An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An extremely rare, highly valuable, and old Suea Yant Kong Grapan Chadtri Klaew Klaad Maha Ud Serm Yos, in pristine condition, with a plethora of Sacred Yant emblazoned on the Sacred yantra shirt, which is of course an undervest for protection, invincibility, commanding power, mercy charm, and evasion of dangerous and inauspicious circumstances. This exhibit is one of the rarest items one could encounter, from Olden Days Sak Yant Thai Temple Tattoos Master, Luang Por Lae, of Wat Pra Song, in Petchburi.
Luang Por Lae was a respected Thai Buddhist monk known for his expertise in creating Sak Yant tattoos, which held significance in Thai culture and spirituality. His skills had been honed through training from various accomplished masters in the field, and his tattoos had been sought after for their spiritual significance and protective qualities.
The Suea Yant is in Ochre (Jivara Monk Robe Silken fine-weave Linen Cloth), and has incredibly sharp and clear details on the Sacred yant embossed, each Yant in extreme detail with complex Buddhist and Occult Formulas of Spell inscriptions in ancient Khom Agkhara, filling and surrounding each Yantra spell. The amalgamation of all these different Yant forms an Adamantine spiritual crystal wall of Buddhas, Bodhisattvas, Herukas and Dakinis, devas, Himapant Protective Deities, the Ruesi, and the Hindu Trinity to protect and serve to bless in all areas of life.
Below; Yant Grao Paetch Diamond Armor Yantra
The below image shows a Buddha Yantra on the shoulder, with the 4 elements incantation 'NA MA PA TA' and eight 'A' syullables (for 'Arahang'/ASrahant/Buddha). Below that is another Yant Ongk pra Buddha-Yantra, and a Yant Pra Pid Tawarn 6 armed Nirodha Buddha image. Below that is a Magic Square yant with the Itipiso mantra, 'A SANG WI SU LŌ BU SA PU PHA' (Kata Novahorakun), and 'NA MŌ PUT TĀ YA' (Kata Pra Putta Jao Ha Pra Ongk).
Luang Por Lae Tidtappo of Wat Pra Song in Petchburi, was a direct Looksit apprenticed in Dhamma and Sorcery to two of the Greatest Masters of Olden Days, the legendary Luang Por Tong Sukh of Wat Tanode Luang, and Luang Por Plern of Wat Nong Mai Luang. Luang Por Lae was born in the year 2459 on the 19th June, in Tambon Rai Makham in Ban Lard, Petchburi Province. He was ordained into the Buddhist Sangha at the age of almost 20 Years old on the 24th of May 2499.
Luang Por Lae was a Thai Buddhist monk who was renowned for his expertise in creating Sak Yant tattoos. Sak Yant tattoos were sacred designs, often representing Buddhist symbols, that were traditionally inked onto the skin. Luang Por Lae was well-known for his proficiency in this art form and had received training from respected teachers, especially in the field of high-level spiritual tattoos.
He had learned and honed his skills in Sak Yant from several accomplished Ajarns (masters), particularly those who specialized in the enhancement of spiritual insight through tattoos. Luang Por Lae had created various Sak Yant designs, which were typically intricate patterns with deep spiritual significance in the Buddhist tradition. These tattoos were considered to be a form of protection and carried spiritual power.
Below; Yant Rachasri
Luang Por Lae's mastery in Sak Yant had earned him a prominent place in the realm of Thai Buddhism and culture. His work had been highly regarded for its artistic and spiritual value, and his tattoos were often sought after by those seeking spiritual guidance and protection.
Luang Por Lae studied Sorcery with a total of 14 different Masters; LP Plern (Wat Nong Mai Lueang), LP Tong Sukh (Wat Tanode Luang), LP Chit (Wat Maha Tat Petchburi), LP Soke (Wat Pak Klong), LP Pan, LP Te, LP Chaem, LP Bun, LP Rod (Wat Nai Roeng), LP Rod (Wat Bang Nam Won), LP Rung Wat Ta Graber, LP Jong (Wat Na Tang Nork), LP Derm (Wat Nong Po), and Luang Por Ee (Wat Sattaheeb).
Below; Yant Bua Gaew Paed Gleep (Paed Tidt)
Luang Por Chit of Wat Mahatat, taught him the adept levels of Wicha Horasart (Astrology and Fortune Telling), and it is said that Luang Por Lae attained the 6th sense in this Wicha, and was able to foresee future events. Luang Por Soke of Wat Pak Klong in Ban Laem taught Luang Por Lae the Wicha Pra Khan (Sceptre, Ritual Dagger and Wands Magic). Luang Por Pan of Wat Mahatat Voravihanr taught Luang Por Lae the Wicha of Takrut Tone and Takrut Faed amulets.
The Great Luang Por Plern of Wat Nong Mai Luang, Famous for Wicha Hwaen Pirod, and Kong Grapan Magic passed on his magical secrets to Luang Por Lae. Luang Por Tong Sukh, Wat Tanode Luang, who taught him to perform Wicha Sak Yant Kroo, which was the most powerful Yant in his particular Magical Dtamra, namely the Yant Hua Jai Pra Ram (Heart of Rama Yantra), which controls the powers of all other Yant which are tattooed thereafter on the devotee, including the Ling Lom Vanora, Hanuman, & Gold and Silver Hongsa Swans.
He was taught the Wicha Sak Yant Maha Maekh from Luang Por Dtor and Kun Por Jantr of Wat Khao Wang in Petchburi, and after their passing, for a long time, Luang Por Lae remained the only Monk able to perform this Wicha.
Below; Yant Ongk Pra, with Khom Inscriptions which translate roughly as "I believe and have faith, in the Buddha in the Center of the Lotus"
In the year 2489, an event happened that caused Luang Por Lae to receive a shock, as he was staying at Wat Maha Tat, where some terrible news about his family home had been broken into by marauders, who killed his mother and siblings (his father had already passed away beforehand). The only thing left in the home was a piece of gold weighing 100 Grams which the thieves had dropped as they fled the house, which Luang Por Lae had to use to cash in to pay for the funerals of his mother and siblings.
Because of this sad event, Luang Por Lae decided to go and practice Tudong solitary forest wandering on foot, throughout the land. He decided to do this in order to master powerful Wicha, in order to be able to help people in future to prevent such terrible events from happening, and to be able to perform magical miracles to protect people from being harmed, as his own family had been.
Below; Pictorial and Geometric Yant in combination
He wandered through the then still wild and undeveloped areas between Petchburi and reached as far as Nakorn Pathom province on foot, and met with and practiced many forms of Wicha with various great Masters of that time, in particular, the Wicha Kala ta Diaw Rahu Om Jantr (one-eyed coconut Pra Rahu Maha Ud Gunstopper spell), and the Wicha Serm Duang Karma Improver spell of Luang Por Chaem, of Wat Ta Gong. He then Mastered the Wicha Na Hnaa Tong Golden-faced Lakshman gold leaf forehead blessing from the Great Luang Por Te of Wat Sam Ngam, the Wicha Pong Jinda manee, and Wicha Bia Gae Cowrie Shell amulet making spell from Luang Por Bun of Wat Klang Bang Gaew.
Below; the 14 Kroo Ba Ajarn of Luang Por Lae
After this, he traveled onwards to Samutr Sakorn, and Mastered further Wicha; Wicha Choo Chok with Luang Phu Rod of Wat Bang Nam Won, and the Wicha Takrut Mai Phai (bamboo Takrut). As Luang Por Lae approached Bangkok, he passed by Tonburi, and furthered his Wicha Bia Gae with Luang Phu Rod of Wat Nai Rong, in Taling Chan Municipality. Then he traveled even further into the Province of Ayuttaya, and learned the Wicha Takrut Puang, and the Wicha of the Yant Hua Jai Pla Tapian Maha Lap from the Great Luang Por Jong of Wat Na Tang Nork. And even further on he traveled Northwards to Nakorn Sawan, to Master the Wicha Sastra Mitmor Ritual Knife making, with the Legendary Luang Por Derm, of Wat Nong Po.
Then he traveled back Eastwards, to learn the Wicha Palad Khik with his Kroo Ba Ajarn Luang Por Ee, of Wat Sattaheeb. Luang Por Lae then went back to Petchburi and used his Wicha to help the Local Devotees and later became Abbot of Wat Pra Song. Luang Por Lae passed away in the Year 2551 BE on the 10th March, at the age of 92 years old.
Wicha Sak Yant LP Lae
Luang Por Lae was famous for his Sak Yant tattoos with his special formula of Nine types of Hanuman/Vanora. However, it is said that after the occasion of having tattooed a 'very important person' he desisted from tattooing the 9th Hanuman and Hanuman number 10, and only would tattoo up to 8 of them on any one person. His amulets are a cult niche collectors material, and are always difficult to find, for it is indeed true, that his Devotees in Petchburi and surrounding province, are so possessive and non-commercial with them that only few amulets from this master ever get to leave the locality, and have mostly been kept within the fold of his parishioners. He is of course an especially revered master to those who are devotees of Sak Yant tattooing, and of those who have become enchanted with the many forms of amulet he made during his lifetime, such as a large array of Hanuman amulets, Ganesha, Taw Waes Suwan, and Por Gae Lersi amulets which were made from hand-carved ivory. He has one of the more attractive pantheons of amulet designs within his magical trajectory, and many of his amulets are considered to be pieces of fine miniature Buddhist art in their own right. He is also a highly regarded historically famous master, due to the fact that he learned under tutelage in Sorcery and Dhamma, from the incredible number of 14 other great Guru Master Ajarn, who bestowed him with their Wicha.
