Takrut Mai Kroo Maha Ud Yut Majurach Thak Chueak Lai Jorakhae Long Rak 2460 BE Luang Por Ta Wat Paniang Dtaek

Large version ( 5 Cm Long x 3 Cm Diameter) Takrut Mai Kroo, Drum Shaped Talismanic Charm, with ‘Thak Lai Jorakhae‘ (crocodile markings) cord wrap and lacquered surface, from the Great Olden days Master of Kong Grapan Chadtri Magic, Luang Por Ta, of Wat Paniang Dtaek. The Takrut Luang Por Ta has a piece of sacred twisted bamboo within, with three lines of spells written in Khom Sanskrit Agkhara script and Gradat Sa Takrut inserted within the Bamboo, inscribed with a pantheon of spells.

Luang Por Ta’s Khom is known to be beautiful, which is of course not visible in the cord lacquered covered Takrut. The laquer has the classic look of ancient red chinese lacquer (Rak Chart Jeen Boran), that has blackened, and is consistent with the look of lacquer that has had a century of time to endure.

Free Express Shipping Worldwide is included with this amulet. Luang Por Ta was a Nakorn Pathom Province Master, at his height of fame during the years 2430 to 2460 BE, and was known to be so powerful in character that even the biggest Gangsters were too fearful to disrespect him, for fear of his powerful magic cursing them, and knowledge that it was not possible to harm him with weapons, for his Psychic Powers and Kong Grapan Magic were too Great.

For the same reason however, they sought his amulets, as invincibility and evasion Magic to protect their lives. In Thailand, Gangsters and Gunmen, are known as ’Suea’ (Tigers), for their fearlessness. Luang Por Ta was known to Gangsters as ‘Luang Por Suea’ for his powerful and commanding enigmatic personality. Some would also call him ‘Por Suea Graben Yord Duan’, because he liked to make and was a master of Wicha Hang Graben Stingray Skin and Sting Talisman Making.

Luang Por Ta’s Kong Grapan Invincibility Magic was highly renowned with Military, and the Gangster Scene, who used his amulets as gunstoppers and evasive magical talismans to avoid bullets and blades. Luang Por Ta of Wat Paniang Dtaek was born in 2397 BE, and passed away in the year 2493 BE.

He ordained at the age of 15 years, and studied Buddha Magic with the Great Luang Por Daeng of Wat Tung Kork, Luang Por Chaem of Wat Ta Gong, Luang Por Tiang, of Wat Muang Chum, and Luang Por Wongs of Wat Phak Goot. He was famed for his Rian Lor Coins, Takrut, Look Sakot, and Pra Pid Ta Yant Yung amulets. The Takrut Mai Kroo Maha Yut Majurach is one of the highly revered and sought after items. He made many amulets between the years 2430 to 2480 BE, and continued making at a lesser pace thereafter until his passing in 2493 BE

Kata Bucha for Luang Por Ta Wat Paniang Dtaek

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Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Takrut Tone Ying Mai Ork Pork Nuea Krang 2 x 1.2 Cm Luang Por Tong Sukh 2470 BE
Small Version of Luang Por Tong Sukh's Legendary Takrut Pork Krang Amulet, that is extremely rare to find in this size.
SKU 04228
$135
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Pra Pim Pra Put Son Ha Pim Gaes 3 Plaay Nuea Maekasit See Tong Pla Hlai 2460 BE Luang Por Tap Wat Anong

One of the rarest models of this great olden days master of alchemical metallurgy, hand inscribed, and a Pristine condition Centenarian Amulet of immense rarity, and a very ancient and sacred Wicha, the Pra Put Pim Son Ha Gaes Sam Plaay, in Nuea Maekasit See Tong Pla Hlai Golden Alchemical Brazen Mercurial-Metal amulet of LP Tap (2.5 x 1.5 Cm). This exhibit is in in the extremely rare and beautiful See Tong Pla Hlai Golden Rainbow Flamed color, and a highly preferred Master-Class Pra Niyom amulet from the great Luang Por Tap of Wat Anongkaram (commonly known as ‘Wat Anong’). The rear face has received hand made Khom Agkhara spell inscriptions from the hand of Luang Por Tap


Free registered air parcel shipping worldwide is included with this item. The Pra Put Pim Son Ha Nuea Maekasit, along with the Look Om Maekasit, & Pra Pid Ta, are the most famous and outstanding amulets of the Pantheon of Luang Por Tap, as well as his ultra rare oblong shaped Pim Luang Phu Sukh. Both the Pra Put Pim Son Ha and Pid Ta Maekasit was made in multiple design variations, some of which were made in Pim Lek, Klang and Yai (small, medium and large).

Below; various models of Buddha images from the pantheon of Luang Por Tap


Luang Por Tap was an Olden Days Master Monk of the previous Buddhist Century, who was highly renowned for his Mastery of Alchemy, and Kata Akom Spellcasting Methods.

Below: all of the best known accepted major models of Pid Ta Maekasit Luang Por Tap

At that time, Somdej Pra Puttajarn Nuam was the abbot of Wat Anongkaram, and Luang Por Tap was a ‘Look Wat’ (one of the temple monks), but in truth, Luang Por Tap was much an elder monk to the abbot himself, and much more advanced in his practices. Luang Por Tap became immersed in the Wicha Len Prae Taat (Alchemical Metallurgy), and Mastered it until he could produce the legendary substance known as ‘Maekasit’ metallic alchemical alloy.

The Wicha Maekasit of Luang Por Tap was so famously powerful, that even the great Luang Phu Sukh of Wat Pak Klong Makham Tao in Chainat came, to exchange sorcery methods with Luang Por Tap, in order to obtain the Wicha Maekasit. This is perhaps how and why Luang Por Tap was able to also make Luang Phu Sukh’s famous Pra Pim Prapa MOndon R$asamee amulets so similarly to Luang Phu Sukh himself.

Luang Phu Sukh then took this Wicha back to Wat Pak Klong Makham Tao, and made many famous amulets of his pantheon using the Wicha Maekasit of Luang Por Tap, such as the oblong shaped Pra Somdej Prapa Mondon Sum Rasamee.

The Maekasit amulets of Luang Por Tap, are known to have different tones of color which shimmer through the metallic surface, tanging from silvery, to some most highly preferred exhibits with blackish, blue-green, golden (see tong pla hlai), or greenish metallic sheen, similar to the Bluebottle-Green-Purple metallic color of Lek Lai See Peek Malaeng Tap. There are a number of Great Master-Class amulets of Luang Por Tap, such as the Pra Pid Ta Maekasit, Look Om, and Prort Gror metallic Arahant Ball. Only very few Loom Prort Gror Were made, as they were used to place under the Uposatha Shrinerooms of Temples, and only handed out by Luang Por Tap on rare occasions. The most highly prized, rare and sought-after amulets of Luang Por Tap, were made during the time when both Luang Por Tap and the then abbot, Luang Por Nuam Puttasārō were both alive, and collaborating with amulets. Luang Por Tap’s amulet pantheon is one of the most fervently sought and collected in the high end amulet collector community, and are considered to be among the most powerful alchemical amulets of all Masters. Luang Por Tap made many models of amulets in Nuea Maekasit and Parort alchemical metals, some of the most well known being the Pra Pid Ta Maekasit, Pra Pim Pang Son Ha, Look Om Maekasit, the Look Prort Gror, and Pra Chayawat.

 

Luang Por Tap also inherited the Wicha Hung Nam Man Montra Saksit, for making Sacred Consecration Oil, from his Kroo Ba Ajarn Luang Por Nuam (6th abbot of Wat Anongkaram). Luang Por Nuam’s amulets are even rarer to find than those of Luang Por tap himself, but it is Luang Por Tap who gained more National and International Attention. The first edition Rian Run Raek of Luang Por Nuam is especially sought after and carries an immensely high market value in the present era. However, only a few were ever made, and so they are very rarely seen.

Luang Por Tap was also known to have been a close accomplice to Pra Sangkarach Pae of Wat Sutat, and Luang Phu Sukh ( Wat Pak Klong Makham Tao). it went on record many times that every time that Somdej Pra Sangkarach (Pae), would make an edition of the world famous Master Class Pra Kring and Pra Chayawat Wat Sutat, he would always invite Luang Por Tab to come and assist in the Buddha Abhiseka, and Nang Prok Empowerment Ceremonies, as a monk of Adept Sorcery.

As to Luang Por Tap’s friendship with Luang Phu Sukh of Wat Pak Klong Makham Tao, it is said they were extremely intimate friends, as they were both from Chainat Province. Luang Por Tap was born in 2374 BE, amd was ordained at a young age as a Samanera Novice Monk, and then disrobed to help his family, and later ordained a second time as a fully fledged Bhikkhu, in the year 2413 BE.

Kata Bucha  Luang Por Tap Wat Anong

At first, he resided at the temple of Wat Raman, for the first year, and then he moved to stay at Wat Anongkaram. Every time the rainy season retreat was over, Luang Por Tap would leave the temple, and wander the forests on Tudong, practicing Vipassana Kammathana Mindfulness and Jhanic Meditation, every year for 40 years, developing immensely advanced self control and self mastery, which caused Powerful Wicha to arise within his mind.

After 40 years of Tudong Practice, he became too old to continue, and stayed permanently at the temple of Wat Anong from 2457 BE onwards. It was in this time, that Luang Por Tap began to apply his Wicha, and make amulets with Maekasit Metallurgy, using Alchemical Parort Mercury, Silver, Gold, Lek Lai, and sacred Iron Alloys. Most of his amulets would be versions of Pra Pid Ta Nuea Maekasit, with a range of other amulets and talismanic charms, which are however found in much lesser numbers, and are extremely rare, such as the Pra Pim Son Ha, Pim Prapa Mondon Sum Rasamee, Pra Pim Nakprok, Look Om, Takrut, and Look Prort Gror.

Luang Por Tap’s famous Pra Pid Ta amulets are found in Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large), Pim Dtaeng and Pim Mai Dtaeng (refined, or not refined with filing). A very few amulets are sometimes found with a Yant, or Khom Inscription on the rear face, which are among the rarest of all his amulets, and considered to be World-Class Pim Niyom Masterpieces.

Luang Por Tap made his powerful Maekasit amulets up to his passing in the year 2480 BE, making his pantheon now a centenarian collection from over a Century ago. The Amulets of Luang Por Tap, are highly revered for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom Maha Ud power.

 


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Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
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Hwaen Pirod Long Rak Chart Lacquer Coated Yant Cloth & Corpse Cord Warrior Ring of Fire Luang Por Muang Wat Ban Tuan

An early era and extremely beautiful Hwaen Pirod Long Rak Chart thick laquer coated Yantra Cloth and Corpse Cord Warrior Ring of Protection from the Great Luang Por Muang Pf Wat Ban Tuan. The Hwaen Pirod of LP Muang is a world famous Hwaen Pirod Ancient Warriors Ring of ancient lore, made from Corpse Cloth Yantra Sinjana Cords with Lacquer Ancient Amulet. An immensely rare and sought after amulet of Luang Por Muang, of Wat Ban Tuan.

Free EMS Registered Airmail Worldwide is included with this amulet. Estimated Circa 2450 BE or earlier. Luang Por Muang Jantasaro of Wat Ban Tuan, Amper Ban Tuan, Kanjanaburi Province, is an Old Gaeji Ajarn Guru Monk of Great Fame who was in his Heyday during the First World War. He was around in the same era as the Great Luang Por Ngern of Wat Bang Klan, and was a very famous and revered Master during those days.

His most famous and sought after ancient amulets were and are now more than ever, his Rian Pum Luang Por Muang (differing faces Hnaa Hnum and Hnaa gae/Young Old Face) of 2460 and also his Waen Pirod Warrior Rings of Protection, which are even more extremely rare to find these days. Even during the time he was still alive, is Waen Pirod were a most sought after item, and anybody who owned one would be unable to convince to part with it.

Nowadays, his Waen Pirod are amongst some of the rarest items to be found in Thai Amulet collectorship, in the ‘Krueang Rang’ (Occult Talismans) Category of Amulets. Serious Collectors and Devotees of Essentially Rare amulets and Talismans in the Thai Collector scene are known to be very fervent about wanting to own a Waen Pirod of Luang Por Muang, which are so difficult to find, as to make them the dream of many a collector.

Most ‘Sian Pra’ (expert collectors and traders) will not sell their Waen Pirod, but will only place it in competition or on show for admiration, but hardly ever are prepared to part with them for any price.

This is because those in the know, are aware that Luang Por Muang did not make so many of these rings, for the fact that his method of making them adhered to the Ancient Wicha and that this meant, that the extremely complex methods used limited the amount he was able to make. So he never made that many, and would also not hand them out easily to just anybody, because he never made them in any mass quantities

In those days, Guru masters would not allow their devotees to assist in making mass productions, and so each amulet would pass only through the hands of the master and be self made and self empowered (this rule of course, does not apply to the case of smelted coins of course, and is specifically true for talismans, Takrut and similar hand made amulets). Luang Por did not make them for fundraising or other reasons, and would only make them for special reasons in special circumstances, for specific persons or reasons.

Their magic power is also unquestioned, for the way that Luang Por Muang would perform his Ritual Method of creating and empowering these rings of power in the ancient traditional method of applied Wicha (Sorcery).

He would use ‘Pha Hor Sop Dtaay Hoeng’ (cloth used to wrap Hoeng Prai corpses who died in sudden circumstances – a prerequisite for Prai Necromantic Sorcery power to be at its most powerful) cloth for their making. He use the full and complete ‘Dtamra’ (formula of legend) of the Wicha used during the Ancient Ayuttaya period, which he had received passed down to him from his lineage Masters, which was used by the first Kings of Thailand (Pra Naresuan Maharaj).

Once he has made and bound the rings into their shape and form, he would then perform Invocations, and Ritual Methods of Empowerment, and then throw the rings into the blazing ritual fire. If the ring would burn, then he would destroy it and not use it, for this would mean that not enough Samadhi Meditative Concentration had been applied, and would begin again and make a new ring. Only the rings which did not burn in the fire, would be used. Those rings which proved through the fire test that they possessed true power, would be taken and covered in herbal lacquer to make them last for centuries (Pirod means burning flame, hence ‘Waen Pirod’ means Flaming Ring – and is fireproof).

Luang Por would use a reddish lacquer similar to Chinese lacquer which was used in those days, but which turns black in time. He would dip the rings many times to get a thick coating, but this kind of lacquer would slowly crack and form small openings as the years passed by, which is part of the immense beauty and attraction of the Waen Pirod of Luang Por Muang.

To authenticate and know what a real Hwaen Pirod (for indeed such a sought after item has many forgeries around) one should know to examinig the lacquer and see the slight cracks and the beige brownish sinjana cord and corpse cloth within that is visible through the cracks of the lacquer. One should also notice small areas of reddish tints where the original red lacquer color still resonates through the darkened lacquer surface.

Kata Pra Pirod for wearing and removal of the Magic Warrior Ring of  Protection and Power

Kata Waen Pirod

Om Pra Pirod Khord Pra Pinai

(Chant 9 Times when placing the ring on or hanging it on your neckchain for wearing)

Om Pra Pinai Klaay Pra Pirod

(Chant 9 times when removing the ring, or taking of your neck-chain or pendant holder)

Luang Por Muang’s famous Waen Pirod is reputed to have many magical powers, among them are said to be invincibility and safety in dangerous situations, as well as in the olden days, as people would have to enter the deep jungle, that the ring will protect against all sorts of dangerous animals, ghosts and demons, and poisonous beats such as cobras, scorpions and hunting animals such as the tiger.

Demons and Prai Hian Ghosts will not dare to approach. Maha Ud (Gun-Stopper), and protection agains all sorts of weaponry. This is a truly ancient amulet, and is is roughty one century old.


Charms & Talismans

Thai Buddhist, Animist, and Occult Charms and Talismans, authentically blessed by the great Monks and Lay Masters of Old, and Present Day

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Palad Khik Hua Manus Met Prakam 8 Cm Nuea Mai Gae Fang Ploi With Takrut Luang Por Pina

Palade Khik Hua Manus Human Lingam with Met Prakam Bead and Takrut on spellbound cord, with gemstone and met galam inserts, from the Great Luang Por Pina. This model is a form of Paetch Payatorn Deva. The Palad Khik of LP Pina are among the Most Famous Palad Khik amulets of all time, and one of the rarest and most sought after.

The Palad Khik Mai Gae carved wooden Palad Khik of Luang Por Pina (Wat Sanom Lao), is found in a multitude of forms, and are recognisable for his saecret Sacred na inscription, and the hand inscriptions of the Sacred Yant Na Ok Dtaek, and the invocation of the four elements.

 

These amulets are highly regarded for their power to invoke the power to attract others, treasured possessions, and ward off black magick. They are also full of Metta Mahaniyom, Maha Lap Klaew Klaad and Maha Pokasap Powers as well as the obvious Power of Serm Duang ability to improve fate and destiny.

Free EMS Registered Airmail Worldwide is included with this amulet The Palad Khik is in truth symbolic of the Shiva Lingam; The belief in the Shiva Lingam, or ‘Leungk’ (Thai pronunciation) phallic energy of the Palad Khik, is derived from the Brahman influence which has been inflected on Thai Theravada Buddhism, since both belief systems came to Siam more than one or two thousand years ago. It is believed that the Palad Khik Lingam energy is the source of all life forms in the Universe. This is the root of the act of reverence (Bucha/Poojah) to the Palad Khik as a Shiva Lingam, which honors Shiva as the Lord of the World.

In India, not only is the Shiva Lingam worshiped, bit there exists also a
cult which reveres the female sex organ, which is called the ‘Yoni’(Vulva, female counterpart). The same thought is applied as that used to revere the Palad Khik Shiva Lingam, that is to say, that all created things must spring out of the Yoni instead of the Lingam. Luang Por Pina made both Palad Khik Lingams and Yoni Vulvas, as well as Shiva Eye amulets.

The practice of making Palad Khik as a portable amulet, for ‘Bucha Siwalingk’ (praying to Shiva Lingam phallic Deity), entered Siam with the influence of the Khom race, whose language and alphabet the Thais absorbed and adapted into their own personalized fashion.

Some have said that the integration of Pre-Buddhist beliefs and traditions, into the Thai Theravada Buddhist practice of the common Folk, such as worshiping amulets like the Palad Khik, is not in contradiction to the practice of Buddhism and presents no obstacles.

In fact it is believed that since Buddhism sprang out of the roots of
Brahman Cosmology, and that the people of Siam adopted Pre-Buddhist
Brahman traditions and incorporated them, that this is even a benefit to
the preservation of ancient knowledge, and of Thai history and
tradition. Most of these ceremonies do not come into any kind of dispute
with Buddhist thought. In fact, Buddhist Thought bases itself on many
concepts found in Hinduism, and in Thailand, the two Beleif Systems can
hardly be separated.

This amulet is ‘Doo Ngaay’ (easy to see it is real), for its clearly recognisable from its inscriptions and appearance. It is hence considered Ongk Kroo (usable as a teacher), as a reference model for further study to increase the powers of recognition of authenticity of the top preferred Palad Khik amulets of Luang Por Pina. However, the Pantheon of amulets of LP Pina is one of the more difficult genres to study, for many were hand made, each individual, and only a small percentage of all the amulets he made has been officially documented to date.

This is for its easily recognisable features, which allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognize Luang Por’s famous amulets, as well as the effects of aging over the years (especially important with Sacred Powder amulets).

Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion. Below you can see another Sacred Amulet from this Master, the Famous Pra Pim Tao Wua Luang Por Pina.

It is said that Luang Por Pina was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs, and also can be beseeched and prayed to, for wish fulfillment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets, which have been recounted around the country over the years, which have also brought his name to the ears of people around the world.

Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.

But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.

Above Pic; The corpse of Luang Por Pina which was found in meditation posture, dead since over 12 Hours, but was still warm, and not stiff, to the immense surprise of those who found him. The surprise was because a corpse that is dead for over 12 hours, should be stiff as a board and cold.. his body was not mummified or given any special treatment according to his wishes and placed in his mausoleum.

How to Bucha Palad Khik

Below; Silver Takrut spell as tongue of the Chamot Civet Cat, and reat teeth tips are visibly inserted into the mouth of the Palad Khik Hua Chamot of Luang Por Pina, revealing an attention to detail and adherence to the Ancient Wicha of Empowerment of the Palad Khik Hua Chamot, that is both impressive, and faith instilling in its certain magical power.

Kata Luang Por Pina

Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Below; the Sacred Yant Hua Jai Na Ok Dtaek Heartbreaker spell inscribed on the Palad Khik, which is an essential aspect of the true Wicha Palad Khik of the Dtamra Saiyasart Thai Grimoires of Sorcery

Then chant the Kata for Luang Por Pina (3 times);

Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi

Kata Pluk Khong (Call the power within the amulet)

Puttang Gandtang Saranang Haa

Puttang Gandtang Saranang Hae

Puttaaa Namo Ya

Kata Pra Som Hwang (Fulfilment of Wishes)

Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)

Nadtae Sudtae

The last repetition, change the words to

Mahaa Sudtae Nachaa

As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;

Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa

If you wish to know more about another famous amulet of Luang Por Pina, then you can listen to the three quarter of an hour talk and explanation of the Sacred Daw Aathan along with a short Biography of Luang Por Pina, recounted and narrated by Amulet Expert Ajarn Spencer Littlewood in the below Podcast. In the podcast, You will be amazed to learn about the very deep meanings contained within the Daw Aathan Hnun Duang Lucky Star amulets of Luang Por Pina.

Please Enjoy the Biography, and Explanation of another very famous Amulet of Luang Por Pina, revealed; Perd Dtamnan Daw Athan Hnun Duang, and increase your knowledge of the amulets of Luang Por Pina.

Buddha Magic - Secrets of Luang Por Pina's Lucky Star Amulets

How to Bucha Palad Khik Amulets

Kata Paetch Payatorn LP Moon

Kata Bucha Palad Paetch Payatorn Tewada Hlong Hong

Analysis of Khom Agkhara in Yant Paetch Payatorn

Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets

Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days

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Pra Somdej Pim Gaes Jarot Sum Pim Gaes Iang Niyom Long Rak Chart Somodej Dto Wat Rakang Kositaram
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Pra Pid Ta Maekasit Thak Khorb Luad See Tong Pla Hlai 2460 BE Pim Dtor Baeb Dtaeng Luang Por Tap Wat Anong

A rare version framed at the temple, and a Pristine condition Centenarian Amulet of immense rarity, and a very ancient and sacred Wicha, the Pra Pid Ta Nuea Maekasit Alchemical Leaden Mercurial-Metal amulet of LP Tap, in Pim Dtor (1.6 x 1.5 Cm). This exhibit has original wire frame with fixture encasement, in See Tong Pla Hlai Golden Rainbow Flamed color, and a highly preferred Master-Class Pra Niyom amulet from the great Luang Por Tap of Wat Anongkaram (commonly known as ‘Wat Anong’).


Free registered air parcel shipping worldwide is included with this item. This amulet comes with a free download of a high-res pdf of the 103 page ebook “Pra Pidta Loha Metallic Amulet Encyclopedia“, included for download after purchase.

The Pra Pid Ta Maekasit, along with the Look Om Maekasit, & Pra Pim Son Ha, are the most famous and outstanding amulets of the Pantheon of Luang Por Tap. The Pid Ta Maekasit was made in several small design variations, Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large).

Below; example of a Pid Ta Pim Chalud elongated model amulet (right page)

Below : example of a Pid Ta Tammada Pim Dtor Klang medium size model amulet

Each model differs slightly depending on which block press. regardless of each block press, the amulets were released in two forms, ‘Baeb Dtaeng’ (filed down into a smooth and eloquent outer border), and ‘Baeb Mai Dtaeng’ (unfiled with wider irregular borders).

The Pantheon is also split into subcategories of Pim Dtor (Dtaeng and Mai Dtaeng, in small medium and large), Pim Chalud (higher more tapered angular model), Pim Maha Ud (bowed arms and legs model), Pid Ta Nang Yong (squatting model), the very rare Pim Gradum (button shape), and the Pim Siarn Hlaem (pointy head model).

Luang Por Tap was an Olden Days Master Monk of the previous Buddhist Century, who was highly renowned for his Mastery of Alchemy, and Kata Akom Spellcasting Methods.

Below: all of the best known accepted major models of Pid Ta Luang Por Tap

At that time, Somdej Pra Puttajarn Nuam was the abbot of Wat Anongkaram, and Luang Por Tap was a ‘Look Wat’ (one of the temple monks), but in truth, Luang Por Tap was much an elder monk to the abbot himself, and much more advanced in his practices.

Luang Por Tap became immersed in the Wicha Len Prae Taat (Alchemical Metallurgy), and Mastered it until he could produce the legendary substance known as ‘Maekasit’ metallic alchemical alloy.

The Wicha Maekasit of Luang Por Tap was so famously powerful, that even the great Luang Phu Sukh of Wat Pak Klong Makham Tao in Chainat came, to exchange sorcery methods with Luang Por Tap, in order to obtain the Wicha Maekasit.

Luang Phu Sukh then took this Wicha back to Wat Pak Klong Makham Tao, and made many famous amulets of his pantheon using the Wicha Maekasit of Luang Por Tap, such as the oblong shaped Pra Somdej Prapa Mondon Sum Rasamee.

The Maekasit amulets of Luang Por Tap, are known to have different tones of color which shimmer through the metallic surface, tanging from silvery, to some most highly preferred exhibits with blue, golden or greenish metallic sheen, similar to the Bluebottle-Green-Purple metallic color of Lek Lai See Peek Malaeng Tap.

 

There are a number of Great Master-Class amulets of Luang Por Tap, such as the Pra Pid Ta Maekasit, Look Om, and Prort Gror metallic Arahant Ball. Only very few Loom Prort Gror Were made, as they were used to place under the Uposatha Shrinerooms of Temples, and only handed out by Luang Por Tap on rare occasions.

The most highly prized, rare and sought-after amulets of Luang Por Tap, were made during the time when both Luang Por Tap and the then abbot, Luang Por Nuam Puttasārō were both alive, and collaborating with amulets. Luang Por Tap’s amulet pantheon is one of the most fervently sought and collected in the high end amulet collector community, and are considered to be among the most powerful alchemical amulets of all Masters.

Luang Por Tap made many models of amulets in Nuea Maekasit and Parort alchemical metals, some of the most well known being the Pra Pid Ta Maekasit, Pra Pim Pang Son Ha, Look Om Maekasit, the Look Prort Gror, and Pra Chayawat.

Luang Por Tap also inherited the Wicha Hung Nam Man Montra Saksit, for making Sacred Consecration Oil, from his Kroo Ba Ajarn Luang Por Nuam (6th abbot of Wat Anongkaram).

Luang Por Nuam’s amulets are even rarer to find than those of Luang Por tap himself, but it is Luang Por Tap who gained more National and International Attention. The first edition Rian Run Raek of Luang Por Nuam is especially sought after and carries an immensely high market value in the present era. However, only a few were ever made, and so they are very rarely seen.

Luang Por Tap was also known to have been a close accomplice to Pra Sangkarach Pae of Wat Sutat, and Luang Phu Sukh ( Wat Pak Klong Makham Tao). it went on record many times that every time that Somdej Pra Sangkarach (Pae), would make an edition of the world famous Master Class Pra Kring and Pra Chayawat Wat Sutat, he would always invite Luang Por Tab to come and assist in the Buddha Abhiseka, and Nang Prok Empowerment Ceremonies, as a monk of Adept Sorcery.

 

As to Luang Por Tap’s friendship with Luang Phu Sukh of Wat Pak Klong Makham Tao, it is said they were extremely intimate friends, as they were both from Chainat Province.

Luang Por Tap was born in 2374 BE, amd was ordained at a young age as a Samanera Novice Monk, and then disrobed to help his family, and later ordained a second time as a fully fledged Bhikkhu, in the year 2413 BE. At first, he resided at the temple of Wat Raman, for the first year, and then he moved to stay at Wat Anongkaram.

 

Every time the rainy season retreat was over, Luang Por Tap would leave the temple, and wander the forests on Tudong, practicing Vipassana Kammathana Mindfulness and Jhanic Meditation, every year for 40 years, developing immensely advanced self control and self mastery, which caused Powerful Wicha to arise within his mind.

After 40 years of Tudong Practice, he became too old to continue, and stayed permanently at the temple of Wat Anong from 2457 BE onwards. It was in this time, that Luang Por Tap began to apply his Wicha, and make amulets with Maekasit Metallurgy, using Alchemical Parort Mercury, Silver, Gold, Lek Lai, and sacred Iron Alloys.

Most of his amulets would be versions of Pra Pid Ta Nuea Maekasit, with a range of other amulets and talismanic charms, which are however found in much lesser numbers, and are extremely rare, such as the Pra Pim Son Ha, Pim Prapa Mondon Sum Rasamee, Pra Pim Nakprok, Look Om, Takrut, and Look Prort Gror.

 

Luang Por Tap’s famous Pra Pid Ta amulets are found in Pim Chalud, and Pim Tammada models, both of which were made in Pim Lek, Klang and Yai (small, medium and large), Pim Dtaeng and Pim Mai Dtaeng (refined, or not refined with filing).

A very few amulets are sometimes found with a Yant, or Khom Inscription on the rear face, which are among the rarest of all his amulets, and considered to be World-Class Pim Niyom Masterpieces. Luang Por Tap made his powerful Maekasit amulets up to his passing in the year 2480 BE, making his pantheon now a centenarian collection from over a Century ago.
The Amulets of Luang Por Tap, are highly revered for Kong Grapan Chadtri Klaew Klaad Maha Lap Metta Mahaniyom Maha Ud power.


How to Pray to Thai Amulets (Chanting Kata);

How to Pray to Thai Amulets

The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

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Gradong Paya Tao Ruean Gae Hanuman Carved Shell Hand Khom Spell Inscriptions - Unknown Sorcerer

A Sacred Blessed Paya Tao Ruean Tortoise Shell with Hand Carved Lai Thai style Hanuman, Vanora Deity in the Thai Ramakien (Ramayana) and general of the Simian soldiers of Prince Rama, the Vishnu Avatar Deity of Ramayana. This hand carved and empowered Tao Ruean shell is embellished with Ancient Khmer Sanskrit Khom Agkara hand made spell inscriptons etched into the surface, and the Head of Hanuman, carved with immensely filigrain fine details, Most certainly a highly powerful and inimitable Master-Class Occult Magical Item of the ‘Krueang Rang’ Talismanic Variety, and is a master class carving from a top artisan. The exquisitely filigrain carved details of the images of Hanuman the Albino Vanora Monkey God, has outstanding decorative Lai Thai embellishments. This carving is so visibly, finely carved, that it can only have been made by a very accomplished Master Artisan, with the highest level of prowess. I the author (Ajarn Spencer), estimate this item to be about 60-80 Years Old (written in 2022). This fits with the late Era of the Great Ajarn Heng Praiwan, which is a highly probable origin of this exhibit, although unprovable.

The Tao Ruean Maha Pokasap is in itself considered to be imbued with Natural magical Power for Long Life, and Prosperity. But when such a Magical object is further empowered with the Wicha Yant Paya Tao Ruean, then the power of Maha Lap Maha Pokasap becomes immensely amplified, through the invocations which call upon the Great World Turtle, with its great compassion.

A Turtle/Toroise Yant would give long life, protection as well as riches, because tortoises and turtles live very long, have a hard shell for protection, and are considered lucky emblems. The Astrological meanings within both the Shell, and the Yant Paya Tao Ruean Spell, are also immensely powerful; It is well known that the number of lunar months are embodied in the number of plates of a turtle shell: “13 moons on Turtle’s back.” Turtle amulets have of course the special magical quality of generating long life. All achievements will come steadily, if perhaps not rapidly but surely and secure growth will be certain.

The Tao Ruean, is a very special animal, for it represents the Lord Buddha in one of his past lifetimes, as he was born as a Turtle. It is recounted in the ‘Ha Roi Chati’ (500 Lives of Buddha) story. The Buddha was alive as a turtle, who lived on a desert island on top of a mountain, practicing purity and morality. The turtle grew so large to be as big as the size of a house over the years. One day some sailors were shipwrecked on his island, and began to starve. They tried to eat the Areca nuts, which are of course inedible, and then when one of them died, they trussed the dead man up and roasted him to eat his flesh for survival. But this did not feed them for long, and they began to starve again.

As time passed and they got desperate and looked like they were going to begin killing each other and turn cannibal, the turtle looked down from the mountain and was filled with mercy. He thought ‘I do not have anything to give these poop humans to eat, except for my own body. May i donate my large body and its meat for these humans to survive, and may i attain Nibbana one day for this deed. The turtle then threw itself off the cliff, and fell bouncing down hitting the walls of the cliff, breaking its shell open, to land dead at the foot of the mountain on the beach in front of the sailors. The sailors then celebrated and paid respects to the great Paya Tao Ruean Turtle for his Mercy and Self Sacrifice, and survived until they were rescued by a passing ship.

When the people got safely back to port and came home, they began to fashion turtles from clay or metal or carved from wood and place as an object of reverence in their homes, to pay respect and as a memorial of the Paya Tao Ruean who saved their lives, and to remind them to practice compassion, and to keep them protected from Danger, and bring them Long Life.

Kata Bucha

Think of the Buddha, and all the Enlightened Buddhas of all the Three Times, in the Three Worlds, and their Great Attainments, and call upon their merits to Protect and bring you Prosperity, Health, Happiness, Wealth and Long Life. Then Chant the Maha Namasakara 3 times before the Kata for the amulet, to Revere and Invoke the Buddha first. This is necessary to perform before chanting any Kata to any Buddhist amulets.

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Kata Bucha Paya Tao Ruean

Na Ma Pa Ta Naa Sang Si Mo – Sang Si Mo Naa – Si Mo Naa Sang – Mo Naa Sang Si – Na U Ta Ga Mae Ma A U – A

The turtle is also a very meaningful Spiritual Symbol in many other Cultures of the World, such as the American Indian Belief system; Many Eastern North American aboriginal peoples tell how Sky Woman, Atanaesic, fell from heaven to land on the back of Turtle. Water-divers like Otter, Beaver and Muskrat tried to bring up mud to form the earth. Traditions vary as to which one was successful. Sky Woman dies there, giving birth to her twins who embody the principles of Good and Evil. The Buddha used a sea turtle to illustrate the precious rarity of opportunity afforded by our human birth. The turtle example appears in the scripture called in Pali, the Chiggala Sutta that is classified as LVI.48 of the Samyutta Nikaya. It is a metaphor known in English as The Hole:

  • “Monks, suppose that this great earth were totally covered with water, and a man were to toss a yoke with a single hole there. A wind from the east would push it west, a wind from the west would push it east. A wind from the north would push it south, a wind from the south would push it north. And suppose a blind turtle were there. It would come to the surface once every one hundred years. Now what do you think – Would that blind turtle, coming to the surface once every one hundred years, stick his neck into the yoke with a single hole?”
  • “It would be a sheer coincidence, Lord, that the blind turtle, coming to the surface once every one hundred years, would stick his neck into the yoke with a single hole.”
  • “It’s likewise a sheer coincidence that one obtains the human state.
  • It’s likewise a sheer coincidence that a Tathagata, worthy and rightly self-awakened, arises in the world.
  • It’s likewise a sheer coincidence that doctrine and discipline expounded by a Tathagata appears in the world.
  • Now, this human state has been obtained. A Tathagata, worthy and rightly self-awakened, has arisen in the world. A doctrine and discipline expounded by a Tathagata appears in the world.
  • “Therefore your duty is the contemplation: `This is stress (Suffering) . . . . This is the origination of stress . . . . This is the cessation of stress . . . . This is the path of practice leading to the cessation of stress (Suffering).”

Wicha Yant Paya Tao Ruean (Dtao Luean)

The Yant Paya Tao Ruean spell has so many different applications; you can inscribe it on a cake of Talc face powder/foundation, and use to powder your face with; People will feel pleased to see you, and you will be protected from people becoming unfriendly to you; even if your Boss at work is extremely angry with you, his anger will disappear immediately.

  • Use it to powder your face before entering a Court Case, and Your opponent will be silenced. Inscribe the name of the Person desired to be affected by the yant in the place where the letter “Pu” is (The centre square) write the person’s name first, then the letter “PU” on top of it.
  • If you wish to use this Yant to help you in an Exhibition/competition, inscribe the Yant on a sugar palm leaf along with the name of the targeted person. Place the yant under running water (such as a stream, fountain etc).Our opponent will be useless against us.
  • Another application is as a love charm; Inscribe the Yant on a sugar palm leaf along with the name of targeted person. Use the leaf to roll a cigarette with, blow the smoke towards the person we wish to lure, and they will fall in love with us.
  • If there is a matter to be solved inscribe Yant Paya Tao Ruean on candle paper (sai tien) and write the name of the other person/people involved, plus the name of the matter to be solved (write all over the Yant). Use the paper to wrap a candle with and light it:- Chant the kata until the candle goes out, take the ash residue from the candle and mix it together with some cooked rice (using your hand) – make 3 cakes out of it.
  • Give the rice to dogs to eat and chant the following:-

Ta Hmaa Pood Dai; Hai Man Wa Kwam Chana Gae Rao – Ta Hmaa Pood Midai Ya Hai Man Wa Kwam Chana Rao Dai Ley

The Kata means; “If the dog can speak – let him speak out against us and win – if the dog can’t speak – forbid him to speak out against us and win”. Then take your foot and tap the dog’s mouth 3 times, whilst saying; “A” (3 times = “A, A, A”).

Kata Paya Tao Ruean
  • Chant the “A” Syllable three times whilst sewing.
  • Pierce the catfish with a skewer and roast it on a grill fire whilst chanting the following;

Pla Nan Pen Yang Rai, Khor Hai Man Pen Yang Nan Terd.

  • Once the fish is roasted, give it to a dog to eat.You can give the dog one fish a day for three days and your problem will disappear. If your employer is angry with you; Inscribe the Yant on candle wrapping (thin paper) along with your employer’s name. Soak it in perfumed oil and light the candle in the same manner as one does when praying to Buddha. The person targeted will be unable to be angry with us.
  • If someone is making accusations (legal for example), take the yant on paper and a “Khong” seashell (a kind of clam). close the lid of the clam again, and for Paya Dtao Luean/Ruean. Your accuser will be powerless to speak out against us. If you are competing in an exhibition or test or competition of some kind, inscribe Yant Paya Dtao Ruean on a sugar palm leaf.
  • If it is a very serious matter to be dealt with; inscribe the Yant on paper along with the name of the other person involved. Roll the Yant up and stuff it in the mouth of a “Pla Duk” (Catfish), take the hair of a corpse who died a violent death or drowning and use it to sew up the mouth of the catfish (use exactly three stitches to sew it up).

  • Inscribe the name of Your competitor in the middle and the letter Pu in Khom on top of it. Place the Yant under running water (a brook, stream or waterfall for example). As the water flows offer the Leaf, our competitor will become weak and powerless. Can also be inscribed on a Banana leaf, rolled up into a cigarette using “Yaa Sen” (a thai tobacco alternative). Light the cigarette and blow the smoke towards the person we wish to charm; they will fall in love with us increasingly.
  • Please take heed that if you use a love charm on somebody and it works, there is a very strict rule you have to follow; namely that if the spell works you must never break up with him/her! If you make them love you they will be unable to live without you. Throwing that person away may lead to them killing themselves, or at least undergoing pain and sadness, more than the normal level that humans can usually withstand! So please be very considerate towards your newly gained lover if you use this kind of spell. abuse of a love spell on a person will bring you extremely bad Karma.

 

Kata Chants for Praying to Hanuman

The Hanuman Deity brings not only Invincibility and Protection, Charm and Victory, but also induces Lucky Fortunes for Serm Yos (Promotion of Status), and Increase in Intelligence and Fast-Wittedness. Hanuman will protect against evil, and prevent wealth loss, as well as attracting prosperity, and bring peacefulness to the household. Empowered with the powers and qualities of the great Vanora God Hanuman, to bring success in one’s endeavors, and with the protective Klaew Klaad and Wealth attracting Ud Sap Magic. Imbued with mercy charm, the Hanuman amulet is also reputed to subdue enemies, and increase popularity.

The Hanuman Vanora Monkey General God was a Denizen of the HImapant Forest, the son of the God Vayu (God of the Wind), and Nang Lady Swaaha, and has appeared in a multitude of Thai Buddhist and vedic Myths and Legends, including the Ramayana, The story of Ruesi Kotama (Lersi Kodom) and how his uncles Paya Pali and Chompoopan were turned into monkeys, and the Thai Ramakien Epic. His great Metta as well as his Loyalty and Bravery is always revealed in the legends, as well as the fact that he was immortal, as whenever he was killed, and the wind blew upon him, he would be brought back to Life, by the Breath of his Father Vayu the God of the Wind, Vayu. The Hanuman Vanora God is featured both in ancient Vedic literature, as well as in the Cosmological Pantheonon of Gods, as an Animist Deity from Vedic Lore that has been an integral part of Thai Buddhist People’s belief since the advent of Buddhism.

Kata Pluk Hanuman

Na Mang Pae Ling Mo Mang Bpaag Grabork Ya Mi Hai Ork Udtang To Ud Tang Ad Asang Wisulo Busapupa Ma A U Om Ya Puttaa Tayo Sadtrii Nisangho

Kata Sri Hanuman (Brahman)

Maruta Nandana Namo Namaha Kashta Bhanjana Namo Namaha Asura Nikandana Namo Namaha Shri Rama Dhuutang Namo Namaha

Kata Hanuman

Na Ma Pa Ta Hanumaana Waa To No A Ma Ma Wa

Kata Hua Jai Hanuman (Heart Mantra)

Ha Nu Maa Na (3 times)

There are a multitude of different specialized Kata for chanting to the Hanuman Deity in Thai Buddha Magic. Each Kata can be used for your different needs or time available.The Hanuman Deity brings not only Invincibility, Charm and Victory, but also induces Lucky Fortunes for Serm Yos (Promotion of Status), and Increase in Intelligence and Fast-Wittedness. Hanuman is the symbol of Loyalty, for his unwavering dedication and selfless service to Prince Rama as told in the Ramayana. He is charming, super strong, invincible, cannot die, wily and clever, and is the commander of all the Vanora Devas as their General.

Kata Hanuman Kluk Fun Kicking Up Dust Spell for Muay Thai Warriors

Hanuman can not only protect from dangers, black magic and ill fate, he can also bring winners luck to gambling tables, is an able seducer of maidens and nymphs, and is more or less a winner in every walk of life. His strength is immense and second to no God, for which reason he is the mascot and revered Deithy of Muay Thai Warriors, who call upon the power of Hanuman to defeat their contestants and opponents in battle in the ring. The Winning Power of Hanuman, will clear the way of difficulties, whilst making all ventures successful.

This item can only be stated as ‘Unknown Master’ because such Talismanic Bucha Occult Items are very individualistic, one-off, or if more than one made, each individual exhibit is always so different, that is is truly difficult to prove the origins. However, if i were to make an educated guess, i would recognize this Artisan’s work as probably having been carved by one of the Artisans of the Bangkok Ministry of Buddhist Arts, and most probably an Artisan of the Ayuttaya Region, judging from previous acquired items of similar style, which i know the origins of, being Ayuttaya. The similarity with this exhibit is so alike, that i wold assume this Paya Tao Ruean Bucha to be most probably from the Ancient Ayuttaya Lay Master, Ajarn Heng Praiwan. However, this is hard to prove, except that the inscriptions seem identical to those of Ajarn Heng. However, many of Ajarn Heng’s carved amulets were not of such fine quality Artisanry, except for a few of his most impressive exhibits. This leaves hence an element of uncertainty in my mind.

What I am most certain of however, is the fact that to obtain the shell, create the carving, inscribe and empower the Tao Ruen, is such a tedious procedure, and tiring in the performing of the Paya Ta Ruean Magic Spell and Ritual Empowerment, that it can only have been made by an Adept Sorcerer of the Highest Level. An extremely rare, and exquisitely beautiful carving, that is among the finest one could encounter. Carvings of this level of fine detail, adherent to the ancient rules of Lai Thai Ramakien Thai fine line art traditional design, are in themself, even when not powerfully blessed by great Masters (which this exhibit most definitely has been), also a piece of historical and cultural religious art, that is of the museum curation level.


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