An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A rarely seen exhibit of a Pra Somdej Pim Yai Sam Chan Gaes Talu Sum (Topknot piercing Arch), Sacred Powder Votive Tablet, from the Wat Prasat Bunyawas 2505-2506 BE Mega Blessing Ceremony, with the Blessings of 234 Master Monks over two ceremonies. Solid Silver Casing with Ya Rachawadee Enamels included with this amulet.
This model is pressed in Nuea Pong Wised, containing 5 kinds of Sacred Yantra Powders and broken amulets from from many Great Temples and Guru Masters. This amulet comes already encased in silver casing with Lai Thai decorative patterns in Rachawadee Enamel paint.The amulets were Blessed by 234 Great Guru Master Monks in Two Massive Blessing Ceremonies at Wat Prasat Bunyawas. This model is an extremely well kept Pristine Exhibit, with very clear features, and a classic surface sheen, worthy of competition entry.
Free registered air parcel shipping worldwide, and silver casing is included. The Pim Sam Chan is a relatively rare model of the edition, and this amulet is also an especially beautiful exhibit. The presence of Muan Sarn Powders from Wat Bang Khun Prohm and Wat Rakang Kositaram amulets is evidently present within the Muan Sarn Clay.The 2555 BE (1961) Wat Prasat Bunyawas Edition Amulets, is a universally accepted and officially recognized edition of classic Buddhist Amulets, of extremely high esteem. This model is a Pim Yai Gaes Talut Sum, and is in Pristine Condition.
One reason it is so highly respected as the sacred edition of Amulets, is the fact that the creation of the sacred Muan Sarn Powders for this edition were given extreme attention to detail, and were gathered together over a long period of time, and donated from many great masters.The blessing ceremony for these Amulets is also a historically famous blessing ceremony, for its immensity, and the presence of great powerful guru monks.
The temple of Wat Prasat Bunyawas was built in 2376 BE, and was first given an official boundary and a name in 2379 BE, being first named 'Wat Klong Sam Sen', because it was located over the Sam Sen tributary canal. Its name was later changed to 'Wat Khwid', because of the 2 Sacred Giant Khwid Trees, which stood beside the Uposadha Shrine Room.Later, in the year 2498 Buddhist Era, the temple was burned in a terrible fire. Many of the temple buildings were destroyed, including the Uposada shrine room.
Pra Kroo Samuh Ampol Palawatano, the Abbot at the time, decided to build a new shrine room instead of repairing the ruins of the old one. This was because of a seemingly miraculous event; Luang Phu Tim, the Great Guru Master Monk and Abbot of Luang Phu Tuad's Legendary Wat Chang Hai temple, had had a vision of the great bodhisattva Luang Phu Tuad, Who appeared to him in a dream and told him to go to Bangkok and help to repair a temple which had been burned to the ground.
After having spoken, Luang Phu Tim presented the Abbot with some original 2505 BE Luang Phu Tuad amulets (now one of the two most famous classic top editions of millionaire Amulets of Luang Phu Tuad). He said they should be used to press a block mold for the making of a new series of Amulets to fund the rebuilding of the shrine room and the rest of the temple.
Some of the more well known amulets used to break up and mix in with the sacred powders included; Pra Somdej Wat Bang Khun Prohm 2500 BE, and Pra Somdej Wat Bang Khun Prohm 2509 BE (The two most famous classic and expensive editions of Wat Bang Khun Prohm amulets).As far as the Luang Phu Tuad models of this edition, they were made to place 84,000 of them within the Chedi Stupa, at Wat Bunyawas (this is known as 'Kru' hiding place chamber, used to place amulets for safekeeping and folate to distribution to extend the period of the preservation of the existence of the Buddhist religion).
A Large number of extra Amulets were also made in addition to the 84,000 placed within the Chedi, to hand out to Devotees at the temple, during the blessing ceremony.The Luang Phu Tuad series was completed first and released in the year 2505 Buddhist era. As to the many other different models (such as this Pra Somdej) which were made, they received a second blessing and were released in the year 2506 Buddhist era. The Edition rceived 3 days and 3 nights of Chanting, from the 6th to 9th of March 2506. The second Ceremony was performed for 4 days and 4 nights, from the 13th to 15th of November 2506.
These were handed out to the congregation who came to paste to gold leaf on the Buddha image which was being installed and blessed with the Buddha Abhiseka (opening of the eyes of the Buddha ceremony). The very same ceremony also installed and consecrated a Buddha footprint image which was also installed in the temple on the same day and covered with gold leaf by the congregation.
A total of 234 great guru monks were present to perform the Chanting of the blessings, and the empowerment of the Amulets. There was so many monks Present, that they could not fit inside the shrine room, and had to fill the surrounding area around the terraces of the Uposadha.
Below; 1. Luang Phu To Wat Pradoo Chimplee. 2 - Luang Por Noi Wat Dhamma Sala, along with other great masters at the Wat Prasat Bunyawas Blessing Ceremony
Four full days and nights of chanting were performed over these amulets by the 234 monks. The ceremony was so massive that it was considered to be the largest and most important sacred blessing ceremony of Amulets, since the great 25 centuries of Buddhism ritual, in the year 2500 Buddhist era.
