An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Hanuman Rueang Rit Mai Gae Pim Hnaa Krabi Sord Takrut, early era Sacred Carved Holy Tree wood amulet of the Great Luang Por Sun, of Wat Sala Gun, with sacred Krang Putsa, and silver Takrut inserted into the baseThis amulet is an extremely well kept and finely carved exhibit of the Hanuman Mai Gae, first series Sacred Carved Holy Tree wood amulet of the Great Luang Por Sun, of Wat Sala Gun. Considered the number one Hanuman amulet and member of the Benjapakee Krueang Rang Talismanic amulet top 5. Luang Por Sun, of Wat Sala Gun was known as the Grand Master of all History for Wicha Hanuman, and his carved Hanuman amulets are considered the most highly sought after and desired of all history. This exhibit is a first series made from the two famous sacred trees grown by Luang Por Sun, and is a Pim Hnaa Krabi model.
The Hanuman of Luang Por Sun is included within the officially accepted classic top 5 'Benjapakee Krueang Rang' type oftalismanic amulets and animist charms category of Pra Niyom Master Class amulets. The Hanuman amulets of Luang Por Sun are considered to be empowered with the most powerful protection magic, as well as for its Metta Maha Niyom Mercy Charm and ability to seduce and entice others into obeying.
The Hanuman of Luang Por Sun came to be known as "Khun Krabi Wanorn" (Lord of the Vanora), and is considered number one Hanuman amulet above the Hanuman of Luang Por Ding (Wat Bang Wua). Just as it is known worldwide that the Master of the tiger tooth amulet is Luang Por Parn of Wat Bang Hia, it is also equally known worldwide, that Luang Por Sun was the Grand Master of Wicha Hanuman of all time. It is extremely difficult in this Era to encounter an authentic carved Hanuman of LP Sun, which are found made from carved sacred woods, and in bone and ivory.
Luang Por Sun Jantachodti, or, 'Pra Atigarn Sun', of Wat Sala Gun, in Gao Gred Nontaburi Province, was born with the name 'Sun', and was a local inhabitant of Pak Gred in Nontaburi. There is no official biography in existence to be found on Luang Por Sun, but judging from the year of his passing, and his trajectory, one can assume he was born sometime around 2403 or 2404 judging from the few small pieces of documentation available. He was given the ordained name 'Jantachodti'.
Stories which are known about Luang Por Sun have emerged through the local aged Looksit of Nontaburi, such as the fact that during his early times as a monk, he was known to have planted 2 kinds of trees around his Kuti Hut, one being the Dton Put Sorn (concentric Buddha tree), known for having an inhabiting magical powers of Buddhakhun Power, and the other being the Dton Rak Sorn, known for its Magical Maha Sanaeh Power and Inhabiting Deva Spirit. He wouldcare for them with great diligence, as if it were a part of his daily focused meditation (Right Concentration in every moment, one of the 8 factors of the Noble Eightfold Path).
He raised both trees until they were fully grown, and after he was elected to become Abbot of Wat Sala Gun, Luang Por Sun realised that he had been inspired to grow the trees under some mysterious influence, that he was supposed to use them to make sacred amulets. He Then began to perform ceremonies and invocations over time to develop and prepare to make this first edition of amulets, and then uprooted the trees and laid them out to dry in preparation for carving. He then called upon his top artisans, and other devotees to come and assist in the carving of Hanuman images made from the sacred treewoods.
Once the amulets were all carved, he placed them all inside a white cloth and into almsbowls and took them all into his Kuti Hut to empower over time. On auspicious Lunar Saturdays, he would take the amulets into the Uposatha shrine room to empower and perform chanting seated upon magical weaponry. He would repeat these empowerments until the Hamuman amulets eventually began to jump around of their own accord within the alms bowls, which gave LP Sun the signal that the empowerment and invocation, and reanimation spells were complete.
He then began to hand them out to devotees who came to make merits over the years,. Some Hanuman amulets are found made in other substances such as Mai Po Bodhi Tree wood, and Nuea Nga Carved Ivory (which were made after the first edition using the two trees planted by LP Sun, and classed as 'second edition' but are in truth a series of amulets which were constantly carved and handed out continually over decades, and have different ages for this reason, which is visible by patina and expanding of crevices).
The Ivory Hanuman amulets of LP Sun are sepcially favored by richer devotees for they carry a high price, and are extremely renowned for their beauty and magical power of Maha Amnaj commanding power from the Ivory of the Elephant adding Status Increase magic to Hanuman.
Officially when regarding the Hanuman which were carved by the official artisans, two different major models were created; The Pim Hnaa Khone (Khone Mask Model), also known as 'Hanuman Song Krueang' and the Pim Hnaa Krabi, which is less decorative and is wearing less regalia.
Kata Hanuman (given by Luang Por Sun for his amulets)
NA MANG PLERNG MOE MANG BPAAG GRABORK YA MIHAI ORK UD TANG TOE UD TANG AD A SANG WI SU LOE BU SA PU PA MA A U OM YA PUT TAA TA YOE SA DTREE NI SANG HOE
There was once a soldier devotee of LP Sun, named who visited the temple to make merits during the time of the change of rule around 2475 BE. Luang Por Sun gave General Prayaa Paholapohayuhasena a Hanuman Hnaa Khone, and said 'within a very short time a dangerous object will fly safely past you'. After leaving the temple, there was an incident where the officer was in a shootout in the coup, and the bullet flew past him without hitting him. This cause the Hanuman of Luang Por Sun to become bvery popular and bring soldiers from the regiment to the temple as devotees of Luang Por Sun by the hundreds.
Because the Hanuman Mai Gae wooden carved amulets of LP Sun are so rare, and expensive, one must refine one'es eye to be able to define a truly authentic exhibit, by beginning with thinking about or looking at a tree trunk whose wood has been laid to dry over time, and how the wood will contract and become harder and dense, but lighter through moisture loss. If it has been worn a lot then it will be oily shiny in appearance, and if kept as Bucha on the altar will be lighter in color and drier surface texture.
As far as the ivory Hanuman carved amulets of Luang Por Sun, one defines them by 1. design factors 2. age of ivory (if reaches the Era of LP Sun), and 3. Patina (can vary if worn against skin for over ten years or more, or never worn, or in casing - one which have been against the skin for ten years or even many decades will have a much more yellow or brownish patina, or ochre).
Namo Dhassa Bhagavato Arahato Samma Sambuddhassa (Three times)
Then Chant; NA MANG PLERNG MO MANG BARG GRABORK YA HAI ORK
UD-TANG TO-UD TANG AD A SANG WI SU LO BU SA PU PA MA A U OM YA PUT-TAA TA-YO SA TREE-NI SING-HO
ตั้งนะโม 3 จบ แล้วว่า “นะมัง เพลิง โมมัง ปากกระบอก ยะ มิให้ออก
อุดธังโธอุด ธังอัด อะสังวิสุ โรปุสะพูพะ มะอะอุ โอมยะพุทธา ทะโยสตรี สตรี นิสังโห”
Originally named "Sun", was born on Koh Kret. However, no records of his life have been kept. Based on the year of his death and his estimated age, he was born around 1860-1861. When he was ordained, he received the title "Janthachoti." Back when he was a temple boy, he planted two trees in his hut: a double-flowered rak tree and a double-flowered jasmine tree. He diligently watered them, using clean water to make holy water for each tree until they grew. It wasn't until he became abbot that he realized why he paid such special attention to these trees. Once they were mature enough, he determined an auspicious time to perform a sacrificial ceremony and offer offerings. He then dug them up himself, dried them in the sun, and had artisans carve them into Hanuman figures.
These figures were then wrapped in white cloth and offered to monks for consecration in his hut. On Saturday, Labor Day, he would consecrate them in the ubosot (ordination hall). He would sit and chant over the various weapons that had been gathered together. Hanuman would jump and dance in the bowl until he saw that it was ready. He would then collect it and distribute it to his disciples and those who donated money for the temple's renovation. In addition to Hanuman carved from the Raksorn and Petsorn trees, he also carved Hanuman from wood. Later in his final era he also made more out of ivory. However, they was made in later generation when he was already a nationwide and indeed internationally sought after Master, and the ivory versions are not often seen and is quite expensive.
