Suea Morb Nga Gae Crouching Tiger for Mercy Charm Protection Power and Invincibility Ajarn Heng Praiwan Featured

A very ancient and beautifully carved Animist Charm in Sacred Ivory (highly Aged), of the Suea Morb Elephant-Lion, from the great ex Monk and Lay Master-Sorcerer, Ajarn Heng Praiwan

The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb is known for its power of Mercy Charm (attraction), and to evade Bad Karma and Deadly Accidents, as well as to be in constant readiness to pounce when opportunity for success knocks.

The Suea Morb in ancient ivory is an animist charm believed to be extremely powerful in its effect to attract the auspicious, and deflect the inauspicious. The Tiger is one of the most powerful creatures, and adept hunters on earth, and do not really have any predators above them in the food chain (except Humans!). Hence, the Lion and Tiger are seen as Kings of the Forest, and enjoy a life without having to fear too many dangers.

Free EMS / DHL / FedEx Express Shipping and the option of free solid silver Waterproof Casing is included with this item. An extremely rare to see, and exquisitely beautiful Ancient Ivory Carving, that is among the very rare amulets to encounter by Olden days Lay Master Ajarn Heng Praiwan. A Powerful and Highly Sought After amulet by high-end talismanic amulet, as well as an important historical and cultural religious artifact.

The Suea Morb, as all amulets of Ajarn Heng (due to his empowerment method), can not only protect from dangers, black magic and ill fate, but is also known to be a Wicha for invoking Great Mercy Charm (Metta Maha Niyom), to bring Great Preference to You above Others. The amulet is designed to Attract Helpfulness, Popularity and Success, Imbue power and influence (Serm Yos), Command over Others (Maha Amnaj) & clear the way of difficulties, whilst making all ventures successful.

An excellent choice for those increased ‘Dtaba Decha’ (Recieve Honors, Glory, Respect and Promotion, Dominion and influence), The Sacred Ivory shows its age through the crevices formed over time, and the agéd yellow patina which has evolved through many decades of contact with the skin. The Suea Morb differs from other Wicha Suea, in that, apart from increased Maha Amnaj, and Imposing Influence, protection and Invincibility, it is also known for immense power of Metta Mahaniyom.

If asking for assistance from the amulet, please do not be too greedy each time you pray to the amulet for things, rather set yourself reasonable goals. If you find the right balance, you will experience safe evasion from dangers and immunity to Black Magic, a constant rise in success and status, and standard of living. The Suea Morb can also use its Metta to assist in bringing Victory in Legal Battles, if you are in defense, or pleading of a Court Hearing, in order to receive merciful treatment.

This Hand carved amulet of Ajarn Heng Praiwan, was one of only two we could find over a long period of searching (4 years), and can be considered to be an eternal rarity, which is always sadly more in demand than available. We try to find them as fervently as possible, but even we end up losing the battle often. This is of course, due to the massive imbalance of availability, against demand, and the immense rarity, and small quantity of amulets made by this master.

Tigers, Lions, and other Big Cat type Himapant Animal Deities (such as the Suea Maha Amnaj, Paya Kochasri, Kilen, and Singha), especially when carved from Ivory, are naturally imbued with the Sorcerous Powers of Maha Amnaj (commanding power and influence), Serm Yos Status Increase for positions of command, Gae Aathan Anti Black Magic, and opportunities of promotion, and Metta Mahaniyom Mercy Charm, to lull your Subjects and Charm them into Obedience. Maha Pokasap treasure Accumulation and Cornucopia of Requisites is also Imbued. These powers are said to be present within the ivory itself, even without empowerment, and that people wore ivory in ancient times for this purpose, and over time, developed artistic designs to shape them into animals and other objects of reverence, Deities and the like, to add spiritual significance.

Below: an example of one of the various Roop Tai Kroo Ba Ajarn Ajarn Heng which were released during his Era

 

Ajarn Heng Praiwan was a great Lay Master and Adept Necromancer of olden days, of the Ayuttaya Province. Ajarn Heng was born in the year 2428 BE, and was ordained as a Buddhist Monk when he came of age, at Wat Suwan in Ayuttaya. During his ordained years, he studied many ancient magical Wicha of the grimoires of Wat Pradoo Rong Tam, which was a great library of ancient magical grimoires, perhaps the largest in the country. He became extremely able in the inscription of Khom Agkhara Sanskrit Spells, Kata Incantations, and Sacred Yant, and became very well known as a great Master of Sak Yant Thai Temple Tattoos.

Ajarn Heng Praiwan, studied the Wicha Grimoire of the Dtamra Radtana Mala, until attaining full Adept Mastery, after which he disrobed for a time, to help his parents. After which, he ordained again once more, at Wat Prayatigaram in Ayuttaya, with the Great LP Glan Tammachodti, Abbot of Wat Prayat, as his Upachaya Ordaining Monk. He spent a long period of time learning and mastering the full Dtamra of the Wicha of Luang Por Glan, after which he disrobed again, and became a lay-sorcerer until the end of his days, when he passed away at the age of 75, in the year 2502 BE.

It is said that Ajarn Heng’s father, was either a police officer, or a prison officer, and sent Ajarn Heng to Penang, and Singapore, to be educated. But Ajarn Heng did not finish his schooling, and left, because of his immense fascination and interest in the study of Saiyasart, & the Dtamra Saiyawaet Grimoires, of Thai Buddhist, Animist, and Necromantic Occult Practices. He even traveled to the South of Thailand to learn the most ancient Magical Practices of the Southern Khao or Sorcery Lineages.

After his time practicing and mastering the Southern Lineage Magical Practices, Ajarn Heng returned to his home Province of Ayuttaya, in Central Thailand. Ajarn Heng was now a Master of the Wicha of Luang Por Glan, and the Southern Wicha of Sorcery which dates back to the Sri Vichai Era of Siam. The Wicha Mastered in Entirety of Wat Pradoo, whgich Ajarn heng has undertook, came from the time when King Naresuan Maharach, ordered the Wicha Saiyasart Grimoire texts to be inscribed and stored at Wat Pradoo Roeng Tam.

The inscriptions were begin and finished between the years 2133 – 2148 BE. It was King Pra Mahesuan Maharach, who united the city Kingdoms of Siam and Unified the country into one Land, namely ‘Siam’, or ‘Thailand’, and made the city of Ayuttaya the first capital of the Kingdom (Later to be moved to Bangkok, for logistical and geo-political reasons).

Ajarn Heng began to serve the public and accept devotees, at first by only performing Sak Yant Tattoos, and became known as one of the Top Sak yant Masters in the Country of his Time. Another later Kroo Ba Ajarn and Friend in Dhamma, Luang Phu Si, of Wat Sakae in Ayuttaya (Temple of LP Doo), once told that during the time of King Rama the 3rd, during a time of military dispute, around the year 2475 BE, many regiments of Thai soldiers, of both high and lower standing went to Ajarn Heng for his protective Yant, due to the miraculous powers attributed to them, all one the same day. On this occasion, Ajarn Heng constructed the ritual place at Wat Hantra Temple. Ajarn Heng invited a host of powerful Monks with Psychic Powers to assist in the ceremony of Blessings.

In this occasion (around 2476 BE),Ajarn Heng had to work very hard to gather a large number of Master Monks to come and perform the Suad Nam Puttamont Chanting Ritual, and this was a very had task in those days in Ayuttaya, to travel around and fine enough top masters who knew the chanting of the Nam Pra Puttamont and the Putta Pisek (Buddha Abhiseka) ceremonie. He was assisted in this task, by the great Luang Phu See of Wat Sakae.

Ajarn Heng Praiwan and amulets

But on this occasion, Luang Phu Si could not attend as well, because he was busy with Dhamma Duties at Wat Liab. But, after this Ceremony, Ajarn Heng would always invite Luang Phu Si to attend all of his subsequent Blessing Ceremonies, and assist with empowerment.

Ajarn Heng was a relatively wealth person with two houses and land stakes, one in the countryside in Tung Hantra, and one in Bangkok. And so, he would have devotees seek him out in Bangkok and in Hantra, for Sak Yant Tattoos, and his powerful Takrut amulets. It became popular to get high class artisans to carve his amulets, as well as village people would carve animist charms from ivory, wood, and sometimes, necromantic Ban Neng skullbones, which are of course, along with his famous metallic, and inimitably designed Takrut Maha Jakkapat Metallic Scroll Spells, the most highly valued, rare, and sought after by devotees of the great anbcient Ayuttaya Lay Sorcerer. Finally, Ajarn Heng moved to stay in Suan Malee, until the Wars in Asia Broke Out, whereupon he left the Capital, and returned to his home Province of Ayuttaya.

 

During this time, there were many Gangsters and Highwaymen, and a lot of need for Sak Yant Tattoos for Kong Grapan Chadtri and Klaew Klaad protective Magic, and Ajarn Heng became a highly acclaimed master, renowned for his Yant Gao Yord (A Wicha Obtained from the Great LP Hrun). Ajarn Heng was able to receive additional Wicha from the famous temple of study of Sorcery, Wat Sam Jeen, as well as receiving Wicha from the great Luang Phu Tong, of Wat Rat Ayotaya, and Luang Phu Kam Wibun.

Ajarn Heng’s Kong Grapan magic was so famous, that it became popular for police and military to get his tattoos, but also that they did not like the fact that so many Gangsters had them too, and were impossible to shoot dead. His Takrut Jappapattirach was also both infamous, and those who wore one were feared to be invincible. There was once a time when Ajarn Heng was parked in a boat on the banks of the river at Wat Cherng Lane Temple, where the Police came, and had to forbid Ajarn Heng from tattooing more, because the area was overflowing with Gangs of Highwaymen, and his tattoos were making it impossible for the police to catch them.

Ajarn Heng was known to have been highly able himself with Buddhist Arts, and Carvings, in wood, ivory, bone, and skull Ban Neng, as well as being highly famed perhaps most of al, for his famous Takrut, and Carved Ban Neng. It is even said, that the Great Artist Kroo Hem Waechakorn said of Ajarn Heng that “If there is anyone who can draw the four faced Brahma Image better than anyone, it is Ajarn Heng Praiwan”. Ajarn Heng was extremely adept in Wicha Hanuman for Invincibility, Kong Grapan, Victory, and Loyalty, which were very popular of course with all devotees, be they Police, Civil Servants, Ganster Mafias, Triads, or Military. Ajarn Heng made so many different forms of carved amulets and animist charms, that it is very hard to catalogue all of them, but if one is to say ‘which amulets are the most well known?’ One would say perhaps his carved Ivory amulets and Necromantic Ban Neng, and his famous Rian See Hnaa 4 faced Brahma coin.

 

Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

Filters

Filters
1 - 60 of 799 items

 

Roop Lor Mae Chee Bun Ruean 2521 BE Dtok Code Niyom With Casing Blessed by Luang Phu To at Wat Awut

An extremely rare limited edition Pim Niyom amulet that is seldomly seen, the Sacred Roop Lor Loi Ongk Statuette in Nuea Rae Maekasit alchemical meta alloy, with the image of the Great Thai Buddhist Nun, Mae Chee Bun Ruean, of Wat Awut and Wat Sarnath.

Mae Chee Bun Ruean was famous for her ‘Pra Putto Noi’ amulet, Thung Khiaw Hniaw Sap treasure pouches, and Khaw Dtok Pra Ruang Sacred Elements. Her amulets and those in her image enjoy immense reverence with Buddhist Folk of every Province in Thailand, for her great healing powers and her Merits made for Buddism, and her meditative prowess and teachings.

Mae Chee Bun Ruean Amulet Loi Ongk Statuette Wat Awut

Mae Chee Bun Ruean Amulet Loi Ongk Statuette Wat Awut

The Roop Lor is made from Nuea Maekasit, a special magical alloy forged using metallurgy and alchemy, and was blessed in 2521 BE at Wat Awut, with the Great Luang Phu To of Wat Pradoo Chimplee presiding over the Blessing ceremony and empowerment.

It is worthy for students of amulets to note, than a later edition of the Roop Lor Mae Chee Bun Ruean was also famously released in the year 2532 BE with Luang Phu Buddha Thanawaro performing blessings. the 2521 BE and 2532 BE editions asre noticeably different by the fact that the later 2532 BE edition had Muan Sarn Sacred Powders filling in the base of the Loi Ongk Statuette.

Close Ups of the Mae Chee Bun Ruean Loi Ongk Statuette

Close Ups of the Mae Chee Bun Ruean Loi Ongk Statuette

Nuea Maekasit is obtained by Alchemically smelting Iron Artifacts, with Mercury as the main base Magical ingredient, and performing Elemental Invocations until the structure of the metal changes, and becomes a sacred Metal of Alchemical Nature. Alchemy and Metallurgy are combined here as one facet of the various aspects of empowerment of the amulet. The Maekasit and Maekapat Sacred Alchemical Metals are not only especially apt for channelling Magical Forces.

This is only possible with metals which will usually not smelt, by the use of Incantation and Meditative Prowess, as well as Metallurgical expertise and experience in this Wicha, because the turning point must be held at a precise temperature, along with the proper incantations, which must be performed simultaneously as the separate substances melt and are forged into one substance. The resulting alchemical alloy may take on any of a number of colour tones, depending on the formula of Kaya Siddhi substances used, and the nature of the Magic. Colours can range from matt black, silvered, rusty red, to bluebottle blue and greenbottle green, silver, and even golden and purple, much like Lek Lai Kaya Siddhi Adamantine Substance.

Mae Chee Bun Ruean is perhaps the most famous of Thai Buddhist Nuns, which is underlined by the fact that a Buddhist Nun made such great impression and influence in the Thai Buddhist religion is a statement in itself of her great merits to propagate and preserve the Buddha’s teachings, and to lead her devotees towards the true path of practice.

The Roop lor is made from cast alchemical iron alloy with blackened finish, with series edition code stamp on the rear side of the image, and is hence a preferred pim, which devotees prefer above those versions with no code stamp.


Who was Mae Chee Bun Ruean?


Kun Mae Chee Bun Ruean was a Buddhist Nun whose purity of practice was so exemplary that she became a Buddhist master in her own right in Thailands Theravada tradition, which is highly unusual and a difficult task to acheive, in a Tradition where women are not permitted to ordain as a Bhikkhuni, and must remain in white as a Karavasa Holder of Precepts.

Mae Chee Bun Ruean Thai Buddhist Nun

Despite these disadvantages, her great practice, Metta (Compassion) and her teachings, and Charitable Works for Buddhism, brought her to become the most highly beloved Buddhist Nun in the History of Thai Buddhism. She was known to practice and listen to the Dhamma mostly at Wat Sampant Wongs in Bangkok.

Her most famous amulet is of course the ‘Pra Putto Noi’ amulet, which was made in various kinds of sacred powder clay. The most popular model being the ‘Pim Jumbo’ large size model, in its white powder version.

Pra Putto Noi Mae Chee Bun Ruean

Pra Putto Noi Mae Chee Bun Ruean

The Pra Putto Noi was created in the year 2494 BE, with the Mae Chee Bun Ruean as the Organiser of the raising of the funds for their making and the Charitable Acts which were planned from the funds. The Pra Putto Noi amulet in its Pim Niyom model, if in pristine state, can fetch tens of thousands of dollars in the high end auction rooms of the Sian Pra Niyom.

Luckily there were many models, and some are still affordable in this time, but they are very far and few to discover for collection. The devotees who wear her amulets walk confidently in faith of the Metta Maha Niyom and Serm Duang Klaew Klaad Powers, and healing effects of the amulets of Kun mae Chee Bun Ruean. Devotees would rub the powders ointment onto giant centipede and snake bites and infected wounds, to heal them.

Her amulets are said to heal illnesses and to improve Karma. They are believed to be full of Puttakun Power to bring auspicious blessings and prosperity, because of Mae Chee Bun Ruean’s life of charitable acts, and her practice of great generosity. They are full of Metta Maha Niyom from Mae Chee Bun Ruean’s Equal treatment and Loving Compassion for all of her devotees regardless of their social or financial status. All were treated with the same Metta.

Her purity is believed to have made the amulets she created to be so powerful, and caused her Pra Putto Noi and other amulets to be extremely sought after amulets. She blessed the amulets in 2494 BE, with a ceremonial prayer for the Welfare of the Temple of Wat Awut, in Thonburi. The aim of the funds raised from the edition was to construct the Pra Putto Paas Chinarat Jom Muni, as the ‘Pra Pratan’ Main presiding Buddha Image of the Uposatha Shrineroom at Wat Sarnath Dhammaram temple, in Rayong.

She bestowed permission to Pra Ajarn Sanguan Kosago, the Abbot of Wat Awut Wikasitaram, who had already collaborated in the making of the Pra Putto Noi Amulets which were previously distributed during the Tord Pha Pha robe donation ceremony. Ma Chee Bun ruean also made extra batches to donate to the Monks at Wat Sampant Wongs, for them to give to their devotees who came to make merits.

Apart from the Pra Putto Noi amulet, Kun Mae Chee Bun Ruean made various other amulets which are also in extremely high regard for their Sacredness, such as the Pra Chaiyawat Putto Brass Votive Tablet of 2499 BE, and the Rian Pra Putto Jom Muni coin of the Pra Putto Yai Statue Installation Ceremony of 2499 BE.

Mae Chee Bun Ruean

Another very popular ‘Krueang Rang’ Talismanic Charm of Mae Chee Bun Ruean was the ‘Thung Hniaw Sap” treasure glue purse (lucky purse to attract treasures and money like glue sticks to paper), made in 2497 BE. The treasure purse was made in various colours; white, blue, yellow, pink, red, black, and with various styles and designs. Som were made from sack cloth, others from fine cloths, some were large others small purses. The closures of the purses were also varied, ranging from zip to string closures.

 

Mae Chee Bun Ruean empowered the Thung Khiaw Hniaw Sap treasure attractor purses at the temple of the Buddha Footprint at Wat Pra Puttabat, in Sra Buri, where they were blessed in a large Buddha Abhiseka ceremony and released in early 2488 BE. Some purses actually had something inside of them, and others didn’t. The purses are reputed for their Maha Pokasap power to increase wealth and professional success, but have also gained a reputation for powerful healing and protection powers too.

 

Kata Bucha

Na Chā Lī Dti Chimpalī Ja Mahā Thērō Suwana Mā Mā Pō Chana Mā Mā Pōka Mā Mā Mahā Lāpō Mā Mā Sappē Chanā Pahū Chanā Pawandtumē

The Kata is said to have been transmitted to Mae Chee Bun Ruean in Meditation from the God Indra, to pay reverence to the Chimplee Arahant (Pra Sivali), in order to bring Maha Lap Lucky Fortunes, Maha Choke, Lucky Windfalls, and Maha Pokasap Treasures.

For Auspicious Blessings, the Kata should be chanted on any Sunday that falls on the 6th day of the month, any Monday falling on the 15th of any Month, Tuesdays which fall on the 8th day of any Month, Wednesdays which fall on the 17th of any Month, Thursdays which fall on the 19th of any Month, Fridays which fall on the 12th day of any Month , and Saturdays which fall on the 10th day of any Month.