Ajarn Loi's Wicha Nam Mont Klord Lok Ngaay became famous when an older lady who went by the name of Yaay, who was pregnant and afraid of problematic birth, came to ask for a holy water blessing for this purpose. Ajarn Loi was playing chess at the time, so he got up and took the drinking water jug frombeside where he was playing, performed incantations and blew into the jug, and gave it to the lady. The lady took the jug and left thinking "this cannot be sacred water, he was using it for drinking at the chess game", and she upturned the jug to pour the water out onto the floor.
To her surprise and amazement, the water did not come out of the upturned jug, defying the laws of gravity. Mrs. Yaay then ran back to Ajarn Loi and got on her knees to beg forgiveness for her lack of faith. This then increased the legend of the magic of Ajarn Loi and his lineage apprentices, for this powerful Wicha that could empower any inanimate object, be it seen as sacred, or ordinary. Only a truly powerful Mage can achieve this kind of spellcasting, which is the mark of the Adept Sorceror.
Ajarn Bee was initiated with the Korn Kroo Ritual by Ajarn Loi Himself directly one on one (making Ajarn Bee a Looksit Aek first/prime apprentice).He is in the present day (written in 2020), the most popular living Laymaster for Hun Payont.
The Hun Payont of both Ajarn Loi and Ajarn Bee, are said to be the top Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet. and Indeed the Khun Phaen and other amulets of these masters are also in extreme demand and highly popular with South East Asians around the Subcontinent.
The Hun Payont of Ajarn Bee's Master, Ajarn Loi, afe almost impossible to find in the present day, and can cost thousands of dollars. Unfortunately, the amulets of this great olden days Master, inheritor of the Wicha of Luang Por Glan Wat Prayat, and Luang Por Bpaen of Wat Sao Tong Mai, are so very hard to find in the present era because of their great popularity even during the time he was alive. Ajarn Loi made Hun Payont before the year 2500 BE, after which his apprentice, Ajarn Bee continued the tradition.
Bucha by offering a glass of liquor to empower with extra psychic strength, or to smear a small drop of consecrated oils once in a while for Bucha, and strengthening the power of the Hun Payont, and its emanating magic.
Bio; Ajarn Loi Po Ngern
Ajarn Loi was born in the month of February 2454 BE, in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became a Novice Monk when he came of age, and the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya. Ajarn Loi learned many Wicha with Luang Por Bpaen, who was not only well versed in Wicha Saiyasart, but was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets in the finest fashion.
One must say that Ajarn Loi's Hun Payont, and other amulets all attract the eye with their fine artisanry and filigrain attention to detail and ritual accuracy. LP Bpaen was alsop the Kroo Ba Ajarn of Luang Por Suang of Wat Chee Ba Khaw, who was also a close friend of Ajarn Loi. After the passing of LP Bpaen, Pra Ajarn Loi moved to stay at Wat Panan Cherng. Ajarn Loi knew many methods of Astrological Foretelling, Spiritual healing, and Powerful Amulets and Spells.
Below, an early era Hun Payont of Ajarn Loi - very old estimated circa 2480 BE
Because of this, he soon became the object of jealousy from the other monks, which he could sense strongly that he was making them feel inferior. So he moved away to not cause any inauspiciousness, and disrobed to become a Lay Master, and moved to stay at Wat Jeen temple. He later moved to Wat Suwandaoraram, where he remained practicing his path, and serving his devotees up to the day of his passing.
Below; amulets of Ajarn Loi
The Hun Payont (or 'Hun Payont'), is an ancient reanimated Golem effigy, with far back reaching roots. Its name comes from the word 'Payont' which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them.
Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai an (leaves), Hun Thao Wan (magical vines), Mai Phai (bamboo), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded clay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (metallic), Hun Mai (wood), Hun Hin (stone), Hun Nga Gae (Ivory), Graduk (bone), and so on.
The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana. 200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.
In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can imbued within effigies or controlled, or beseeched to perform a multitude of tasks. There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such as Yaksa Monsters, to inhabit an effigy. Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits, depending on the nature and needs of the devotee, or the intentions of the master.
All Hun Payont Golems, must be empowered by an Adept, who has Mastered the Wicha Akarn Sam Sip Sorng; 32 invocations of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit Magical powers, protecting wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.
The Hun Payont is used by those who believe, in the household, place of business, and even carried as an amulet or placed in one's vehicle, to keep away alll dangers and inauspicious events and malicious entities. Hun Payont should be rewarded or appeased through Bucha with the Piti Gruad Nam Water Pouring Ceremony, in the same way as seen by Thai Buddhists after giving alms to the Monks, except that it is you who makes the prayer.
Alternatively, one can also use sacred or aromatic oils for consecration, or even liquor if wish to use for powerful Magic for Gambling and other matters of high risk. This is done, by laying down the amulet flat, and putting a few small drops of liquor or Prai/Aromatic Oil through the small hole drilled into the center of the window of the front of the casing, to fall onto the Hun Payont.
Kata Riak Hun Payont (Summoning Spell)
Om Na Ma Pa Ta Jaedta Phuudto Maha Phuudtang Hun Payondtang Nimidtang Gang Ruubpang Bpiyang Ma Ma Aehi Aehi Na Mo Put Taa Ya (chant 7 Times)
Kata Pluk Huan Payont (Invoke)
So Sa A Ni So Sa A Ni Sa A Ni So A So A So Ni Ni Sa A So Ni So A So A Ni Yo Sa A A Ni So Sa Sa Ma Su
Kata Khor Porn Hun Payont (ask for blessings)
Bprasitti Kātā Sitti Gammang Sitti Garisang
Kata Hun Payont Ajarn Loi
Om Pluk Mahaa Pluk Guu Ja Pluk Por Hun Payont Duay Ahang Tugang Na Ma Pa Ta
