An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An extremely rare, if not almost impossible to find Limited Series Gammagarn Version Suea Yant (Yantra Shirt), from 2522 BE, from the Great Buddhist Master Monk of Ayuthaya, Luang Phu Doo Prohmabanyō of Wat Sakae. This Suea Yant belongs to the Gammagarn series which was a small set of Yantra shirts and other amulets of the same edition made for distribution to the larger sponsors of the temple.
The shirt is made from orange prajiad linen cloth as used for monk robes if orange/saffron, and ubiquitously for Pha Yant and Suea Yant if other colors. The Suea Yant is emblazoned with a plethora of Sacred Geometry Spells (Yant), interspersed with images of devotees in prayer, surrounded by Khom Agkhara incantations.
This Suea Yant has hand inscribed Yantra as well as the official gammagarn ink stamps and chakra stamp seal of Luang Phu Doo, and is hence one of the most rare and collectible sacred items of this master, and an extremely desirable item for any devotee of Luang Phu, amulet collector, or aficionado of Sacred Wicha Maha Yant.
Luang Phu Doo made a large number of different amulets during his lifetime, many of them taken from designs which he would beseech from other masters and temples, and others which he would design himself. His very early amulets, especially his Look Om wishing balls, were made from herbal powders with lacquer mixed in (Nuea Pong Kluk Rak), of which very few are to be found anywhere, thereafter, he begin to make them using his Gaew Mani Radtana white crystalline powders, and would release them in every edition in which he released white powder amulets.
It is believed he made over 100 different models of amulets during his lifetime, ranging from Deities such as Brahma and Hanuman, to Guru masters such as Luang Phu Tuad, Lockets, and Buddha Images such as the Pra Somdej. His many talismanic amulets such as this mitmor, and takrut, and other kinds of magical charms such a his Highly Reputed Look Om Powder Balls. LP Doo's Look Om were made using the extra residual Muan Sarn powders used to press different models of amulets, such as the Brahma, LP Tuad, LP Doo 'Roop Muean' Image, and Rachasri Himapant Lion. Luang Phu Doo would then inscribe most Look Om (not all, for later editions found LP Doo older and weaker, and he was not able to inscribe hundreds of amulets every day during his later years). A Takrut would be empowered and inserted with the Look Om as a Heart Mantra spell, to imbue the Look Om with additional powers.
Luang Phu Doo was known to not hand out amulets to his devotees easily, and would only hand out amulets to a devotee when they would show enough faith and effort to practice Meditation, after which he would hand the devotee an amulet, and teach them how to use it for Samadhi Bhavana (practice meditation) and 'Tam Nam Montr' (make Sacred Prayer Water), to heal illnesses with and to increase Auspicious Blessings
One important fact about the sacred Powders of most of Luang Phu Doo's amulets, is that his famous pure white Gaew Mani Radtana powders, release a 'Pratat' (Buddha Dhatu) type crystalline substance, which is considered to be a form of Sacred Relic. The Pratat crystalline sheen, arises through the Sacred Power imbued within the amulet. The crystalline substance grows on the surface in small beads, which are visible when studied close up.
Luang Phu Doo was a great Monk of National Importance, and of Great Purity of practice in his Patipatā, who is believed by many to have attained Arahantship. The amulets were released sometime after 2517 BE at Wat Sakae.
Luang Phu Doo Ordained in 2468 at the age of 21 Years Old in the Uposadha of Wat Sakae in Tambon Tanū, Amper Utai, Pra Nakorn Sri Ayuttaya. His Upachaya Ordaining Officer was Luang Por Glan of Wat Prayatikaram, and Luang Por Dae (Abbot of Wat Sakae), as his Pra Gammawājājarn. His pra Anusawanājarn was Luang Por Chay of Wat Klang Klong Sra Bua. He was given the Ordained Name of 'Prohmabanyo' (Wisdom of Brahma). In his first year of Ordination, Luang Phu Doo studied the Pra Pariyatti Dhamma (Academic Concepts of Dhamma) at Wat Pradoo Song Tam (in those days it was known as 'Wat Pradoo Rong Tam). His teacher was Jao Khun Nueang (Luang Por Rod). Luang Phu Doo also practiced and developed his skill in Vipassana Kammathana practices with Luang Por Glan, and Luang Por Phao (an Adept Apprentice of Luang Por Glan).
Luang Phu also studied the Jatakas and the Dhammapada. Once he had become well studied in all these aspects of practice, he then went on to seek Wicha with other Masters. he travelled to learn under Guru masters of the Province of Supan Buri and of Sra Buri and other Provinces. Luang Phu Doo was known to revere Luang Phu Tuad with Incredible Fervor, but it was also believed by many of Luang Phu Doo's most faithful devotees, that Luang Phu Doo was also a Manifestation of Luang Por Tuad himself, reborn on Earth to make further Merits.
Luang Phu Doo was close friends with many famous masters, but one strange thiing is that, although he never met the Arahant Luang Por Kasem Khemago of the Sussaan Trailaks in Lampang, he always stated himself to be a Devote Admirer of Him and a Student of his Teachings. Luang Por Kasem in turn, was also heard to have recommended his own Devotees to go and obtain of of Luang Phu Doo's Luang Por Tuad Perd Loke amulets.
Luang Phu Doo passed away on 17th January 2533 BE at the age of 85 Years and 8 Months Old, in his 65th year of Ordained Life. He left his devotees Devastated, and his Legacy is contined by his apprentice Masters who follow is footsteps, namely; Luang Ta Ma of Wat Tham Mueang Na, Kroo Ba Bun Chum, and Luang Por Dtiw of Wat Mani Chonlakhant.
