An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Kru Wat Ling Khob ancient hiding place amulet, an all time classic that has become extremely sought after and preferred in recent years, as the legend of its connection with Somdej Dto of Wat rakang became common knowledge. The Pra Gleep Bua Wat Ling Khob is an ancient Pra Kru amulet that was made or blessed in 2410 BE, and then removed from its hiding place in 2509 BE, that has become a Pra Niyom preferred class Pra Kru amulet of immense sacred value. The Pra Gleepo Bua amulet is known by common folk as the 'Pra Kru Wat Ling Khob'.
The Pra Gleep Bua amulet varies slightly from each to each in size because of the hand pressed nature of their makiing, but on average measure around 2.9 Cm high and 1.8 to 1.9 Cm wide. The Buddha image is in the 'Samati Paetch' posture (full lotus) with both palms upwards turned on the lap. The head is ovaloid (egg shaped), and the Molee / Pragaes topknot is double tiered (two levels).
The Buddha is not seated on any kind of throne or dais, but has a 'Rasamee' Aura around the Buddha, radiating light. The details of the Buddha and his robes are still noticeable despite the age of the amulet, and is part of the reason for the immense popularity of the amulet, for it is truly an ancient amulet of subtle beauty.
The belief that the amulet was a creation of, and blessed by the great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram, is of course a game-changer in what has made the Pra Kru Wat Ling Khob the world famous and popular preferred amulet it has become, since its discovery until the present day.
The rear face of the Pra Kru Wat Ling Khob Pim Gleep Bua, is almost always indented with a concave surface, from the thumb of the person pressing the amulet. However, there are the odd examples with flat rear faces too, from cases where the amulet stuck inside the block press mold and an instrument was used to prise it our. Flat rear faces are however seldom to find, and less preferred.
The amulets in general will have some blackish growth or residue on small areas of the surface. Some exhibits may have silvery or golden powdery residue.The clay can be of a number of different tones and colours, due to the old fashioned furnaces having unstable heat containment, and so different batches would bake at differing temperatures, producing different coloured tones of clay.
This effect is often seen in many other famous Pra Kru amulets of baked clay variety, such as the Pra Kong Lampun of Gampaeng Paetch and Supanburi. The Pra Gleep Bua Kru Wat Ling Khob were distributed in 2509 at a price of 50 baht each or so, and a total of 300,000 Baht was raised for the temple fund (a lot of money in that time). The money was used to build a Sala Bprian Dhamma study hall, which still stands within the temple enclave to this day.
Wat Ling Khob is the common Folk name for the royal temple of Wat Bovorn Mongkol, which is a temple of 'Chan Dtri third level status, and is a 'Pra Racha Wiharn' Royal Vihara shrine. It resides on the banks of the Chao Praya river, on the Thonburi side of the river. In the time of His Majesty Pra Putta Lerd Fa Nopalay (Rama 2) of the Chakri Dynasty in the Ratanakosin Era, many Mong Tribe people fled as refugees to live under the protective shade of the Kingdom's capital, of which many of these Mong refugees were Monks.
It came to pass, that the most of the Mong people who had come to Bangkok gathered to reside and live in the area surrounding Wat Ling Khob. The temple of Wat Link Khob was raised to Royal status of 'Pra Aram Hlwong', and had its Royal name given as 'Wat Boworn Mongkol'
Wat Boworn Mongkol (Wat Ling Khob), is to this day still a temple of the Raman ('Raman' meaning Mong Ethnic). The abbots of the temple were all Raman (Mong people), consecutively until the year 2462 BE, when the temple had begun falling into disarray, as society and the changes in how people made their professions caused the Mong ethnic devotees to reduce in numbers, and spread around Bangkok.
The temple was then reformed, by being Royally decreed to become a Dhammayut lineage temple (official lineage Buddhism sect of the Thai State), and it has remained such to the present day, with appointed Thai abbots administrating and maintaining the welfare of the temple.
The creator of the Pra Gleeb Bua amulet;
To explain the creation of the amulet, one needs to study a little bit about its creator, Luang Por Sri of Wat Chana Songkram; In the time that the third abbot of Wat Boworn Mongkol (Wat Ling Khob), Pra Raman Muni (Luang Por Yim) died, the position of abbot was handed over to Pra Sumetajarn Luang Por Sri of Wat Chana Songkram for a short time until a new abbot was found.
Luang Por Sri was a local of Bang Pūd in Nontaburi, who was born in the time of the 3rd Chakri King Rama 3. He ordained at age ten in the year 2378 BE at wat Boromayigawas. He was then however ordained again in 2499 BE in Raman fashion as a Mong Tribe Monk, and resided at Wat Chana Songkram in Banglamphu, Bangkok. He moved after this to to Wat Boworn Mongkol (Wat Ling Khob), because of the death of the abbot, and the lack of anyone to administrate the temple. He took the duty for the year 2410 BE. After this, he returned to be the abbot of Wat Chana Songkram temple, until his passing in the year 2455 BE.
During the year of 2410 BE, as Luang Por Sri was presiding over the administration of the temple of Wat Ling Khob, he gathered a number of elder Thera Ajarn master Monks who were Adepts of Puttakom and Saiyawaet Buddha Magic and Occult Sorcery, to bless the amulets, which many people believe to have been made by Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram, as he was still living at the time of this ceremony, and is believe to have also attended the blessing of them.
Hence, certain groups of aficionados and devotees of Somdej Pra Puttajarn (Dto) Prohmrangsri Wat Rakang Kositaram collect and revere the Pra Pim Gleep Bua Wat Ling Khob amulet as part of the official pantheon of Somdej Pra Puttajarn Dto.
Kru Dtaek - The Breaking Open of the Kru Chamber
in the month of March in the year 2509 BE, thieves broke into the Chedi Stupa of Wat Ling Khob, and stole a large Bucha statues and amulets from the Kru Hiding Place Chamber within the Chedi. The temple informed the Police as soon as they became aware of the break in, but in the following time, thieves continued to sneak in and steal amulets from within the Kru.
The temple thus informed the Ministry of Buddhism, and asked for permission to open the Kru Chamber with official decree. Permission was given on the 25th March 2509, and Kru Chamber was officially opened.
There were two separate hiding places to be opened, the first being in the base of the Chedi Stupa, and the other Kru hiding place was in the top of the Bell shaped dome of the Chedi Stupa. Around 75,000 exhibits were counted in the find, and it is understood that the original number made will almost surely have been the traditional 84,000 amulets according to the 84,000 Dhamma Khanda of the Tripitaka, but that the missing number was the number of amulets distributed when the amulets were first made. or, that these were missing from the thieves who had been stealing them within the Chedi Stupa.
The Pra Kru Wat Ling Khob is renowned for Metta Maha Niyom Mercy Charm, and Pongan Khunsai anti black magick protection.
