An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pong Nang Kwak Sor Khor 1 - Sacred Betel and Areca Powder Amulet in the image of the Goddess of Merchants, Nang Supawadee (Nang Kwak) from the Great Khao Or Master Monk of Wat Suan Khan, Por Tan Kla Wajasit. Released Circa 2500 BE
Mae Nang Kwak Code Sor Khor 1 Pim Yai is a very early era and rare amulet to find, which received a very long blessing ceremony performing empowerment within the Uposatha Shrineroom at Wat Suan Khan throughout 7 days and 7 nights. The amulets were made for devotees to use to improve their sales and business affairs.
Por Tan Klai Wajasit, was the Abbot of Wat Suan Khan in Nakorn Sri Tammarat, was the Abbot of Wat Suan Khan in Nakorn Sri Tammarat. Por Tan Klai was one of South Thailands most revered monks, and one of the most important Khao Or Sorcery lineage masters of the Southern Khao Or Tradition, along with the great Luang Phu Tim (Wat Chang Hai), Ajarn Iad and Ajarn Tong Tao (Wat Khao Or) Luang Por Kong (Wat Ban Suan) and of course, the Greatest Master of all, Luang Por Tuad of Wat Chang Hai.
Amulets by Por Tan Klai are very rare, and jealously guarded by devotees of this Legendary Master monk, and are, extremely rare to come by, and only seen in circulation on very rare occasions. This is due to the massive worldwide following of Devotees, who Revere this great monk, and the fact that most of his amulets already found their rightful owners decades ago.
Nang Kwak is an extremely Ancient Deity worshipped since the time when the Lord Buddha was walking the Earth, and is derived from a story of the daughter of a Brahman Market merchant who traveled to markets to sell his wares on an oxcart, and who was blessed with great wealth and success due to the merits of his beautiful and charming daughter, Nang Supawadee.
Nang Supawadee was on two occasions blessed with the opportunity to listen to the Dhamma from the Arahants Saributra and Maugdalyana, which gave her a golden aura of Metta, and this is one of the reasons attributed to her having such immense mercy charm, and attraction of popularity and business sales.
Thai Version of Nang Kwak
There is also the Thai Occult Legend of Nang Kwak, which gives a different account of the origins of Lady Nang Kwak, which goes like this;
Nang Kwak is the daughter of 'Phu Jao Khao Khiaw' (meaning 'Grandfather Lord of the Green Mountain - Khao Khiaw could also mean 'Green Horns'). Phu Jao Khao Khiaw was a Lord of the Jadtu Mahaa Raachiga realm (one of the lower levels of Heaven - an Asura realm of giants and monster beings). His other name is 'Pra Panasabodee', and he is the Lord of the forest and places where wild plants grow. In that time, there was an Asura demon called Taw Gog Khanag (otherwise known as 'Taw Anurach').
Taw Gog Khanag was a good friend of Phu Jao Khao Khiaw, who had been attacked by 'Pra Ram' (the name of Rama in the Thai Ramakian - adapted from the Indian Ramayana Epic), who had thrown a Gog tree at him which pierced his chest and carried him through space to be pinned to the side of 'Pra Sumen' (Mount Meru). In addition, Pra Ram cursed him with the following magic spell; 'Until your descendants weave a Civara monks robe from lotus petals, and offer it to Pra Sri Ariya Maedtrai (Maitreya - the future Buddha), your curse will not be lifted'.
After this, Nang Prajant, the daughter of Lord Gog Khanag (Taw Anurach) had to serve her father, spending the days and nights trying to weave a Civara robe from lotus petals, in order to have it ready for offering to Pra Sri Ariya Maedtrai, who will descend to become enlightened in a future age from now.
Because Lord Gog Khanag had to remain cursed and pinned to Pra Sumen, his daughter was in a pretty dire state without her father to help run things. Because she had to spend all her time weaving the Civara, she had no time to go sell things or make money, nor time to run a shop. When Jao Khao Khiaw heard the news of this, he felt compassion, and sent his daughter Nang Kwak to go stay with her as a companion. Because of the 'Bunyarit' (power of her great merit), Nang Kwak caused merchants and rich nobles from around the area to flock to Nang Prajants home and bestow gifts of gold, silver and money on them. Nang Prajant became wealthy and led a comfortable life.
Nang Kwak statues are a very sacred and ancient tradition of Deva worship which Thai Buddhists adopted from Brahmins as they immigrated and came to stay in Siam, long before Buddhism had got a foothold. Due to this, Ajarns of Ancient Times created 'Kreuang Rang' (magical effigies) in the likeness of a lady with a shoulder mantle, sitting and beckoning with her waving right hand, inviting you to come and buy her wares. The statues were dressed in the traditional costume, and the Masters would make offerings and chant in meditation, until the statues hand began to wave back and forth, which was the signal that the ritual was successful and complete. Nang Kwak is seen to be prayed to (Bucha), as an altar statue, and also as an amulet, and Pha Yant (Yantra Cloth).
Kata Chanting and Bucha method for Nang Kwak Deity
Nang Kwak is one of Thailands most commonly seen Deities. Her image is given offerings and prayed to, in order to increase wealth and business prosperity. She is a Deity revered by Merchants in both India and Thailand, by both Brahman, and Buddhists alike.
Nang Kwak is the helper of all shop-owners and merchants. She is normally seen placed on a high shelf (normally a wooden or red and gold lintel, called ‘Hing’ in Thai) and offered “Nam Daeng” (a red syrupy drink, often used in Bucha offerings to Deities in Thai Buddhist practice). Also, Incense, and flower garlands are offered to please Nang Kwak, and bring customers and make sales.
Kata Nang Kwak is used when paying devotional merits to Nang Kwak, who is used in the place of business to increase the amount of customers and sales you may ingress. Nang Kwak is a very popular magic cloth Yantra used in most business establishments in Thailand. You can also see Nang Kwak worshiped as a statue . Traveling salespersons may use Nang Kwak portable amulets to be able to make Bucha whilst on the road, and ensure success in their salesmanship.
How to Rever Nang Kwak
To Bucha Nang Kwak, One should use 5 incense sticks and offer flowers (preferably jasmine), any kind of red colored non alcoholic drink (‘Nam Daeng’). Some water, and also some sweets and rice as offerings. Light the incense, candles, and offer the flowers and drinks.
Then Say;
“Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa” 3 times,
Each time you say the above line, you should be kneeling, and should bow after each time to the Buddha before you begin chanting Kata Nang Kwak.
Om Sriwichay Gangwian
Phu Jao Khao Khiaw Mii Luuk Kon Diaw Cheu Naang Gwak
Chaay Hen Chaay Rak Hying Hen Hying Tak
Tak Tuan Naa Puak Paanichaa Paa Guu Bpai Kaa Terng Mueang Maen
Guu Ja Bpai Kaa Hua Whaen Gor Dai Wan La Saen Tanaan
Guu Ja Kaa Saarapadgarn Gor Dai Doey Klong
Guu Ja Kaa Tong Mua Rai, Gor Dai Dtem Haab Piang Wan Nii Bpen Rooy
Saam Haab Ma Ruean Saam Duean Bpen Saedtii Saam Bpii Bpen Por Kaa Sampao
Pra Rasii Puu Bpen Jao Bprasit Hai Gae Luuk Kon Diaw Swaaha.
Kata Bucha Por Tan Klai
Puttang Arahang Putto, Tammang Arahang Putto, Sangkang Arahang Putto, Pisit Adthagaaro Na Mo Put Taa Ya
Por Tan Klai is one of the Top Guru Master Monks of the Last Century, and is one of the Four great Masters of the Previous Generation of Lineage Masters of the Khao Or Southern Sorcery Lineage, whose great Attainments, Humble and Diligent Practice, and Powerful Wicha Akom Magick have brought him to Legendary Status in the Annals of History of Thai Buddhism, and of Buddhist Amulets.
Kata Bucha Por Tan Klai Wajasit
Puttang Arahang Putto
Tammang Arahang Putto
Sangkang Arahang Putto
Pisit Athagaaro Namo Puttaaya
