A rare small version of the immortal Look Om Jinda Manee Montr, in Nuea Chompoo Pink Tone, of Pra Palad Parn, of Wat Tukata, (Nakorn Pathom). This exhibit is made in Luang Por Pra Palad Parn’s World Famous Jinda Manee Powders, in small Pim Lek size (Circa 1.2 cm), in perfect condition, and a very fine exhibit of this Great Master.
Pra Palad Parn, was an Adept at Muan Sarn Sacred Powders and the Wicha JInda Maha Mani Montr.He was also Kroo Ba Ajarn of such World Famous Top Masters as the Great Luang Phu Bun of Wat Klang Bang Gaew.
The Look Om of Pra Palad Parn, is considered by many to be among the Top 5 Look Om of all time, undisputedly by most aficionados. However, we must add, that for us, the ‘top 5, top 10’ are human opinionated concepts, and are matter of opinion and general trending thought more than a measure of magical power.
Hence, one may see different publications name different top master amulets Pra Palad Parn was the Kroo Ba Ajarn of the Great Luang Phu Bun of Wat Klang Bang Gaew, who received and perpetuated the famous Wicha Jinda Manee Montr, which he received from Pra Palad Parn, and passe down the lineage further at Wat Klang Bang Gaew to give to Luang Por Perm, Ajarn Bai, Luang Phu Juea, and Luang Por Kong (Sanya) thoughout the ages.
Pra Palad Parn was a Master of the Wicha Jinda Manee Montr, and known for his power of Metta Maha Niyom, and was reputedly able to call crows and vultures to land on his arm and stroke their heads, as well as being able to call the fish up to the surface of the water in the Kong Bang Gaew river. He would call the animals and fish, to appear during the Kathina robe offering ceremony, which Thai Buddhists perform every year, to donate robes to the Monks.
The Look Om of Pra Palad Parn, are considered one of the top 5 Look Om of all time, along with the Look Om Yant Grao Patch of Luang Por Parn (Wat Bang Nom Kho), Look Om Maha Gan of Luang Por Kong (Wat Bang Gaporm), Look Om Jet Paya Chang Sarn of Luang Por Ding (Wat Bang Wua), and the Look Om of Luang Por Pring (Wat Bang Bakork). One of the most difficult Look Om amulets of all to find in the present day.
Below; A study and synopsis, of the Look Om Muan Sarn Sacred Powder Ball amulets of Pra Palad Parn, of Wat Tukata, in Nakorn Pathom, with Information about both Pra Palad Parn, and authentication factors of the Look Om, Narrated by Ajarn Spencer Littlewood.
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
A Truly Ancient Septa-Centenarian Pra Kru Amulet (over 700 years old in origin), the Pra Pong Supan Pim Hnaa Gae, in Nuea Din, with certificate of authenticity, this exhibit is in a dark colored sacred baked earthen clay. An all time ‘top 5’ classic amulet of the Benjapakee Family. A Master-Class status amulet of the High End Category of Pra Kru Hiding Place Ancient Amulets. The Pra Pong Supan amulet is known for its powerful Puttakun Metta Maha Niyom Merciful Blessings and Kong Grapan Klaew Klaad Protective Power.
This amulet comes with A4 size certificate of authenticity included. The Pra Pong Supan Kru Wat Pra Sri Mahatat is the Number One Amulet of all Time for the Province of Supanburi, and an eminent member of the top 5 Benjapakee Amulets of Historical Fame and Legend. The Pra Pong Supan of the highest preference is the Pra Pong Supan Nuea Din Phao baked clay amulet, made from sacred earths of the Supanburi Province, which were mixed with sacred magical herbal powders and bound into clay with holy water.
The amulets are seen to have been baked for a long time slowly, until the clay became hard, but smooth and dense like marble, which is a texture that modern ‘Nak Niyom Pra’ amulet aficionados call ‘Nuea Neuk Num Seung Jad’, which means ‘soft and smooth to the touch with highly refined features’.
There were also a very small amount (one potful) of leaden Pong Supan amulets found, which were found residing on the upper section of one pot, and are known as the Pong Supan Yord Tho, and are the rarest and most sought after of all Pra Pong Supan of the Kru Wat Pra Sri Mahatat.
Below : The extremely rare leaden version Pra Pong Supan Yord Tho Amulet, of which only very few were ever found
We shall be covering the documentation of the Pim Yord Tho in a different article on the pages of our website.
The method of baking the amulets resulted in a very hard and resilient amulet that does not break easily, which has contributed to its preservation over many centuries. The features of the Pra bordered edges and outer frame of the various models (Pim) of the Pra Pong Supan Amulet are highly varied, and cannot be said to fit any rigid form.
Some have four or five sided edges, some are completely cut to shape, some have wider edges, and others thinner edges, some are even others uneven. Some may be tapered, whereas others have the tapered top cut off flat.
The Pim is notable for its beautiful color tone to the surface of the Muan Sarn Sacred clay, accumulated over centuries,. This exhibit displays the presence of a very rich Muan Sarn admixture, and the surface sheen and detailed relief of the Buddha Image, combine to render an outstanding example of a Master-Class Pra Pong Supan amulet. The ears are elongated, with anomalous forms (‘Dtamni’), that reveal the authenticity of the amulet, through the inimitable idiosyncrasies of the block press, which are ever present despite the individuality of each amulet.
One thing most Pra Pong Supan have in common is that most often one finds the presence of thumb or fingerprint line markings, or thumb indents on the rear face. Another classic and essential feature of the Pra Pong Supan Wat Pra Sri Ratana Mahatat is that due to being buried under the earth for centuries, the Kraap Kru earth residues which are seen stuck to the surface of the amulets within the deeper recesses such as the armpits and ridges between finer detailed features.
Below : Encyclopaedic work documenting the ancient find of the Kru Wat Pra Sri Ratana Mahatat amulets
These residues are completely affixed and one and the same with the clay, and cannot be removed by simply scratching it off with a fingernail.
The Pra Pong Supan is a perfect choice of Amulet for Ladies or Children, but is also a very preferred and popular amulet for Males to wear. We have before us a Sacred Amulet whose Religious Value is of course that of a True sacred Amulet from the Master Class Category.
The Pra Pong Supan amulet is an image of the Buddha seated in the Mara Wichai posture of conquering the Demon Mara in the style of the U-Tong Periodic Era. The Buddha Image is seated on a single tiered dais, with a large head, graceful arms and protruding chest. There are various Pim (Models) of Pra Pong Supan, ranging from the Pim Hnaa Gae, Hnaa Num, Hnaa Klang, and other lesser known forms. Some very rare versions in black Nuea Bailan Powders are also found, but only very rarely
The Pim Hnaa Gae (old face) has one single type of face model but still has many different appearances, because of the various stages of heat during the baking process, which caused some amulets to experience shrinkage or curvature, or other anomalous reshaping during the process. Some may even have similar triangular appearance to the Pra Nang Paya, another Benjapakee amulet of Immortal fame. Various other amulets were also found including the Pra Mahesworn, Pra Ta Maprang, Pra Patum Mas, Pra Pim Lila (many versions), Pra Nakprok (small and large), and the Pra Sum Rakang.
The Pra Pong Supan and Benjapakee Class Amulets are truly world class amulets that receives the esteem and faithful reverence of all Thai Buddhist People of all social strata, and which is considered part of the Cultural and Historical heritage of the History of Siam.
They are amongst the most difficult of all amulets to find at any price, and are mostly already worn since generations by the same family members as handed down family heirlooms of their ancestors. The rest lie in the hands of the lucky, and of course the high end collector showrooms of Thailand’s Amulet Societies and Non Profit heritage Associations, as well as the museums of the state and of major temples.
Above; Macro Closeup of the Sacred Clay and the Kraap Kru earthen substance affixed to the muan sarn from centuries of burial within the hiding chamber. It is said that in the year 1265 BE, the Ruesi Hermit Pilalai decided to make a series of powerful amulets with truly effective powers. At that time the ruler of the Kingdom Pra Sri Tanmasokea Racha was a faithful devotee to the four great Ruesi Sages, who brought a large collection of magical herbs, minerals and summoned the angelic beings of the celestial realms to assist with the empowerment ceremony on the immaterial planes.
The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to preside over the blessing ceremony, and assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The muan sarn sacred clay was given the name of ‘Nuea Rae Sangkwanorn’.
Below : An example of a Pra Pong Supan amulet that has been treated with red Chinese Lacquer by a devotee
The great Pra Maha Thera Bpiya Dtassasisri Saributra was present to assist with empowerment and the hand molding and pressing of the Pra Pong Supan. The amulets were blessed during three whole months of rainy retreat (Traimas Blessing) as was traditional in ancient times and is still the practice to this very day. Once the Traimas empowerment was completed, the amulets were buried within the Chedi Stupas of Supanburi
The rediscovery of the Kru
In the year 2456 BE, a Tudong Monk was passing through and asked for the whereabouts of the temple of Wat Pra Sri Radtana Maha Tat. He asked a young boy named Pin, who pointed him in the right direction. The boy Pin heard later that this Forest Wanderer monk had hired some Chiinese-Thai devotees to dig up some holes in the temple, and that a horde of treasures were found along with a large repository of hiding place amulets (Pra Kru).
The Monk himself found a solid golden bowl which he took for preservation, but left all the rest of the contents of the Kkru within the Chedi. However, many of the Chinese devotees who were working on the opening of the Kru did take a large number of amulets rainging from the Pra Pong Supan to the Pra Gampeng Sork.
Once the authorities and Sangha Office heard of this, they ordered the Chedi Stupa to be hermetically sealed to prevent further theft of National heritage treasures.
Later the same year Praya Suntorn Buri (Also knownn as ‘Ee Gan Suudt’), who was the Minister of the Province of Supanburi invited his Majesty Pra Mongkut Glao Jao Yuu Hua to come and open the Kru Chamber. Once the chamber was opened, many ingots of solid gold and silver with Khom Agkhara inscriptions were found, and a large repository of amulets. The King was given a large number of the Pra Pong Supan and other amulets to his Majesty.
In olden days when the Pra Pong Supan was still very common and easy to find, many of the bullfighting arena players would like to grind up broken Pong Supan amulets and mix the powders into the hay they would give their fighting bulls to eat. This was seen to make the bull who ate hay with Pra Pong Supan powders fight more fiercely, evade the horns of its opponent and be impenetrable when taking a hit.
A very hardly known but ancient traditional way to Bucha Pra Pong Supan Amulets, is to immerse the amulet in perfume and chant Puttakun Tammakun Sangkakun 108 Times, then chant the Kata Pahung 3 times. The perfume can then be used to smear on oneself for Mercy Charm and Protection. If one wishes to empower further, one can chant the following Kata;
Ka Dtae Lig Gae Garanang Mahaa Chayyang Mangkalang Na Ma Pa Ta Gi Ri Mi Dt Gu Ru Mu Tu Gae Rae Mae Tae Ga Ra Ma Ta
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
A very rare exhibit that is hardly ever encountered in the rpesent day, the Pra Pim Tao Rit Luang Por Thuat Wat Chang Hai, of Luang Por Tong Sukh. This amulet is renowned for its Extremely rich Nuea Krang Sacred Stingless Beepaste, and Putsa Paste Magical Muan Sarn, this amulet is most certainly a ‘Dtua Kroo’ (‘Teacher Model’ instantly recognizable and hence usable as reference of authenticity) This exhibit of the Pra Luang Por Tuad Pim Tao Rit in Nuea Krang, and a very beautiful early era amulet of Luang Por Tong Sukh,of Wat Tanode Luang. The amulet is in Nuea Pong Pasom Krang Kluk Rak, resinous sacred muan sarn, visibly aged, compliant with Krang or Lacquer from this Era. One of the most highly renowned and powerful amulets of the Great Master of Olden days, Luang Por Tong Sukh, of Wat Tanode Luang, in Petchburi.
Luang Por Tong Sukh was born in 2420 BE, and lived 80 years, until his passing in 2500 BE. He was, and remains in History, as one of the top masters of all time of the Petchburi region. whose powers of Kong Grapan Chadtri Klaew Klaad and Maha Amnaj were legendary. He made a number of different varieties of amulets, many of which are found in the high end Tamniab Wadthu Mongkol Pra Niyom (official catalogues of preferred amulets of the National Amulet Appreciation Societies).
Free Registered Air Parcel Shipping Worldwide is Included with this Amulet, along with the offer of free Waterproof Casing if desired. Many of his amulets are eminent figureheads of the Pra Niyom Master Class category of amulets, and are extremely rare items to find.
Luang Por Tong Sukh was the Kroo Ba Ajarn of many other Great Monks of the following Generation, who are now famous names in their own right, beginning of course with the most obvious, Luang Por Phaew, Abbot of Wat Tanode Luang. It was Luang Por Phaew who inherited his Magical Wicha and also the Administration of the temple of Wat Tanode Luang as its Abbot. The Nuea Krang amulets of Luang Por Tong Sukh Wat Tanode Luang, are often found to be made from the famous Krang Putsa Magical Resinous Paste of the great Master Sorceror Monk of Wat Tanode Luang. Among the amulets with most preferred and holding renowned fame are the Takrut Pork Krang, the Look Om Nuea Krang, Pra Roop Muean LP Tong Sukh, and Pra Roop Muean Luang Por Tuad. Sometimes one may see a Sacred Guru Monk Coin of LP Tong Sukh with Krang paste on the rear face too (very rare indeed). Other amulets include of course Pra Rian Momk Coins, and his world-famous Hua Hwaen Na Bad Dtalord Magic Ring.
Luang Por Tong Sukh was also the Kroo Ba Ajarn of many of the Top Masters of the Era which followed him, including the Great Luang Por Jang, and of course of Luang Por Phaew, the abbot who succeeded him. The amulets of Luang Por Tong Sukh are incredibly rare, and carry a relatively high price-tag, enough to demand faith in his amulets, but still affordable to any serious collector who seeks an amulet of the calibre of Luang Por Tong Sukh.
The list of great masters who studied and practiced under Luang Por Tong Sukh were;
Luang Por Un (Wat Tan Gong – now Deceased), Luang Por Huan (Wat Nikom Wachiraram – now Deceased), Luang Por Yid (Wat Nong Jork – now Deceased), Luang Por Jantr (Wat Mareuka Tayawan – now Deceased), Luang Por Nim Mangkalo (Wat Khao Noi – now Deceased), Luang Por Yorn (Wat Tanode Luang – now Deceased), Luang Por Phaew (Wat Tanode Luang – now Deceased), Luang Por Thaem Silangwaro (Wat Chang Taeng Grajat), Luang Por Heng (Wat Huay Sai Dtai, and Pra Ajarn Ji, of Wat Nong Hwaa
Amulets :
The most famously powerful and highly sought after amulets of Luang Por Tong Sukh in his lifetime were;
1. His Sak Yant tattoos. His Look Om Nuea Krang Ying Mai Ork Gunstopper Sacred Powder Ball ‘Bonbon Amulet’. One of the rarest kinds of Look Om of all to be found in the Pra Niyom Category of amulets. Reputed to have saved the lives of many devotees through gunstopper magic.
Below : Luang Por Tong Sukh and his famous Krang Putsa sacred resinous Substance
2. The first and second edition Rian Kanajarn Luang Por Tong Sukh Monk Coin, renowned for Kong Grapan Chadtri Maha Ud Klaew Klaad Protective Miracles, with extra power to protect against poisonous beasts in a spell written on the rear face.
Below : 1st edition monk coin Luang Por Tong Sukh
Below : 2nd edition monk coin Luang Por Tong Sukh
3. The Hwaen Hua Na Bad Talord Gan Asurapit Luang Por Tong Sukh Magic Ring of Protection, with special ability to defend against all Poisons, Venomous or Wild Animals. highkly renowned for its rare power to guard against wild beasts and poisonous plants and animals. Extremely rare to encounter. This Wicha continued to be famous with Luang Por Phaew, who inherited the Wicha from Luang Por Tong Sukh, and whose Hwaen Hua Na Bad Dtalord rings are almost equally famous, but much more affordable.
Below; Hwaen Hua Na Bad Dtalord Luang Por Tong Sukh
4. The Takrut amulets of Luang Por Tong Sukh are various, and serve different purposes, ranging from the Takrut Jet Dork (7 scrolls on a cord) for Multiple Blessings, the Takrut Sam Kasat (triple Takrut with bronze, silver and brass concentric scrolls) , for Kong Grapan Chadtri, the Takrut Klord Ngaay, for easy childbirth without pain, and the Takrut Sariga for Mercy Charm and Prosperous Business.
Below; Various types of Takrut from Luang Por Tong Sukh
Miracles
One of the more famous folk tales about the miraculous powers of Luang Por Tong Sukh, is the story of the ability to inscribe Sacvred Yantra Spells on the surface of material objects with his Psychic Powers; One time Luang Por was at Wat Ta Kham, and soime devotees came to beseech him for some ‘Ya Dtom’ Healing Potion from him. To make this potion, Luang Por required some Bai Magaa leaves, which needed to also be pre-inscribed with the Yant Pra Jao Ha Pra Ongk (Na-Mo-Put-Yaa-Ya). So Luang Por Tong Sukh sent his Samanera Novice apprentice monks out to collect some, and help him inscribe them all before boiling the potion.
Luang Por asked the Samaneras to help him inscribe the Yant on each leaf of the Magaa tree. But the Samaneras were taking a long time to inscribe the yantra on each single bai magaa leaf, and so Luang Por exclaimed ‘This is going to take all day, bring all the leaves over to me in a pile on top of each other and i’ll finish the job’
The Samanera carried the leaves to Luang Por and gave him a pile of about 20 leaves in his hand. Luang Por then inscribed the top leaf performing incantations, and lo and behold, as he gave the pile back to the Samanera, every single leaf was inscribed with the Yant Pra Jao Ha Pra Ongk!!
Important Ceremonies
Luang Por Tong Sukh was present to empower amulets in some of the most important and powerful blessing ceremonies in the History of Thai Buddhism, invited by a high ranking official of government to attend to bless with his powers, in the ceremonies of Wat Rachabopit for the 2495 BE Mongkol Gao edition and the Pra Kring Yord Hmud with 18 other Great Masters. Luang Por Tong Sukh also attended the Ceremony to bless the Military and distribute amulets in the Great Indo-China war ceremony. Luang Por Tong Sukh was also one of the many Masters present to empower the large series of amulets blessed in the celebration of 2500 years of Buddhism, the ‘Yee Sip Haa Satawat’ 25 Centuries Edition
A very rare occult amulet and variation of Khun Phaen model from the pantheon of Luang Por Guay, of Wat Kositaram, the Khun Phaen Nang Kumarn Tong Votive Tablet with Necromantic Hoeng Prai Child-Ghost below the throne of Khun Phaen, with this rare model being the ‘Hlang Riab’ smooth backed model, in Nuea Aathan Powerful Sacred Earths, Funereal Ashes, Ground Bones, with Pong Wosed Yantra Powders.
This exhibit is from the 2513 ‘Run Prasopgarn’ edition from the great Master Luang Por Guay, and is along with all his amulets, highly reputed for its very powerful magic. The Khun Phaen Hlang Kumarn Tong edition came to be known as the ‘Run Prasopgarn’ (Proved Powerful by Experience Edition), as it was given to many devotees who came to get Sak Yant Tattoos from Luang Por Guay. They would come to get four Hanuman tattoos (one on the back, chest, and each arm).
Most of Luang Por Guay’s Looksit were Nak Leng (Gangsters) and Suea (Mafia Bosses and Villains), and would be entering into deadly situations on a daily basis. And so the amulets of LP Guay had more than their share of chances to test their power, and it was this extremely high quota of lifesaviing miracles experienced by his devotees who wore his amulets, that brought the Khun Phaen Hlang Kumarn Tong Run Prasobgarn, and other amulets to such great favor.The front face features the image of a Buddha in the Mara Vichai Subduing Mara posture, with one hand touching the earth, calling the Dharani earth Goddess as Witness to his Merits.
The Buddha has elongated ears, and is seated within a crystalline arch. Below the Buddha is a Kumarn Tong Golden Child Ghost Deva. The rear face of the amulet isflat surface (Hpang Riab) one of two versions, the other having the image of a Kumarn Tong, seated with hands on his legs, with a plump well-fed stomach, and a happy mood of prosperous living.
Kata Hua Jai Khun Phaen
Su Na Mo Ro Mo Ro Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang
Kata to call the Kumarn Tong (Kata Riak Gumarn Tong)
Aehi Kumaaro Aehi Kumaaree Aehi Rak Yom Aehi Prai Tong Bpiyang Ma Ma Bpudt-Dtang Wasaayadti Aaragkhaana Bpajjayo Rao Rak Yom Kumarn Tong Jong Maa Aehi Ma Ma
Alternative Version;
Om Pani jijeruni Pantang Aehi Ma Ma
When you go places or enter and leave buildings you should speak to the Kumarn in your heart to accompany you. When you eat, you should speak in your heart that the Kumarn should come to eat with you. Make a separate offering do not give from your own plate.
The Kumarn will call friends. customers and riches to you, lovers and admirers, and will chase away enemies and protect you and your household and family. When bringing the Kumarn into the home for the first time, you should tell the Kumarn that the people in the house are friends and that the Kumarn should accept and look after them too.
Kata for giving the Name to the Kuman (chant when giving him his name).
“Naamaanang Samaa So Yudt Dta Tho Yudt Dta Tha” “In the Name of the Kroo Ba Ajarn – I name you (Name which you wish to give your Kuman Tong”.
Say this 3 times, and the next day chant only once. You must always remember his name and must introduce him to all people in the house, and ask him to also protect and lend prosperity to them all.
KATA FOR EMPOWERMENT OF KUMARN TONG
Aehi Gumaarang Udti Uni Na Ang Idti Putto
KATA FOR CALLING THE KUMARN TO EAT.
Jadturapuudtaanang Ahang Waayang Ammahaara Kumaarang Kumarn Tong Maa Rap Pochanaa Aakajchaahi Dtiwadtabpo Aakajchaaya Maa Look Maa
Kata Pluk Kumarn Tong
Na Ma Pa Ta Gumaara Phuudti Bpadti Ruu Bpang Naama Dtae Laapo Namo Hoemi (Chant 3 Times to Awaken the Kumarn)
Kata Perm Rit Kumarn Tong (Charge Up Power)
Dtaadta Paya Bpudt-Dta Aehi Jidt-Dtang Bpiyang Ma Ma
Kata Atithaan Kumarn Tong (Ask For Wishes To Be Granted)
(Maha Namasakara x 3 first)
Ja Pa Ga Sa Jid-Dta Mahaa Jidt-Dtang Bpiyang Ma Ma
Kata Gamgab Kumarn Tong (To Command the Kumarn on a Mission)
Gumaarang Bpadt Sandtang Plaay Yanaa Mahaa Su Wi Sae Tha Itti Rit Mutu Dtaanang Sud Suu Sang Mahaa Chanaa Dti
Kata Adtithaan Khor Lap
(Use to make wishes and ask for Lucky Blessings, or to win the Hearts of Others).
Aehi Jidt-Dtang Jidt-Dta Pantang Pakinimae Jidt-Dtang Pantang Bpiyang Ma Ma
Luang Por Guay Chudtintaro
Luang Por Guay’s amulets have reached the highest level of respect and collectorship in their history now, and are considered to have noticeable effects that are felt be everybody who owns and wears one of his amulets. The stories of confirmation of their power are more than can be counted, and his Great Patipata (practice), and Exceedingly Powerful applied methods of Sorcery, are a large part of what attributes to their power.
His amulets are now extremely rare to find because those who already own any will never wish to part with them again, and they are hence becoming one of the rarest kind of amulets to find these days. Usuallly this happens because of speculation by the collector scene, but in the case of Luang Por Guay’s amulets, it has happened primarily for their Sacred Value, much much more than for their collectorship and artistic value, which is of course also extremely high.
Luang Por Guay is famous for his immensely diligent and complex manner of empowering (Pluk Sek) amulets, which involved daily empowerments at various times of day namely at dawn, morning, midday, afternoon, evening and midnight. In addition, he would perform empowerments during the various ‘Reuks’ (Astrological Influential moments), to bring total coverage of protection and fortuitous blessings to all who might wear and Bucha his amulets.
This ritual involved the Adept knowledge of the ‘Reuks Mongkol’ Buddhist Auspicious alignments, the ‘Reuks Jone’ (Gangster Alignments), Inauspicious Alignments, and the ‘Reuks Bun Paya Marn’ Demonic Influential Alignments. This means that it did not matter who wore his amulets, Good people would wear them, Gangsters would wear them, anybody could wear them without loss of magical effect. Luang Por Guay was born on 2nd of November 2448 in the year of the snake. Luang Por Guay was already was already able to read the Dhammapada and Pali Prayers long before he ordained at the age of seven, having learned from Luang Por Khuad. Luang Por Guay was Ordained on the 5th of June 2467 at 15:17 pm.
He was aged 20 years old. Luang Por Guay was famous for his Mastery of many different Wicha, including the Wicha of Tattooing Sak Yant. Every single edition of amulets he ever made are now rare classics and highly revered for their Magical Power. On the 1st September 2491, Luang Por Guay was elected Abbot of Wat Ban Kae which was celebrated with delight by the local devotees.
Luang Por Guay saw that the folk of Ban Kae were very poor and many people did not have enough to eat, and thus took up the practice of only eating one meal a day instead of the two before midday which are normally allowed for a Maha Nikaya Buddhist monk, in support of the people and to consume less. He would help the poor and needy and heal the sick, give Buddha amulets to those who needed some confidence and something to help them fight on in life, and try his best to improve the life of local Folk in general. He was very loved for this by the local Folk. Luang Por was not a monk who liked to build things or develop, he liked simplicity and stillness.
Even his Kuti was old ‘Song Thai’ (Thai style wooden house), that he had given the temple lay committee and some Looksit the task of building it to save money, and only hired special craftsmen for the most difficult pieces of the building. The temple thus only had old rickety Kuti huts and no fancy buildings except for the Uposadha shrine room, the Kuti Chudtintaro (memorial Kuti hut for LP Guay), and the Sala Tam Bun building. Luang Por Guay passed away, on the 12 April 2522 at the age of 75 years old. He passed on in peaceful recline.
The year before he died, he fell ill, and was carried to Paya Tai hospital for examination. The examining Doctor concluded that Luang Por Guay was suffering from food deficiency since over 30 years, and gave him some protein supplements for a period of a whole month, which turned out to still not be enough for his physical needs.
But when Luang Por returned to the temple, he continued his habit of eating only one meal a day without paying attention to the warnings. It seemed that since his return from hospital though, that his casting of magic spells and empowerment of amulets had become even more effervescent and intense. He seemed very strong physically as far as outside appearances went. In the year 2522, Luang Por wrote down two notes in his calendar; Pra Luang Por Guay marked the day he would become ill with blue pen, and the day he died was marked in red pen.
The days were the 11th March, and the 11th April 2522 BE. Luang Por had written the Pra Kata Namo Dta Bord, and the words “I Pra Guay Na Dtandto Namo Dtandti Dtandti Dtandto Namo Dtan Dtan – will die on the 11th April at 7:55”. As the 11th came nearer, Luang Por Guay fell ill, but it was not possible to detect any fever or recognizable illness – he could not eat, and would even spit his rice out and refuse any more, instead grabbing a piece of Tkgrut Foil, and inscribing spells.
In the night he would hold the Sai Sincana cord and empower amulets. He would inscribe lottery numbers on the palm of his hand, and sometimes show to Looksit with Choke Lap who came to pay last respects. In the night he would hold the Sai Sincana cord and empower amulets. He would inscribe lottery numbers on the palm of his hand, and sometimes show to Looksit with Choke Lap who came to pay last respects. As the tenth arrived, everybody came to await his passing, but on the 11th he was still alive. Some of the temple committee suggested that his Kuti was full of magic and even images of the Kroo, perhaps no Deities could enter to take him.
So they moved Luang Por Guay to the chanting room, where he opened his eyes in farewell for the last time, placed his hands together, and then, something amazing happened; The temple bell fell down from where it was hanging, and crashed to the floor ringing out loud with a resounding echo. The Looksit then realised that Luang Por Guay had passed on in this moment, and tuned to look at the time. It was exactly 7:55 am on the 12th April. The 12th of April every year is the date for paying reverence to Luang Por Guay at Wat Kositaram, where Looksit gather each year to pray to Luang Por Guay and ask for his blessings to continue to protect them and improve their lives.
Luang Por Guay (2448–2522 B.E.)
Biographical Timeline
Event
Date
Birth
2 Nov 2448 (Chainat)
Ordination
5 Jun 2467 (age 20)
Abbotship (Wat Ban Kae)
1 Sep 2491
Death
12 Apr 2522 (07:55)
Key Practices
Asceticism: Ate once daily to align with community poverty
Empowerment Rigor: Six daily Pluk Sek rituals synchronized to astrological phases
Terminal Vigor: Magical output intensified during final illness despite clinical malnutrition
Posthumous Veneration
Annual ceremonies at Wat Kositaram on April 12 commemorate:
His precise death prediction (noted in red ink)
The temple bell’s self-ringing at his passing
Legacy Significance
Luang Por Guay’s amulets remain scarce because:
Functional Efficacy: Wearers retain them for verified protective benefits
Ritual Investment: Multi-temporal enchantment protocols exceed standard consecration practices
Biospheric Resonance: The monk’s life-death continuum reflects localized Buddhist engagement with materiality and transcendence
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
The Pra Pid Ta Hlang Baeb of LP Kaew, Wat Kruea Wan temple, in white powders, is a very rare model, and a truly remarkable and classic exhibit, widely regarded as the number one amulet of the esteemed monk, Luang Por Kaew, of Wat Kruea Wan (formerly of Wat Pak Tale). This ancient amulet, created and empowered by the Great Ancient Sorceror-Monk of Olden Days, Luang Por Kaew, is a a legendary amulet that has attested to his exceptional skills and mastery in the art of amulet-making. The Pra Pid Ta is made from a unique blend of sacred powders, known as Nuea Pong Wised, composed of 5 special magical Yantra Powders (Bpathamang, Puttakun, Trinisinghae, Ittijae, Maharach).
.One particularly striking feature of this amulet is the concave indented Pid Ta on its rear face, which is a hallmark of Luang Por Kaew’s work. This intricate detail, along with the slender arms and perfectly detailed relief of the Buddha image, creates a sense of depth and character that is truly captivating. Luang Por Kaew created this masterpiece during his time as a monk in Chonburi Province, around the year 2365 BE. This was a significant period in Thai history, as Pra Jao Thaksin Maharaj was leading the effort to restore Siam to freedom from invaders. The Pra Pid Ta Hlang Baeb Wat Kruea Wan is not only a beautiful and well-preserved example of Luang Por Kaew’s work, but also a tangible piece of Thai history that speaks to the enduring power and significance of Buddhist amulets
The amulet radiates a captivating glow, enhanced by the unique ‘Nuea Graeng’ marbling effect. This is a result of the sacred Muan Sarn powders, which contract and dry over time, creating distinctive surface cracks. This particular Buddha image showcases intricate details, a slender build, and a high level of craftsmanship, making it a fine specimen of the Pra Pid Ta Luang Phu Kaew. The amulet’s powerful sacred clay composition is known for its Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap properties, attributed to the esteemed monk known for his world-class mastery.
An all time Pra Niyom High End Classic Ancient Amulet, renowned for its power and status from Luang Phu Gaew, who first began his legendary of Wat Pak Tale in Petchburi (Later moved to Wat Kruea Wan in Chonburi). The Pra Pid Ta of Luang Phu Gaew of ancient fame comes with free express shipping. The Pra Pid Ta of Luang Phu Gaew is widely regarded as the number one Pidta amulet of all time by devotees of the Chonburi Lineage Master Amulet Collector Scene, as well as by those who are devoted to the Petchburi Masters. This amulet is a true Master Class piece, and its rarity is such that it is incredibly difficult to encounter in the present era.
Free Express Shipping is included with this item. Apart from being so highly regarded for their powerful Metta Maha Niyom and Maha Lap, of the highest power of all Pid Ta, the Pid Ta of Luang Phu Gaew are considered to be the top Pra Pid Ta amulet in Thailand, which carries one of the highest prices within its Genre.
The Pra Pid Ta Luang Phu Gaew is a truly exceptional amulet, one that is held in the highest regard by collectors and devotees of Thai amulets. Its reputation is such that when it changes ownership, it is often considered “news” within the amulet community. This is true whether the amulet was crafted during Luang Phu’s time at Wat Pak Tale, or after he moved to Wat Kruea Wan.
This truly ancient amulet is one of the extremely rare amulets of the Pra Niyom Master Class category of Both Petchburi and Chonburi Masters, and has a cult collectorship following in the Wongarn Pra Niyom Sai Chonburi and Sai Petchburi (Chonburi and Petchburi Province High End Collector Scene). The exclusivity factor of this amulet is indescribably high, and coming from the both Chonburi and Petchburi Provincial Collector scene only serves to evidentiate it as a High Class and Ultra rare Pra Niyom Master Class Amulet of ancient times. One of the reasons for the Pra Pid Ta’s enduring popularity is the powerful and protective qualities it is believed to possess. The amulet is said to offer Kong Grapan (protection against sharp objects), Klaew Klaad (protection against deadly accidents), Metta Mahaniyom (charm and popularity), and Maha Lap (luck and prosperity) to the wearer. These qualities, combined with the amulet’s undeniable rarity and historical significance, make it a true collector’s item.
The Pra Pid ta Luang Phu Kaew, is known for its power being made from Luang Phu Kaew’s ancient and powerful sacred Muan Sarn. There is a famous tale of the Billionaire Chawapon Rerm Wanich, buying a number of Pra Pid Ta Pim Lek Hlang Riab (plain rear face small model) amulets of Luang Phu Kaew, for a sum of 10 million Baht each (about 350,000$US)!
It is said that the only thing harder to find than the Pid Ta of Luang Phu Kaew, is the Photo of Luang Phu Gaew himself. However, despite these true stories, that some millionaires pay immensely high prices for such amulets, the standard price which true collectors and aficionados consider to be universal ranges between the 1000$ for a less well kept or lesser preferred model with or without certificate, to 11000$ for a top class prizewinner.
Luang Phu Gaew was one of a group of Master Monks who all possessed and practiced the Wicha of making Pra Pid Ta, all of whom are famous names, such as Luang Phu Jeen of Wat Ta Lad, Luang Phu Pu (2351 -2361 BE), Luang Porn Daeng of Wat Ang Sila, and the great Luang Por Plord of Wat Pak Tale, who was the premiere apprentice to Luang Phu Gaew, and famous in his own right for his famous Look Om amulets which he made with the remaining powders inherited from Luang Phu Kaew, as well as adding powders of his other Kroo Ba Ajarn such as Luang Por Tong Sukh’s powders of Luang Phu Iam (Wat Sapan Sung).
Luang Phu Gaew was born sometime between 2337. This is known by devotees who met and worshiped Luang Phu Gaew as he appeared on Tudong wandering in Khao Bandai it district of Petchburi, to escape being asked to become abbot of Wat Pak Tale, as the current abbot had just passed away, and he preferred the forest wandering and meditation, to administration of the worldly aspects of running a temple. Luang Phu Gaew wandered onwards until he came to rest at Khao Luang Temple, and saw it was in total disarray.
He thus rounded up devotees to help and slowly restored the temple to original condition, and the local devotees begged him to be the abbot of Wat Khao Luang. But in the eyes of Luang Phu Kaew, this was tantamount to chasing him away, as he was not inclined to accept limitations on the practices and austerities of Tudong. So Luang Phu Gaew wandered off again and disappeared into the forests on Tudong.
Later after some years of disappearance and no documentation of his life during those years, he later appeared in Chonburi and built the temple at Wat Kruea Wan, where he stayed till the end of his life, and became the great Master of Wicha Pra Pid Ta of the Chonburi Province who is considered the top number one master of all, despite the absence of a full biography and a lack of knowledge about the full details of his life. His Wicha was passed to great Masters who he was associated with all of whom became Top Masters of Historical Fame in their own Right, with some of the greatest names being his apprentices.
Below : one of the only photos we have in existence to date of Luang Phu Gaew, which has the date R.S. (Ratanakosin Year) 124 (2449 BE), and his age being 55 years old in this picture.
Even the world famous Payak Kampant, Sian pra Maestro of the Thai Amulet Society, who released a book with 108 biographies and pictures of Great Master Monks, was not able to include the Biography and Picture of Luang Phu Kaew, due to the rarity. The Muan Sarn of the amulet, with all the aspects of an ‘Ongk Kroo’ (teacher model to accustom the eyes to the true authentic sacred powder content).
The rear face features the image of the Pra Pid Ta Ongk Pra Buddha embossed in concave. The Muan Sarn of the amulet is clear and easy to appreciate with the eye with no need of an eye loupe or magnifying glass to authenticate. This level of pristine clarity in an amulet of this age and status is so very rare to encounter indeed, making this exhibit a definite ‘Ongk Kroo Masterpiece Version’
This particular exhibit displays all the features necessary for prize winning competition entry, and already possesses a certificate of authenticity from the Samakom Song Pra Tae Mueang Siam.
The front face of the amulet glows with a truly seductive aura of beauty and its surface texture of ;Nuea Graeng’ marbled effect of the Muan Sarn sacred powders, which are the result of the contraction of the different particles within the sacred clay mixture of the amulet, as time passes and the amulets dries, and shrinkage causes small surface cracks to appear. This renders a truly beautiful example of the Pra Pid Ta Luang Phu Kaew. The features of the Buddha Image with its slender arms and its perfectly detailed relief, full of depth and character, leave the eyes unstrained when authenticating and appreciating its subtle features, and evident age. True beauty in subtlety, with a sacred muan sarn powder content that assures the wearer of high Puttakun Power and effective Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap effect. We behold before us a Master Class authenticated amulet from one of the greatest olden days master sorceror monk, of world class status.
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
One of a the very rare ancient amulets of this Great Lanna Master, the Pra Rahu Kala Ta Diaw one eyed coconut shell carving, in classical ‘swallowing the moon/sun’ eclipse shape (Pim Rahu Om Jantr/Suriya), in ‘Nok Hook’ (Owl face) style, with an ancient and exquisitely filigrain inscriptions of Lanna Agkhara spell inscriptions, In rare One Eyed Coconut Shell, coated with ‘Rak Chart Jeen Boran’ ancient Chinese herbal Lacquer.
Hand carved by one of the preferred Master Looksit Artisans of the Guru, and hand inscribed with the Wicha Pra Rahu by Olden days Lanna Master Guru Monk Kroo Ba Nanta Nanto Bhikku, of Wat Tung Man Dtai, in Lampang. Kroo Ba Nanta was the Kroo Ba Ajarn of Kroo Ba Lerd, of Wat Tung Man Dtai. This amulet comes with a coput of the ebook “The First Book of Thai Lanna Sorcery”, written by myself (Ajarn Spencer Littlewood), as a gift, for it contains the Biography and amulets of Kroo Ba Nanta covered within its pages. 🙂
KATA PRA RAHU KAM DUANG
The rear surface texture reveals true ageing of a centenarian+ amulet, and the age of the inscriptions of Kroo Ba on the Yant Duang Sacred Geometry Spells inscribed within the central section of the amulet, shout out the word ‘ancient’
Free Registered Air Parcel shipping Worldwide is included with this amulet. The Pra Rahu of Kroo Ba Nanta is a very rare thing to come by, and is highly revered by Business Owners and those who are in High Administrative Positions, as well as those who seek to turn their fate around. Kroo Ba Nanta was one of the Greatest Lanna Masters in Living memory, before whose time, little is known of the names of the Masters who lived, so long ago was his Era.
Because of this, and his constant absence on forest Tudong wandering,, it is not known when Kroo Ba Nanta began making Rahu Amulets, nor how many he made, except that old people who lived during his time, say that he had made them as long as they could remember. Many different shapes and forms can be found, but the trained eye can recognize his inscriptions, and the natural ageing process of the coconut shell, ivory, wood or sacred powders used to make the amulet.
The earliest actual evidence of his making the Rahu amulets was found inscribed on a Kala ta Diaw Rahu Image from Kroo ba Nanta with the year 2456 BE, which is considered to be one of his earlier one eyed coconut shell carvings.The amulet measures 5 x 4 Cm, and is made from one eyed albino coconut shell. Kroo Ba Nanta Nanto Bhikkhu was considered the older of the 2 Greatest Masters of the Wicha Pra Rahu of that particular Era, the other most famous Master being of course Luang Por Noi, of Wat Srisa Tong.
Kroo Ba Nanta was born in 2415 BE, and was indeed the older of these two Great Guru masters of Wicha, both of whom were famous for the Pra Rahu, and also the Wua Tanu Sacred Arrow Bull animist charm.Many people believe that Kroo Ba Nanta was the Kroo Ba Ajarn of Luang Por Noi, but this is in fact a myth. Each of these Masters had their own personal Trajectories and their amulets differ in style and empowerment methods.
It would be more accurate to not compare the two, and to see that Kroo Ba Nanta and Luang Por Noi are equally Meritorious in their Mastery, and were perhaps the greatest Adepts of Wicha Pra Rahu in living memory.
Kroo Ba Nanta was an Upachaya Monk (entitled to ordain people as monks, which is one of the highest statuses), and was responsible for having built many important Buddhist Edifices in Lampang, Chiang Rai, Payao, and surrounding provinces, including Uposatha Shrine Rooms for temples, Chedi Stupas (22 in all), Kuti Huts, and 26 Vihara Shrines.
It is said that during the times of great difficulty of the Monk Kroo ba Srivichai, as Kroo ba Srivichai was placed under house arrest, that Kroo Ba Nanta made a Pra Rahu Kala Ta Diaw Amulet to pray to for the release of Kroo Ba Srivichai, and that he was released shortly after this.
If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday; Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).
12 repetitons of the Kata Bucha Pra Rahu are to be Chanted;
Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi
Gusaedto Ma Ma Gusaedto-dto Laalaa Ma Ma Dtolaamo Tolaamo Ma Ma Tolaamo Ma Ma Tolaamodtang Haegudti Ma Ma Haegudti
Kata Jantra Bupaa (to be chanted in the night time)
Yadt-thadtang Ma Ma Dtangthaya Dtawadtang Mamadtang Wadtidtang Saegaa Ma Ma Gaasaegang Gaadtiyang Ma Ma Gaadtiyang Ma Ma Yadtigaa
When you begin to Bucha Rahu Deity, you should make the first ever session in the evening of a Wednesday (any time from 7 pm onwards). After you have done this once, you can make Bucha in the daytime if you wish, but the first time you must include the food offerings of black foods as well as the black incense. The second time onwards, only the incense is necessary in the daytime, if it is a lot of trouble to get the food offerings.
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
If you listen to the three quarter of an hour talk and explanation of the Sacred Daw Aathan along with a short Biography of Luang Por Pina, recounted and narrated by Amulet Expert Ajarn Spencer Littlewood in the below Podcast. In the podcast, You will be amazed to learn about the very deep meanings contained within the Daw Aathan Hnun Duang Lucky Star amulets of Luang Por Pina, and for those of you who are devoted Buddhists and Practitioners of Dhamma, you will feel incredibly inspired to own and apply the meanings found in the amulet to your Buddhist practice of Dhamma, Meditation and Vipassana.
For indeed, in its highest level of Bucha, this amulet is a powerful tool not only to increase your Fortunes and Improve your karma in a worldly sense, but can be used as a contemplative focal point of self transformation and empowerment of manifest Buddhist Kammathana Meditative Practice. It points to the path towards enlightenment, and can assist you in walking the path, if this is your intention, and leads far above and beyond simple worldly desires.
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
Presenting a triple-set of the immensely rare and revered Look Prakam Ya Wasana Jinda Manee, Blessed Rosary Bead of the Great Ancient Master of Wicha, Luang Phu Bun, of Wat Klang Bang Gaew (Nakorn Pathom). Gathered into a set of 3 beads for the triple gem Buddhos, Dhammo, Sangko (Buddha, Dhamma, Sangha). The Look Prakam (Look Om), is molded by hand, in Nuea Ya Wasana Jinda Manee powders, highly regarded for its healing power, and ability to assist to focus in meditation when holding it. The Look Om / Look Prakam Ya Wasana Jinda Manee, measures 1.8 Cm Diameter, and has a hole for threading onto a cord if wished to wear as a neck chain or waist cord belt attached.
The Look Prakam Ya Wasana Jinda Manee, is an extremely Rare Amulet of the Pra Niyom Master-Class of the Pantheon of the Great Luang Phu Bun, of Wat Klang Bang Gaew, in Nakorn Pathom. Luang Phu Bun was one of the Top Master Guru Monks of Thai Buddhist History in both Patipata (Dhamma Practice), as well as for his Magical Prowess in Amulet making, Puttasart, and Saiyasart (Occult Sorcery and Buddha Magic).
Free Shipping Worldwide is Included with this amulet. Luang Phu Bun’s amulets, grace the pages of almost every famous catalog and amulet magazine in the High End Collector Publications, and are among the highest priced ranging from many hundreds of dollars for the most commonly found amulets, to hundreds of thousands of dollars for his rarest amulets. This masterpiece, is a Centenarian Amulet, of Immense Value, for the Sacred Powerful Blessings of the Great LP Bun, and Rarity as an Ancient Amulet of Master-Class Status, as well as for being a masterpiece of antique magical heritage and Buddhist Historic importance.
Luang Phu Bun was a close friend and accomplice in Wicha with the Great Somdej Pra Sangkarach (Pae) of Wat Sutat, whose amulets belong to the priceless treasures category, and are only to be found in the possession of wealthy devotees, high-end amulet africionados, millionaires, and high ranking persons of state importance, as well as of course, those who were lucky enough to have inherited one from their great grandparents.
Luang Phu Bun
Otherwise. the rest mostly reside with a few lucky extreme collectors and devotees, who have kept them throughout the generations, or inherited them as heirlooms down the ages, from their family members. Almost anybody who owns such an amulet, will be hard pressed to part with it in any circumstances.
The amulet was made using 3 different types of Muan Sarn; Nuea Pong Ya Jinda Manee (Special Herbal and Magically Empowered Ingredients), Nuea Khee Nok Khao Bplao (Thick Billed Green Turtle Dove Faeces – considered to have Magical Properties), and Nuea Wan (Herbal Extracts and Pollens).
The famous Pong Ya Wasana Jinda Manee, and Pong Khamin Sek , and Herbal Muan Sarn Powders of Luang Phu Bun (also known as ‘Pra Ya Horm’), carry legendary status, for their immensely powerful magical properties. These are two very Sacred Powders within the Dtamra, with Pong Khamin having a pungent aroma, with Powers of Protection and Wealth Increase, and the legendary Pong Ya Wasana Jinda Manee having an aromatic Sacred Powder, which uses of course the famous ‘Ya Wasana (‘Wasana’ meaning Lucky Fortunes) Ya Wasana Jinda Manee Pellets were also often and indeed, still made at Wat Klang Bang Gaew, as medicinal treatment, for its renowned healing powers.
Ya Wasana Jinda Manee, and Khamin Sek Sacred Cumin powders, are the most famous Muan Sarn of Luang Phu Bun, and have become his Legendary ‘Dtamra’ (Traditonal Legend of Inheritance Wicha).
The Wicha of Ya Wasana Jinda Manee was developed by Luang Phu from an Ancient Teaching through his Kroo Ba Ajarn, and has since his making the Muan Sarn famously powerful, has been inherited as a Wicha of Muan Sarn powder making for the amulets of the Wat Klang Bang Gaew lineage throughout the ages from Luang Phu Bun, to Luang Por Perm, to Pra Ajarn Bai, to Luang Phu Juea, and now the present holder of Luang Phu’s now ancient Wicha, Luang Por Kong (Sanya), one of the senior monks of Wat Klang Bang Gaew.
We can see that LP Sanya now holds a Wicha that has been passed through three already Great and Famous Guru Masters who have inherited this Wicha from Luang Phu Bun, through Ajarn Bai and Luang Phu Perm, to Luang Phu Juea, who have all now passed away, after their long lives and trajectory. We are hence looking at the amulet of a Master who is already 4 generations of Abbots the predecessor to the current Abbot of Wat Klang Bang Gaew, making his amulets truly worthy of the title ‘Ancient’.
The amulets of Luang Phu Bun are famous for their immense Klaew Klaad and Metta Mahaniyom Powers and their Power of ‘Serm Duang’ (improve fate and destiny). The Ya Wasana Jinda Manee Sacred Muan Sarn powders are hence the most popular Muan Sarn ingredient of all his different amulets, and the preferred substance of all, for the fact that they seem to improve success in life and protect with immensely good results.It is said that he who revers the Amulets of Luang Phu Bun, will never be penniless or poor, and will never make a loss in business but will always profit.
Ancient Amulet - Thai Buddhist Pra Niyom Category Amulets
Ancient Amulet - Thai Buddhist Pra Niyom ('Pra Niyom'; meaning 'High End Preferred Class Antique amulets') Fine Authentic Amulets from the Great Thai Buddhist Sorcerer Monks, Lersi Ascetics, and Lay Masters of Olden Days
This article takes a deep look into the Legend of the Pra Nang Kwak Na Pokasap Powder Amulet and the Register of Sacred Objects by Luang Por Sakorn, Wat Nong Grub , B.E. 2548 (2005), as a study of amulets of Spiritual and Magical, and Cultural Heritage of Buddhist Sorcery (Buddha Magic), from Thailand’s Eastern-Central Region
The eastern region of Thailand, particularly Rayong province, is historically recognized as the land of highly knowledgeable monastic masters (Gaeji Ajarn) and esoteric sciences passed down through the ages. Amidst a widespread wave of devotion, the name “Luang Por Sakorn Manunyo” of Wat Nong Grub has become a symbol of sanctity, as the sole heir of the Buddhist sorcery lineage trusted by Luang Pu Tim Isariko of Wat Laharn Rai to continue the creation of the famous “Pong Prai Kumarn” (Prai Kumarn Powder).
Below: English Audio Podcast
The creation of sacred objects in B.E. 2548 (2005), especially the “Pra Nang Kwak Na Pokasap Powder Amulet,” is considered a significant occasion that perfectly merged the finest sacred materials, potent spiritual power, and legendary mythology. This was intended to be a spiritual anchor and a supreme enhancer of destiny for those faithful to Metta Mahaniyom (loving-kindness and great charm) and Chokelarb (good fortune).
Below: Podcast Aux Francais.
The Path of Vision and Buddhist Artistry: The Prai Kumarn Powder Nang Kwak Na Pokasap Amulet, B.E. 2548
In the year B.E. 2548, Luang Por Sakorn Manunyo initiated the creation of the Nang Kwak amulet mold, giving it the auspicious name “Nang Kwak Na Pokasap” to emphasize its power to attract wealth and prosperity. The story of this amulet must begin with the meticulous design of its Buddha image, a model of the Mae Nang Kwak in a posture radiating compassion. She sits neatly with folded legs, her right hand raised high above her mouth in a beckoning gesture to call forth fortune. This gesture is an esoteric principle signifying “Kin Mai Mot” (never-ending sustenance) or having abundant wealth for all time.
Below: Podcast in Chinese (下方：中文播客)
This specific batch of Pra Nang Kwak Na Pokasap, particularly the “Powder-Only (No Takrut)” version, stands out due to its concentrated material content. Without the need to sacrifice surface area for embedding a metal Takrut scroll, the devotee can fully experience the essence of the Prai Kumarn powder and various sacred materials.
The body of the amulet is typically a clean white or “Nuea Khao” (white flesh), with some pieces being “Long Thong” or partially gilded with gold leaf to enhance elegance and auspiciousness. This batch is generally clearly stamped with a code and serial number on the side of the amulet to confirm authenticity and prevent future counterfeiting.
Physical Characteristics and Creation Details
The assessment of the Pra Nang Kwak Na Pokasap B.E. 2548, pure powder version, requires expertise in examining the texture, which is soft yet firm (Nuea Nuam)—a unique characteristic of powder amulets from the Wat Nong Grub lineage. The weight of the amulet is balanced, not overly light, and it lacks a harsh chemical odor, as most ingredients are derived from natural materials and sacred herbs (Wahn Sak-sit).
Amulet Specification
Creation Detail
Official Batch Name
Nang Kwak Na Pokasap (sometimes called Nang Kwak Prai Kumarn Powder)
Year of Creation
B.E. 2548 (A.D. 2005)
Shape
Rounded rectangular or Moon-Floating (Jan Loi) in some forms
Principal Material
Luang Pu Tim’s Prai Kumarn Powder, Minor-Major Mahaniyom Powder, Luang Por Kad’s Holy Flour (Paeng Sek)
Special Characteristics
Pure powder (no Takrut), some gilded with gold, stamped with a number and code
Prominent Power (Phutthakhun)
Metta Mahaniyom, Maha Saneh (Great Charm), Business/Trade, Attracting Gold and Money
The divine power (Puttanupaap) of this Nang Kwak batch is not limited to being a mere talisman for merchants; it also extends to enhancing charisma and gaining the affection of superiors. It is suitable for those who must negotiate important business or require trust and faith in their work. Luang Por Sakorn infused spiritual power through the “Heart of the Millionaire” (Katha Hua Jai Setthi) and “Heart of Sivali” (Katha Hua Jai Sivali) incantations into every particle of the Prai Kumarn powder, making this Nang Kwak amulet highly efficacious and fast-acting for those with steadfast faith.
The Legend of the Goddess of Wealth: The Roots and Sanctity of Nang Kwak
To discuss the legendary origins of Nang Kwak, one must go back to the Buddhist era in the Indian Subcontinent (Chomphu Thawiip). The story centers on “Nang Supawadee,” the daughter of a devout merchant. Nang Supawadee received the compassion of the Arahants most excellent in fortune, namely Phra Sivali and Phra Mahakassapa. The two venerable monks bestowed upon her blessings of auspicious speech and an aura of radiating compassion, making it an astonishing miracle that no matter which city she accompanied her father to trade in, all their goods would be beckoned and sold out.
In the Thai People’s common beliefs, Nang Kwak is deeply linked to a deeper local legend, stating that she is the daughter of “Pu Chao Khao Khiao,” the great master of the powerful hermit Ruesi community. The relationship between Pu Chao Khao Khiao and Nang Kwak is conveyed through the worship incantation: “Ohm Pu Chao Khao Khiao has one daughter named Mae Nang Kwak…” This reflects the invocation of the Ruesi’s charisma, the lord of the forest and mountains, to provide protection and bestow good fortune.
How to Worship Mae Nang Kwak for Maximum Efficacy
Luang Por Sakorn Manunyo always taught his disciples that sacred objects are merely a “medium” to carry energy, but the efficacy depends on the “gratitude and sincerity” (Katanyu lae Satja) of the devotee. The highest form of worship for the Nang Kwak B.E. 2548 batch follows these traditions:
Placement and Installation: The shrine should be set up with the Nang Kwak facing outwards toward the front of the house or shop. This acts as a “beckoning” (Kwak) to draw customers and fortune in from outside.
Daily Offerings: Clean water must always be present on the altar. On Buddhist holy days or auspicious days, sweet fruits such as bananas or oranges should be offered, symbolizing smoothness and flowing fortune.
Spiritual Invocation with Mantra: Before opening the shop or starting work, light 9 or 16 joss sticks, then focus your mind on Luang Pu Tim, Luang Por Sakorn, and Mae Nang Kwak. Then, recite the short but potent wealth-calling mantra: “E-Hi Chit-Tang Maha Larpang Bi-Yang Ma-Ma Ma-Ma.”
The artistic feature of this Nang Kwak batch, with its “hand raised above the mouth,” is a spiritual riddle Luang Por embedded, meaning that those with effort and good fortune supporting them will always have more than they need (Surplus Wealth). Devotees who have worn this amulet all agree that after worshiping this powder amulet, business that was once slow became noticeably brisk.
Luang Por Sakorn Manunyo: The Heir of Buddhist Sorcery and the Closest Disciple of Luang Pu Tim
The sanctity of the B.E. 2548 amulets cannot be separated from the miraculous biography of their creator. Luang Por Sakorn Manunyo was born with the name “Sakorn Pairam” (some records state his original surname was Paisalee) on Tuesday, February 3, B.E. 2481 (1938) in Ban Taisung, Rayong province. The significance of this birthplace is that “Ban Taisung” is the same hometown as Luang Pu Tim Isariko, the Bodhisattva of Wat Laharn Rai. This is seen as a heavenly decree, preordaining the two to be a master and disciple in the same lineage.
He entered the monkhood at the age of 20, on June 4, B.E. 2501 (1958), at the Uposot (ordination hall) of Wat Nong Grub , with Luang Por Ding (Pra Kroo Jantarotai) as his preceptor. After that, he spent almost all his time traveling between Wat Nong Grub and Wat Laharn Rai to serve and study with Luang Pu Tim closely. He earned the epithet “Sit Kon Kutti” (The Disciple by the Master’s Quarters) because he was the only person Luang Pu Tim permitted to serve him during the late hours to receive the transmission of secret, esoteric knowledge that could not be shared with the general public.
Inheriting the Lineage from the Supreme Monastic Master
Luang Por Sakorn did not only study with Luang Pu Tim; he also had a thirst for knowledge and traveled to study further with several other highly powerful masters to accumulate diverse Buddhist sorcery that covered all aspects.
The “Na Kiew” Yantra Engraving Technique (Maha Ut and Kongkrapan)
Luang Pu Hin
Wat Nong Sanom
Wicha (Sorcery) for Klaew Klaad (Danger Evasion) and Metta Mahaniyom (as recommended by Luang Pu Tim)
Luang Por Boon
Wat Prasart Kin
Khmer Sorcery Lineage and Occult Sciences for Creating Talismans
Luang Por Pheng
Wat Laharn Rai
Wicha Maha Ut (Bullet-Proof) and Kongkrapan (Invulnerability) (from the lineage of Luang Pu Suk, Wat Pak Klong Makham Thao)
With his sharp intellect and steadfast concentration, Luang Por Sakorn was able to memorize the sacred letters (Akkara Lek Yant) and the methods of consecration precisely. Even Luang Pu Tim once praised him in front of other disciples, saying, “This Sakorn can do everything just like me.” His spiritual power was so strong that he could consecrate Takrut to vibrate vigorously in the monk’s bowl or consecrate the Gumarn Tong (Golden Child effigy) to move as if alive. This is the source of the unwavering belief in every sacred object that passed through his hands.
The Legend of Prai Kumarn Powder: Occult Heritage Turned into Sacred Treasure
The key ingredient that gives the Pra Nang Kwak B.E. 2548 its high value and potent power is the inclusion of “Pong Prai Kumarn Maha Phuuti” (Great Ghost Child Powder). This legend began at Wat Laharn Rai around B.E. 2515 (1972), when Luang Pu Tim intended to create amulets to raise funds for the construction of the Uposot. He instructed the collection of a “Prai Kumarn Skull” from a child who died in the mother’s womb (died Thang Klom), considered the most powerful occult material.
The person who accepted this frightening mission was “Mor Kulap Joi Charoen,” a disciple with powerful sorcery who was the only one brave enough to venture into the Wat Laharn Yai cemetery. Mor Kulap had to use his deep meditation and incantations to subdue the spirits of the mother and the keeper of the cemetery until they accepted and were willing to donate the Prai Kumarn body to contribute to the creation of merits in the Buddhist way. Once the skull was obtained, Luang Pu Tim performed a “spiritual bathing” ritual, ordaining the spirits to become “Deva” or benevolent spirits (Deva Spirit) whose duty was to assist those in distress.
The Inheritance of Sacred Material to Luang Por Sakorn
When Luang Pu Tim passed away in B.E. 2518 (1975), he entrusted Luang Por Sakorn to inherit all the remaining Prai Kumarn Powder. This powder was not merely dust but a “living energy starter.” Luang Por Sakorn mixed the original Prai Kumarn Powder with the sacred powders he created himself and continued to consecrate it for decades.
In the creation of the Nang Kwak B.E. 2548, he added a large amount of the concentrated Prai Kumarn Powder into the mixture, giving this batch the benevolent “Phrai” (Prai Deva) energy that whispers warnings or attracts customers to the devotee. There are stories that some who worship this amulet have seen the image of a small child running around in their homes or shops, which signifies the continued presence and power of the Prai Kumarn Powder to help those with true faith.
The Register of Sacred Objects and the Grand Consecration Ceremony in B.E. 2548
The year B.E. 2548 was not only marked by the Pra Nang Kwak Na Pokasap but also by the creation of other important amulets released simultaneously or participating in the same consecration ceremony, making it a golden year for the disciples of Wat Nong Krub. Luang Por Sakorn meticulously focused his spiritual power for consecration in the “Ho Yant” (Yantra Tower) he built himself, ensuring the spiritual power permeated every single amulet.
This is considered the “most supreme” amulet of the B.E. 2548 batch, created to celebrate Luang Por Sakorn’s 62nd birthday on February 3, 2548. The coin was designed with the beautiful artistry of Wat Laharn Rai, featuring a Sema (leaf shape) design. The front bears an image of Luang Por Sakorn sitting in full body, and the back is inscribed with the Yant Ha (Five Yantra), a unique mark of Luang Pu Tim. This coin was produced in materials including Gold, Silver, Nawaloha (nine-metal alloy), and Copper, and its market value continues to climb steadily.
This mold is often called the “Sian Lek 48” (Small Head 48) in amulet circles. It was created with Prai Kumarn Powder, similar to the Nang Kwak. Its specialty lies in the diversity of its material, such as white gilded with gold and pink powder (highly popular among ladies and foreigners). In this small-head batch, some “Ongk Kroo” (Master Pieces) were embedded with silver or gold Takrut scrolls.
3. Luk Om Yant Ha (Five Yantra Orb) and Various Talismans
The Luk Om Prai Kumarn Powder B.E. 2548 is a highly desirable talisman because it utilizes the leftover concentrated powder from the pressing of the Khun Paen and Nang Kwak amulets. Some Luk Om orbs contain embedded Sarika Takrut (attraction yantra) or miniature Pra Pid Ta (closed-eye Buddha) images inside. Furthermore, “Thao Wessuwan” (God of Wealth) and “Pha Yant” (Yantra Cloth) were also released in late 2548 in preparation for the merit-making ceremonies of the following year.
B.E. 2548 Amulet Type
Material Content
Quantity/Key Features
Pra Nang Kwak Na Pokasap Powder
Prai Kumarn Powder/108 Sacred Herbs (Wahn 108)
Creamy white, gilded with gold, coded on the side
Rian Sema Batch 1
Metal/Gold/Silver/Copper
Coded with serial number, beautiful traditional mold
Pra Resemblance Mold (Small Head)
Prai Kumarn Powder/Pink/White
Both with and without silver Takrut embedded
Luk Om Yant Ha
Concentrated Prai Kumarn Powder
Approximately 1.3 cm in size, in both white and pink
Thao Wessuwan
Powder/Metal
Designed by Luang Por Sakorn, wards off ghosts and attracts wealth
Consecration Ceremony and the List of Participating Monastic Masters
In the creation of the B.E. 2548 sacred objects, Luang Por Sakorn did not perform the consecration alone in every instance. He also invited the charisma of revered Arahants and masters to join the grand Buddhist consecration ceremony (Maha Phutthaphisek). One ceremony that has been recorded is the consecration throughout the three-month Buddhist Lent (Traimas), where Luang Por would seal his meditation room for solitary consecration every night for 3 months.
For the grand ceremony joined by the respected monastic masters, the list includes the following venerable monks:
Somdet Phra Nyanasamvara, the Supreme Patriarch: Graciously consecrated the materials and radiated compassion during the important ritual.
Luang Por Uttama, Wat Wang Wiwekaram: A Mon lineage master with serene spiritual power and great compassion.
Luang Por Sin, Wat Laharn Yai: A senior disciple from the Wat Laharn Rai lineage, skilled in creating Pra Pae (Goat) and Khun Paen amulets.
Luang Por Foo, Wat Bang Samak: The inheritor of the Wicha for creating Thao Wessuwan and Metta Mahaniyom.
Luang Por Pian, Wat Kreun Kathin: The supreme master of Lopburi province, outstanding in Kongkrapan (Invulnerability) and Klaew Klaad (Danger Evasion).
Luang Pu Tim, Wat Phra Khao: The benevolent deity of Ayutthaya (Krung Kao).
The combined power of these supreme masters ensures the B.E. 2548 amulet set possesses perfect energy flow, covering Maha Ut (Bullet-Proof) and Kongkrapan (Chatree), and most importantly, Metta Mahaniyom, which was the main objective of creating the Nang Kwak amulet.
Sacred Materials: The Secret Ingredients of Success
The secret behind the sanctity of Luang Por Sakorn’s amulets is the “materials” he collected throughout his life. For the Pra Nang Kwak Na Pokasap B.E. 2548, he meticulously combined rare ingredients:
Pong Prai Kumarn Maha Phuuti: The original powder from Luang Pu Tim, Wat Laharn Rai, which is the most concentrated “starter culture
“Five Sacred Powders (Pong Wised 5 Prakan): Including Pong Bpathamang, Pong Ittije, Pong Maharart, Pong Phutthakhun, and Pong Trinisinghe, which Luang Por inscribed and erased the Yantra himself.
108 Sacred Herbs Powder (Pong Wahn 108): Focusing on fortune-attracting herbs, such as
Wahn Kumarn Thong (Golden Child Herb), and Wahn Dok Thong (Strong Attraction Herb).
Luang Por Kad’s Holy Flour (Paeng Sek): A highly popular Metta Mahaniyom powder in the Eastern region.
Seven Occult Soils (Din 7 Athan): Including soil from 7 Clay Licks, 7 Piers, 7 Cemeteries, and 7 Ant Mounds, to invoke the power of Mother Earth (Mae Phra Thorani) to enhance destiny.
Old Palm Leaf Powder from Wat Ban Laeng: Powder that Luang Pu Tim helped consecrate in B.E. 2496 with other supreme masters of the Indochina era.
Maha Saneh Beeswax and Prai Oil (Namman Phrai): Which have been extracted and consecrated until they are clear and free from negative black magic elements.
The mixing of these materials had to follow the specific auspicious times prescribed in the treatises of “Pichai Songkhram” (Victory in War) and “Phrommachat” (Brahma’s Destiny) to ensure the amulets reached their full potential. Luang Por Sakorn often personally oversaw the grinding and mixing of the materials to ensure that the “goodness” he prepared was consistently incorporated into every amulet.
Conclusion of Faith: Hope and Protection for the Modern World
The “Pra Nang Kwak Na Pokasap B.E. 2548” set of amulets and the register of sacred objects from Luang Por Sakorn Manunyo are not merely works of art or collectibles with economic value. They are a “testament to Buddhist sorcery” that has endured for over two decades. The hidden power within the Prai Kumarn Powder and the spiritual concentration of Luang Pu Tim’s closest disciple have helped countless people overcome financial and life crises.
For those seeking “the real deal” that is internationally accepted, the Nang Kwak B.E. 2548 pure powder version is the most perfect choice, as you will genuinely experience the spirit of Luang Por Sakorn through the materials inherited from Luang Pu Tim. If you worship with a pure heart, diligence, and consistently make merit to share with the Prai Kumarn and Mae Nang Kwak, the power of “Na Pokasap” will certainly bring prosperity and peace to you and your family.
As Luang Pu Tim once said, “Soon, you will search the earth over and still not find them.” These amulets are invaluable treasures worthy of preservation and reverence as an auspicious blessing for life.
The lineage of the Wicha Pong Prai Kumarn finds its most potent expression through the lives and works of Luang Pu Tim Issarigo of Wat Laharn Rai and his primary disciple, Luang Por Sakorn Manunyo of Wat Nong Grub. Luang Pu Tim, a master of Rayong Province, became world-renowned for his mastery of Thai Buddhist occultism, specifically the creation of sacred powders and the “Pat Boke” or Fan Waving Art, which is a high-level form of Metta Mahaniyom (mercy and attraction magic). His expertise in crafting Prai Kumarn powder—a substance derived through complex necromantic rituals involving the spirits of children—set a benchmark in the amulet world that remains unsurpassed.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim 2505-2515 BE
Luang Pu Tim’s spiritual path involved rigorous training under several masters, including Luang Por Graat of Wat Chak Gor Pai. Through these studies, he mastered the esoteric arts required to create the Phra Khun Phaen Pong Prai Kumarn amulets, which are now among the most sought-after and expensive artifacts in the Thai amulet market. These amulets are believed to possess extraordinary protective qualities and an immense power to enhance the wearer’s charisma and fortune.
The transmission of this sacred knowledge was not granted lightly. Luang Por Sakorn Manunyo, as the Looksit Aek or prime apprentice, was the individual entrusted with the complete formulas and secret incantations of Luang Pu Tim’s lineage. Luang Por Sakorn’s journey began under Luang Por Pheung of Wat Nong Bua, where he learned the foundations of sacred craftsmanship. However, it was his time at Wat Laharn Rai that defined his destiny.
Luang Pu Tim recognized the potential in Luang Por Sakorn and provided him with intensive training in the creation of Pong Prai Kumarn. At Luang Pu Tim’s specific recommendation, Luang Por Sakorn also sought further advanced training with Luang Pu Hin at Wat Nong Sanom to master the Ruesi traditions and mystical sciences, ensuring a well-rounded foundation in the occult arts.
The relationship between the two monks was one of deep trust and spiritual inheritance. Luang Por Sakorn was not merely an assistant but a successor who was given the authentic Prai Kumarn powders inherited directly from Luang Pu Tim. This inheritance allowed Luang Por Sakorn to continue the tradition of creating powerful Phra Khun Phaen amulets after Luang Pu Tim’s passing.
Khun Phaen Prai Kumarn LP Sakorn 2546 Wan Dok Thong
Below; Luang Phu Tim Issarigo, or, ‘Pra Kroo Pawanapirat’, was born on the 16th May 2422 Buddhist Era, This was during the time of King Rama 5. Luang Por Tim was born in Ban Hua Tung Ta Budtr in Tambon Lahan, in Ban Kaay Municipality of the Province of Rayong. LP Tim lived to the age of 96 years old, when he passed away on 16th October in the year 2518 BE, with 69 years of ordained life behind him.
Uncovering the history of the Phra Khun Phaen series reveals that Luang Por Sakorn’s reputation was firmly established in 2530 BE with the release of his first Phra Khun Phaen Pong Prai Kumarn amulets. These were produced in both small and large molds, utilizing the authentic powders from his master.
Pra Khun Phaen Pong Prai Kumarn Long Pim (Block 2 Sao Khad) Luang Phu Tim
These amulets often featured metal Takrut—sacred scrolls inscribed with spells—made of gold, silver, or copper, and were infused with sacred oils and floral essences. The ritual process for creating these powders is incredibly complex, involving the transformation of raw spiritual energy into a stabilized, benevolent force that aids the devotee.
The Phra Khun Phaen (Pong Prai Kumarn) – Nong Bua Klee Model, produced between 2543 and 2544 BE, stands as another significant example of Luang Por Sakorn’s mastery. These objects are cherished by collectors not just for their aesthetic value but for the documented miraculous experiences shared by devotees over many decades. The amulets are characterized by a rich texture and a profound spiritual energy that reflects the rigorous consecration methods of the Wat Laharn Rai lineage.
While Luang Por Sakorn is the most famous successor, other monks such as Luang Phu Sin of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, and Pra Ajarn Somkid of Wat Beung Tata also carry forward aspects of Luang Pu Tim’s Wicha. However, it is Luang Por Sakorn who is most widely recognized for maintaining the purity and potency of the original Pong Prai Kumarn formulas.
The study of these masters and their sacred objects provides a look at the intersection of Buddhist philosophy and the ancient Thai occult traditions. The amulets serve as physical vessels for the Wicha, representing a lineage of knowledge passed from teacher to student through years of dedicated practice and spiritual discipline.
Much more information on Luang Pu Tim, Luang Por Sakorn, and the intricacies of Pong Prai Kumarn can be found on the websites of Ajarn Spencer Littlewood, who has authored extensive documentation on these subjects. I recommend visiting ancientamulet.com, thailandamulet.net, buddhamagic.net, dharmathai.com, and sak-yant.com for further research into the biographies of these great masters and the catalogs of their sacred amulets.
Pra Somdej Pim Yai, in ‘Nuea Dtaek Lai Nga’ (marbled stone hard clay with Crackled Ivory surface effect ) released in 2495 BE, made from ‘Nuea Pra Somdej Wat Rakang Gao’ (broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri).
Luang Pu Nak was a highly respected and virtuous monk. He used many broken pieces of Phra Somdej Wat Rakhang amulets from that era as ingredients in creating dozens of different Phra Somdej amulets. The amulet’s composition included a high proportion of lime and oil. For the consecration ceremonies, Luang Pu Nak invited many renowned monks of the time to participate. Older amulet collectors said that Luang Pu Nak’s Phra Somdej amulets could be used as substitutes for the old Phra Somdej Wat Rakhang amulets. In the past, he always gave amulets to people who came to make merit or pay respects at the temple. He didn’t create these amulets for commercial purposes; he made them to give away, as Wat Rakhang was a large temple with many people visiting daily. Therefore, he needed enough amulets to distribute to everyone.
Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang are made with a significant amount of fragments of broken Phra Somdej amulets from Wat Rakhang. These fragments were collected from people who left them at the temple and from the discovery of many broken amulets on the roof of the temple’s main hall. Luang Pu Nak combined these fragments with his own sacred powder, following the formula of Somdej Toh, resulting in his Phra Somdej amulets, especially those from the early period (1942-1952), having a rich and potent composition, making them highly desirable.
They are considered to contain the highest proportion of Wat Rakhang fragments in Phra Somdej amulets, rivaled only by the Phra Somdej of Phra Kru Moon of Wat Suthat, the 1942 Chedi-shaped amulet. Furthermore, their spiritual power is exceptionally high, particularly in attracting compassion and popularity. Therefore, they are highly sought after. However, because he created many different styles of Phra Somdej amulets, collectors tend to focus on only certain popular styles with distinctive characteristics, such as the Three-Tiered Angel with Bayasri Ears style. The most sought-after types are the Phra Somdej amulets with Bodhi leaf design, pumpkin-shaped design, Somdej Toh image design, and bell-shaped design.
Other types are less popular. Phra Somdej amulets with a rich, concentrated Somdej powder composition, or those with embedded takrut (1, 2, or 3 takrut), are extremely rare and highly sought after, commanding prices many times higher than normal. Surprisingly, Luang Pu Nak’s Phra Somdej amulets from Wat Rakhang have become incredibly famous in Malaysia and Singapore. Many tourists from these countries are buying them in large quantities, significantly reducing the current supply. In the future, this series of amulets is likely to become as popular and valuable as the Phra Somdej Bang Khun Phrom 1966.
A very attractive votive tablet with Buddha in the ‘Khat Samati’ posture seated on a single tiered dais, within an arch. The Dais is shaped like a cushion, which is what gives the name to this model. Three different Masters of the Somdej Pra Puttajarn (Dto) Prohmrangsri lineage and makers of the Pra Somdej within the Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri, have made this model of amulet, namely Luang Phu Nak, Luang Phu Hin, and Luang Por Supoj. Each Master pressed and blessed his own versions. LP HIn and LP Supoj would reputedly be present with LP Nak for the blessings of his amulets too.
The clay of this exhibit can be classified as Nuea Graeng Dtaek Lai Nga (Crackled Ivory surface effect and Stonelike Hardened Muan Sarn Clay) and has visibly similar characteristics to the clay of Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, except the fact that the clay is visibly somewhat younger.
The study of the ageing characteristics of the clay is in itself, is part of the study of the Muan Sarn Sacred Powders of Pra Somdej Wat Rakang Kositaram, to see how authentic Pong Gao Wat Rakang Kositaram amulets made in different time periods develop their appearance and surface textures, and how to learn to recognise authentic Pra Somdej Wat Rakang Kositaram, by being able to estimate how old the clay is of a particular amulet. This exhibit is a perfect study model, as well as being a very rare and sacred votive tablet for Bucha.
This pim is one of a pantheon of Pra Somdej amulets released around 2495 BE, by the great Luang Phu Nak of Wat Rakang Kositaram, and is a rare Pim that has its own special Niche group of devotees who collect and revere them especially.
A very rare authentic Ancient and Sacred amulet from Luang Phu Nak, one of the Great Abbots of Wat Rakang Kositaram temple. The Pra Somdej of Luang Phu Nak are extremely sought after by both Thai Buddhists and Foreign Devotees alike, for the fact that Luang Phu Nak used more old Pra Somdej amulets from LP Dto Prohmrangsri than any other masters of Wat Rakang History.
This exhibit has a smooth dense marble-like creamy clay, that is well hardened with age (Nuea Graeng), and is an extremely attractive exhibit for these features.
The 2495 BE edition is a highly recommendable amulet for devotees who seek a top class amulet at a still affordable price. that is prestigious, sacred, and of high Pedigree. Luang Phu Nak is known to have released editions in the years 2485 – 2495, 2499, 2500, 2504, 2507 and 2509 BE and his final edition Sae Yid 7 Rorb of 2511 BE, as well as releasing editions at other temples.
These amulets are the perfect and best second choice to the Pra Somdej Wat Rakang amulets made by Somdej Dto Prohmrangsri which have now become either unavailable, or too expensive to even consider renting.
The amulets of Luang Phu Nak are also a perfect reference material for the study of Muan Sarn Sacred Powders of the Wat Rakang Kositaram amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri, due to the presence of large quantity of original Pra Somdej Somdej Pra Puttajarn (Dto) Prohmrangsri within the sacred clay of Luang Phu Nak’s amulets.
Luang Phu Nak’s first edition of amulets was made in 2485 BE along with the Pra Somdej Song Taewada Ok Dtan, the Pra Somdej Sam Liam (triangle shape), and the Pra Somdej Dto Nang Borigam models.
The Pra Somdej amulets made by Luang Phu Nak contained a massive quantity of crushed up Pra Somdej amulets made by Somdej Dto Prohmrangsri of Wat Rakang.
The amulets were from a repository which Luang Phu Nak had collected over the years, from Looksit who brought their broken amulets to return to the Temple, as well as a sackful he found in the roof of the Prayer Room (‘Bote’ in Thai). They are thus the second choice of those wishing to posess the magic of Pra Somdej Wat Rakang LP Dto Prohmrangsri.
Luang Phu Nak believed that the Pra Somdej amulets made by Somdej Dto had inimitable magical qualities and special power within the Muan Sarn (sacred powder used to make the amulets), and because of the meditative power of Somdej Dto who blessed them.
Therefore apart from being made by one of Thailands great gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture, rendering them powerful through the incantations and Yantra Inscriptions of Somdej Pra Puttajarn (Dto) Prohmrangsri himself, through transmission of Muan Sarn Sacred Powders.
In our opinion, the only main difference between this amulet and an original Somdej Dto is the price, and the face that the Somdej Dto amulets are perhaps more of something to brag about, which is not really the intended reason for owning an amulet. Sacred Thai Amulets are intended primarily as Puttanussadti (remembrance and respect to the Buddha), especially Pra Somdej.
The surface of the amulet is smooth to touch, and shows authenticity through its dryness and the signs of aging when examined using the criteria used by experts for authentication of sacred ancient amulets. This exhibit has a very crisp and clear relief and is highly defined, which is referred to in the special vocabulary of the amulet community as ‘Nuea Graeng’, which is a more marble-like domino-dense admixture which despite dryness, tends to have a shiny ‘wet-look’ to it. The other main type of texture used in amulet communities is ‘Nuea Jad’ meaning something like ‘very crisp detailed relief’
This Pra Somdej, apart from being made by one of Thailands great Gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture too. This also makes complete sense, with Luang Phu Nak being a subsequent Gaeji Ajarn of Wat Rakang Kositaram, and a Looksit of Somdej Pra Puttajarn (Dto) Prohmrangsri.
Luang Phu Nak’s amulets are of great popularity because they are a great alternative to the original and extremely expensive Somdej Dto amulets, and are considered to be powerful and sacred through their use of the broken amulets and powders of Somdej Pra Puttajarn (Dto) Prohmrangsri, and the blessings of Luang Phu Nak.
The chances of owning an amulet like this are becoming less and less in recent years, and soon it will be practically impossible to obtain authentic old Wat Rakang amulets. There are ever more collectors and ever less amulets on the market, and there is no higher esteemed amulet than the Pra Somdej Wat Rakang Kositaram family. The amulets were made using the following ingredients
Powder from the chalk sticks used in the making of Pong Saksit (sacred powder for amulet making), Rice fragments kept by Luang Por Dto, the 5 Sacred Powders of; 1. Pong Putta Kun, 2. Pong Bpatamang, 3. Pong Trinisinghae, 4. Pong Maha Rach, 5. Pong Itti Jae Powder
The chalks used in the making of the Bpatamang, Trinisinghe Maharach and Itijae powders were mixed with sacred water that squeezed from the leaves of seven kinds of Thai plant including Bai Tamlueng , Yord Sawad, Yod Ga Hlong, Yod Raksorn,Chaiyapruek, Rachapreuk and Dork Mali (jasmine).
All of the ingredients of the Wat Rakang amulets were mixed with;
Nuea Pong (powder substances), Klee Saema (broken pieces of temple wall stones, Gaesorn Sut Bongot (pollen from the Bongot lotus flower), Kluay Nam Tai (a kind of Thai banana) mixed with sap from the rubber tree (Yang Madtum), Plueak Hoy (white clam shells), Nam Man Jantr (jasmine oil), Nam Man Dtang Iw (aromatic resinous oil used to congeal and cement the amulet mix with).
One hundred and eight kinds of flowers collected by LP Dto Prohmrangsri, Sacred powders and pollens (Pong Saksit), Pong Bpatamang – Klaew Klaad Kong Grapan, (protection from injury and accidents), Pong Puttakun – for great charm and avoid danger (Maha Sanaeh and Klaew Klaad magic), Pong Tri Ni Singhe – attractiveness…., Pong Maha Rach – power and respect.
Pong Itijae Powder – Metta Mahaniyom – this increases the likability of the wearer of this magic, Sacred Flowers and magical plants, Dork Sawad – Metta Mahaniyom, Sanaeh, Dork Gahlong – love charm., Dork Raksorn – love and metta, Dork Ga Fag Rak – love and attraction charm…., Dork Chayapruek – power and protection from danger, Dork Rachapruek – Amnaj and Klaew Klaad (commanding power and avoid accidents), Dork Waanangkurm -Kong Grapan Klaew Klaad, Dork Waan – Klaew Klaad, Dork Waan Sanah Junkhao – charm and protection from danger.
Dork Wan Sanah Jundum – charm and protection from danger, Dork Wan Sanah Jundang – charm and protection from danger, Dork Wannangkuak – charm, Waan Pra Buddha Jaoluang – charm and protection from danger, Bai Plu Ruam Jai – charm, Bai Plu Song Tang – charm and protection from danger, Pong Gaesorn Ha Bua – five lotus pollens, Kesorn 108 – charm and protection from danger.
The Bia Gae from the Luang Pu Bun lineage of Wat Klang Bang Gaew is regarded as one of the most eminent protective talismans in the Thai amulet tradition, with a long-standing history and deeply rooted faith extending from the past to the present. Its associated virtues are said to encompass the neutralization of misfortune, avoidance of danger, invulnerability, metta maha niyom (benevolent attraction), and protection against black magic, spirits, and malevolent entities.
For generations, devotees have carried Bia Gae as a personal protective charm. Among all variations, those coated with herbal sacred powders and the essence known as phaya mai phu (rotting sacred wood) are considered the rarest and most distinctive, and are especially revered by collectors nationwide. This example is a significant piece directly originating from the era in which Luang Pu Bun himself created and consecrated such amulets.
Lineage and Transmission of the Knowledge
Luang Pu Bun Kandhajoti (Pra Phuttha Withi Nayok), former abbot of Wat Klang Bang Gaew in Nakhon Pathom Province, was the pioneer who established and transmitted the complete knowledge of crafting Bia Gae until it became renowned throughout the Thai amulet world. His period of activity is generally placed between approximately 1897 and 1935. He learned the core method from Pra Ajarn Thong, and subsequently refined it into the distinctive Wat Klang Bang Gaew tradition. This lineage was later passed on to Luang Pu Perm, Luang Pu Juea, and other senior monks of later generations, continuing uninterrupted to the present day.
Physical Characteristics and Method of Construction
A Bia Gae coated with phaya mai phu powder is distinguished by several defining features. A natural cowrie shell is selected according to strict traditional criteria and used as the sacred vessel for containing consecrated substances. Inside, mercury is placed together with powdered phaya mai phu and carefully selected herbal powders, intended to enhance qualities of protection, metta maha niyom, danger avoidance, and defense against harmful forces. The exterior is sealed using traditional techniques involving the application of sacred powders and black lacquer, which both preserve the materials and reinforce the spiritual potency. Some examples bear yantra inscriptions or contain small takrut amulets to further augment their power, depending on the period and the individual hand of the master. The finished Bia Gae is typically bound with cord or encased using authentic materials, making it durable and suitable for being worn or carried on the person.
The ritual process for creating this group of Bia Gae strictly follows the traditional Wat Klang Bang Gaew formula. It begins with the careful selection of the shell, the ritual veneration and preparation of mercury, the inscription of yantra, and the coating with herbal and phaya mai phu powders. The amulets are then consecrated with sacred incantations to imbue them with both moral-spiritual power and esoteric force, in accordance with the ancient teachings handed down by generations of masters.
Attributed Virtues and Devotional Belief
Bia Gae from the era of Luang Pu Bun are considered among the highest forms of protective talismans for neutralizing misfortune and guarding against harm. Their attributed qualities include the removal of bad luck, the dispelling of black magic and inauspicious influences, and the transformation of adverse conditions into favorable ones. They are believed to confer invulnerability, protection from physical danger, spirits, and dark sorcery, while also promoting metta maha niyom and stabilizing one’s destiny. Devotees may carry the amulet on their person or enshrine it for ritual use, seeking protection, safety, and the enhancement of fortune.
Luang Phu Bun of Wat Klang Bang Gaew
Due to the continuity of faith across generations, examples created directly by Luang Pu Bun are regarded as possessing exceptional historical significance and very high collector value.
Importance and Collectible Value
The Bia Gae coated with phaya mai phu powder attributed to Luang Pu Bun holds importance in both devotional practice and the Thai amulet market. It is among the oldest known Bia Gae of the Wat Klang Bang Gaew lineage, produced during an early and now-rare period with substantial historical value. Many experienced and specialized collectors recognize this type as a legendary-class Bia Gae within the Thai amulet tradition.
Wat Klang Bang Gaew famous mainly with the Public for its great Master Luang Phu Bun, is an Ancient Temple in Nakorn Pathom. It is home to a Lineage History of 4 great Ordained Masters, 3 who have Passed On (Luang Phu Bun, Luang Por Perm & Luang Phu Juea), and the Current Master, Luang Por Kong (Sanya). Luang Por Sanya is proving to continue in the same Trajectory as his Predecessors, and has created a long History of Deeds and released a large Pantheon of Amulets in the Lineage tradition of his Mentors, Luang Phu Bun, Luang Por Perm and Luang Phu Juea.
The Wat Klang Bang Gaew Master Lineage is a fantastic choice for Hunters & Collectors of Fine Master Class Amulets. This is because the Amulets of this Temple, and its Masters, range from the present Day master Luang Por Kong (Sanya), back through Luang Phu Juea, Luang Por Perm, and on, to the Great Luang Phu Bun.
A powerful continued Lineage of Masters have brought Wat Klang Bang Gaew to the Forefront of both the Ancient and the Modern Amulet Scenes, stretching back to the times of Luang Phu Bun, through the Era of Luang Por Perm, and the Great Luang Phu Juea Bpiyasilo, to its present Abbot, Luang Phu Sanya (Kong).
The Somdej Wat Rakang Jaek Taan (First Edition, 2011): Origins, Significance, and Cultural Legacy
Thai sacred amulets (phra khrueang rang) hold profound religious and cultural importance in Thailand. These objects symbolize deep faith and are widely believed to confer blessings and protective qualities upon devotees who worship them. Beyond their spiritual role, such amulets have historically been instrumental in fundraising initiatives to support the maintenance and activities of Buddhist temples. In exchange for monetary or material donations, temples often bestow these amulets as tokens of gratitude. Over time, however, these objects have come to be regarded not merely as symbolic gifts but as items imbued with auspicious qualities capable of influencing various aspects of life. Moreover, it has long been a traditional practice to place amulets within the foundations of stupas or temple structures during construction. When these structures deteriorate over time, ancient amulets from past centuries are occasionally unearthed, further enhancing their historical and cultural significance. As such, Thai amulets are not merely religious artifacts but also enduring symbols of historical and spiritual heritage.
Among the various categories of Thai sacred amulets, the “Somdej” amulet stands out as one of the most revered and highly esteemed, often referred to as the “King of Amulets.” This type of amulet is intrinsically linked to the venerated figure of Somdej Phra Phutthachan (To Phrommarangsi) of Wat Rakang Kositaram, an influential and widely respected monk in Thai Buddhist history. Consequently, the Somdej amulet represents not only an object of devotion but also a confluence of cultural narratives, artistic craftsmanship, and the enduring legacy of one of Thai Buddhism’s most celebrated figures.
This report delves into the analysis of the Somdej Wat Rakang Jaek Taan (First Edition, 2011), an amulet of considerable interest among both devotees and collectors. The discussion encompasses its origins, the significance of its nomenclature, the revered monks involved in its consecration, the materials used in its creation, its defining characteristics, and its current relevance in the Thai sacred amulet community. By exploring these aspects, this analysis seeks to illuminate the cultural and spiritual value of the Somdej Wat Rakang Jaek Taan (First Edition, 2011) within the broader context of Thai sacred amulet traditions.
Understanding the Tradition of Somdej Amulets The Somdej amulet category is recognized as one of the most powerful and spiritually significant types of Thai sacred amulets. Often regarded as the pinnacle of amulet craftsmanship and faith, these objects are believed to have been created by Somdej Phra Phutthachan (To Phrommarangsi) of Wat Rakang Kositaram during the 19th century. Somdej To, as he is colloquially known, was born on April 17, 1788, and passed away on June 22, 1872. His legacy, particularly during the Rattanakosin period, has cemented his reputation as one of the most venerated monks in Thailand’s history. Revered for his spiritual powers and extensive contributions to Buddhism, his amulets remain highly sought after to this day.
Somdej To’s close association with the Thai royal family played a pivotal role in elevating his status and the prominence of the amulets he created. Historical accounts highlight his connections with King Rama II and his mentorship of Prince Mongkut, who later ascended the throne as King Rama IV. The royal patronage bestowed upon Somdej To enhanced both his personal reputation and the prestige of the amulets attributed to him.
Devotees widely believe that Somdej amulets possess profound spiritual power, granting blessings, protection from harm, and prosperity to those who carry them. These beliefs stem from the compelling accounts of Somdej To’s piety, meditation skills, eloquence in teaching Buddhist principles, and deep knowledge of the Dharma. These qualities have imbued his amulets with a sacred aura, drawing devotees and collectors alike to their symbolic and spiritual significance.
The original materials employed in the creation of Somdej amulets during Somdej To’s lifetime included powdered seashells, lime powder, and sacred “magic powders” (pong wises), among others. The incorporation of these materials creates a tangible connection between past and present, reinforcing the continuity of sacred traditions and practices. Consequently, Somdet Wat Rakang amulets are regarded as invaluable cultural and spiritual artifacts, commanding high respect and desirability in collector circles.
Analysis of the Name: “Jaek Taan (First Edition, 2011)” The name Somdet Wat Rakang Jaek Taan (First Edition, 2011) comprises several key elements that provide insights into its origin and purpose. The term Somdet denotes the specific category of amulet closely associated with Somdet Phra Phutthachan (To Phrommarangsi). The phrase Wat Rakang refers to Wat Rakang Kositaram, a historically significant temple in Bangkok that shares a profound connection with Somdet To.
The phrase Jaek Taan translates to “distribution of offerings” or “charitable giving,” highlighting the altruistic intent behind the creation of this amulet. This term suggests that the amulet was produced as part of a charitable initiative, likely distributed to donors who supported temple activities or other philanthropic projects. The inclusion of Jaek Taan in the name emphasizes the amulet’s role in promoting generosity and the accrual of merit, core principles in Buddhist practice.
The designation “First Edition, 2011” specifies that this amulet represents the inaugural release of its particular design or series, produced in the Buddhist year 2554 (2011 CE). First-edition amulets often hold special significance for collectors, symbolizing the commencement of a new series or tradition. The explicit reference to its first edition reinforces the unique status and authenticity of this specific amulet, enhancing its appeal within the sacred amulet community.
The Historical Significance of Wat Rakang Kositaram
Wat Rakang Kositaram, located in Bangkok, boasts a history that dates back to the Ayutthaya period. Originally known as Wat Bang Wa Yai, the temple underwent significant restoration and was elevated to the status of a royal temple during the reign of King Taksin the Great. Later, under the rule of King Rama I, the temple gained its current name, which translates to “Temple of the Bells,” after the discovery of a melodious bell on its grounds. The bell was relocated to Wat Phra Kaew, and five new bells were gifted to Wat Rakang, solidifying its name and historical identity.
Wat Rakang holds immense significance in Thai Buddhist history, particularly as the residence of Somdet Phra Phutthachan (To Phrommarangsi) during his tenure as abbot from 1852 to 1872. This period, often referred to as the temple’s golden age, marked the widespread recognition and reverence of Somdet amulets. The enduring association of Wat Rakang with Somdet To has cemented its status as a focal point for the tradition of Somdet amulets and its cultural legacy.
The Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K and the Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo
The Pra Somdej amulets created by the renowned Thai Buddhist monk Luang Por Pae are among the most revered and sought-after sacred objects in Thailand. Two particularly iconic examples are the Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K and the Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo. These amulets are highly prized by both devotees and collectors for their spiritual significance, historical value, and exquisite craftsmanship.
The Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K is an exceptionally rare and valuable amulet within the Pra Somdej master class category. This amulet is distinguished by its unique “Pim Gammagarn” design, featuring an arched image on the reverse side and the inclusion of three Takrut (sacred scrolls) made of bronze, silver, and gold. The use of the sacred “Sai Rung” (Rainbow Powders) in its creation further enhances its spiritual potency and desirability.
Luang Por Pae’s Pra Somdej amulets are renowned for the “Pong Puttakun” (Buddha Powders) that rise to the surface, leaving a fine layer of white mildew that reveals the empowerment and purity of the monk’s practice. This Pra Somdej Sai Rung 9000 Edition amulet is no exception, with its distinctive appearance and the spiritual energy it is believed to possess.
The Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo is another highly prized amulet in the Luang Por Pae collection. This amulet features the classic Pra Somdej design, with the seated Buddha image on the obverse and the inclusion of three Takrut (one each in bronze, silver, and gold) on the reverse. The “Ongk Kroo” or “Master Class” designation further enhances the amulet’s spiritual significance and value.
The Pra Somdej Pae 2000 Edition is considered one of the rarest and most sought-after among Luang Por Pae’s creations, along with the 1000 and 4000 Editions. These limited-edition amulets were produced with great care and attention, using the sacred “Pong Puttakun” (Buddha Powders) and other rare and powerful materials.
Luang Por Pae’s dedication to his craft extended beyond the creation of the amulets themselves. He is said to have spent three years blessing the final set of Pra Somdej amulets before his passing in 2523 BE, imbuing them with even greater spiritual power and significance. This final edition of amulets has become particularly rare and highly valued by devotees and collectors alike.
The Pra Somdej Sai Rung 9000 Edition and the Pra Somdej Pae 2000 Edition are not only revered for their spiritual efficacy but also for their historical and artistic value. These amulets are considered part of the “Benja Pakee,” a set of five national amulets representing different regions of Thailand, further highlighting their cultural significance.
The Pra Somdej Sai Rung (Rainbow Powders) Pae 9000 Edition 2536 BE Gammagarn Takrut 3K and the Pra Somdej Pae 2000 Edition BE Ongk Kroo Takrut Ngern Koo are two exceptional examples of the revered Pra Somdej amulets created by the legendary Thai Buddhist monk, Luang Por Pae. These amulets are highly prized for their spiritual power, historical importance, and artistic craftsmanship, making them treasured possessions among devotees, collectors, and those seeking to connect with the rich Buddhist heritage of Thailand.
One of the top Look Om of all Time; the Immortal Look Om Jet Paya Chang Sarn, of Luang Por Ding (Wat Bang Wua, Chachoengsao), in Nuea Dam Black Prai Powders and Gold Leaf coating, from the ancient times Abbot of of Wat Bang Wua: Luang Por Ding. LP Ding was highly renowned in his day, for his Palad Khik Ling Jab Hlak Vanora Monkey animist charms, and for his Sacred Powder Look Om wishing balls, made from his legendary Pong Ya Jet Paya Chang Sarn substance.
The Sacred Jet Paya Chang Sarn Muan Sarn Sacred Powders were made from the Klai Pra Chedi (pieces of the ancient Chedi Stupas of 7 Temples), Klai Sema (ground up pieces of temple boundary stone) of 7 Temples, Pieces of stone from 7 Uposatha Shrinerooms, mixed with Pong Ittijae, & Pong Maharaj Yantra Powders.These substances were ground up in a mortar with incantations and molded into Look Om Sacred Powder Balls, of small size
The Look Om Jet Paya Chang Sarn of Luang Por Ding is noticeably dense and hard, for Luang Por Ding would let them harden first, and would mix the powders with Rak Herbal Lacquer resins. Some Look Om would be covered in gold leaf, and some would be left bare black colour.Luang Por Ding would keep the Muan Sarn Sacred Powders and the Look Om he had made for a long time in his Kuti Hut to empower them, and would only release them when he was completely certain of their power.
Luang Por Ding would release the Look Om to his devotees during temple ceremonies, and on his birthday celebrations.The Look Om Jet Paya Chang Sarn is spoken of in the Legend of the Great ‘Suea Khaw’ Invincible Gangster, who was a Looksit of Luang Por Ding. Suea Khaw maintained that he survived throughout the years of his gunmanship because of the Look Om Paya Jet Chang Sarn, which stopped many bullets from piercing his skin and killing him over the years. It is said to have given Suea Khaw the strength and imposing aura of invincibility, to overcome all his enemies.
The Look Om gained the name of ‘Jet Paya Chang Sarn’ because of its legendary power to increase the stamina and strength of the devotee over his or her adversaries. It is said that the wearer of the Look Om Jet Paya Chang Sarn is endowed with the strength of the Paya Chang Sarn Battle Elephant. The Look Om is said to both Protect against all Dangers, and Endow the wearer with Commanding Power and Strength. Suea Khaw was a Gangster who was reputed to have defeated and killed over 100 of his competitors, and who had a reputation for his bravery and strength. Because his sole chosen amulet of protection and power was the Look Om Jet Paya Chang sarn, and the fact that nobody cold defeat him or kill him, was the reason for Luang Por Ding’s Look Om Jet Paya Chang Sarn becoming so Legendary.
But one day, Luang Por Ding told Suea Khaw that he was too violent and that if he did not give up being a gangster, then he would surely encounter a violent and premature death. Suea Khaw had become very overconfident because no knives were able to penetrate his skin, and guns would not fire when aimed at him. Because of the invincibility which Suea Khaw had been enjoying, Suea Khaw did not listen to Luang Por Ding’s warnings.
One day the Police Force special missions unit came to Wat Bang Wua to ask Luang Por Ding if it was true that Suea Khaw possessed ‘Hnang Hniaw (‘sticky skin’. a term meaning a person with Kong Grapan Chadtri Magic). Luang Por Ding admitted that it was true that Suea Khaw possessed Protective Magic, and that he was not able to be killed with knives or guns. But Luang Por Ding added that Suea Khaw would fall prey to his own Karma without need of guns or knives, because he refused to listen and change his ways. Luang Por Ding added “I cannot tell you though, by which way the gangster Suea Khaw can be killed, for it would break my Precepts”.
But at this moment, one of the Samanera Novice Monks was listening and butted in to say to the Police “If you want to kill Suea Khaw, you have to use a bullet that has the head of the bullet cast from metal taken from the blade of a Mitmor spirit knife from Luang Por Soke (Wat Pak Klong)”.
Luang Por Soke was a colleague of Luang Por Ding and holder of the same Lineage Wicha, and would inscribe the Wicha of Luang Por Ding onto the Blades of his Mitmor. Some time later the Police caught Suea Khaw and he was sentenced to death, and was executed by Government Executioner, using Bullets cast from the blade of a Mitmor of Luang Por Soke.
Luang Por Ding was renowned for his expertise in the Wicha Hanuman and other Vanora Monkey Deities. He personally blessed numerous hand-carved talismans, with the most skillfully crafted ones being the most sought after. Luang Por Ding is also connected to the Cow symbol, stemming from the name of his temple, Wat Bang Wua. His Look Om Jet Paya Chang Sarn is highly regarded and is considered a powerful amulet for Kong Grapan Chadtri Maha Ud Klaew Klaad.
Luang Por Ding, was a Great Master of the Wicha Hanuman, and all Vanora Monkey Deities, for which he was extremely famous. He blessed many inimitable hand carved talismanic amulets (Krueang Rang), made from artisans of varied levels of skill, with of course the most masterfully carved attaining the highest level of preference. His Look Om Jet Paya Chang Sarn, by general consensus, to be one of the top Look Om of all Time and is also a high ranking amulet in the annals for Kong Grapan Chadtri Maha Ud Klaew Klaad Power.
The Look Om Jet Paya Chang Sarn amulet of Luang Por Ding, released in the Thai Buddhist Era of 2480 BE, was made using a traditional method of infusing sacred powder, which is believed to possess spiritual and protective properties.
The powder was collected from rare and magical forest herbs, earths, and sacred materials over decades of Tudong forest wandering, along with the ubiquitous pieces of the ancient Chedi Stupas of 7 Temples, Klai Sema,stone from 7 Uposatha Shrinerooms, mixed with Pong Ittijae, & Pong Maharaj Yantra Powders and meticulously prepared over time, performing incantations constantly throughout, often through a long and intensive process, and is infused with prayers and blessings. The resulting amulet, known as a Luang Por Ding Thai Sacred Powder Wishing Ball, is a powerful and meaningful symbol of faith and spirituality for many Buddhists around the world.
Rare Pid Ta Hlang Baeb Nuea Pong Puttakun Amulet by Luang Phu Kaew Early Era Kruea Wan Wat Collectible
The Pra Pid Ta Hlang Baeb of LP Kaew, Wat Kruea Wan temple, is a rare and exceptional amulet that showcases the mastery of the esteemed monk, Luang Por Kaew. This ancient amulet is made from a unique blend of sacred powders, known as Nuea Pong Wised, which is composed of five special magical Yantra Powders (Bpathamang, Puttakun, Trinisinghae, Ittijae, Maharach). These powders are believed to possess powerful spiritual properties that can bring blessings, protection, and good fortune to the wearer.
The intriguing history of this amulet is deeply rooted in the time when Luang Por Kaew was a revered monk in the serene landscapes of Chonburi Province. This was during the remarkable era of 2365 BE, a period that holds immense significance in Thai history. It was a time when Pra Jao Thaksin Maharaj was courageously leading the movement to reclaim Siam’s freedom from invaders.
The amulet, a remarkable artifact, is believed to have been created and empowered by Luang Por Kaew himself. The creation process was not a simple one. It involved a meticulous ritual that called for the invocation of potent spiritual entities. The ritual was a complex one, requiring a deep understanding of the spiritual realm and a profound connection with the sacred. The amulet is said to have been infused with these sacred powers, making it a unique and spiritually charged artifact from a significant period in Thai history
The Pra Pid Ta Hlang Baeb Wat Kruea Wan is not only a beautiful and well-preserved example of Luang Por Kaew’s work, but also a tangible piece of Thai history that speaks to the enduring power and significance of Buddhist amulets. It is a testament to the skill and mastery of Luang Por Kaew, who is widely regarded as one of the greatest amulet makers in Thai history. This amulet is truly a rare and exceptional piece that is worthy of reverence and admiration.
The Pra Pid Ta Luang Phu Gaew is a highly sought-after and highly regarded amulet among collectors and devotees of Thai amulets. Its reputation is so esteemed that when it changes ownership, it is considered noteworthy within the amulet community, regardless of when it was created, either during Luang Phu’s time at Wat Pak Tale or after he moved to Wat Kruea Wan.
The exquisite Pra Pid Ta Luang Phu Kaew amulet radiates a captivating glow, enhanced by the unique ‘Nuea Graeng’ marbling effect. This distinctive feature is a result of the sacred Muan Sarn powders used in its creation, which contract and dry over time, creating intricate surface cracks that give the amulet a one-of-a-kind appearance. The amulet’s intricate details, slender build, and high level of craftsmanship make it a truly exceptional specimen of the Pra Pid Ta Luang Phu Kaew. The amulet’s powerful sacred clay composition is imbued with the Kong Grapan, Klaew Klaad, Metta Mahaniyom, and Maha Lap properties, which are attributed to the esteemed monk who created it.
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These properties are believed to bring blessings, protection, and good fortune to the wearer, making the amulet a highly sought-after object among devotees. The amulet’s sacred clay is said to have been mixed with the monk’s own tears and sweat, imbuing it with his spiritual energy and intentions. The Pra Pid Ta Luang Phu Kaew amulet is a rare and precious object, with only a limited number of them available. It is said that each amulet is imbued with the monk’s own unique energy and intentions, making it a truly personal and powerful object of spiritual significance. The amulet’s intricate details and unique marbling effect make it a truly exceptional piece of craftsmanship, and its sacred clay composition makes it a powerful tool for those seeking blessings, protection, and good fortune.
The Pra Pid Ta of Luang Phu Gaew is an all-time classic ancient amulet renowned for its power and status. This rare and highly sought-after amulet is from the legendary Wat Pak Tale in Petchburi, later moved to Wat Kruea Wan in Chonburi. It is considered the number one Pidta amulet of all time by devotees of the Chonburi Lineage Master Amulet Collector Scene and those devoted to the Petchburi Masters. This true Master Class piece is incredibly difficult to encounter in the present era, making it a true treasure for those who seek it.
Luang Phu Gaew is a highly revered and sought-after Thai Buddhist monk, and one of the rarest and most valuable amulets in existence. There is only one known photograph of him in existence, which dates back to Ratanakosin Year 124 (2449 BE), when he was 55 years old. This photograph is a rare and precious artifact, and it is considered a great honor to possess it. The world-renowned Payak Kampant, Sian pra Maestro of the Thai Amulet Society, has written a book featuring 108 biographies and pictures of great master monks, but he was unable to include the biography and picture of Luang Phu Gaew due to the rarity of these items.
This reveals the extreme scarcity of any artifacts related to Luang Phu Gaew, and the high esteem in which he is held by Thai Buddhists. The photograph of Luang Phu Gaew is a black and white image that shows him sitting in a formal pose, wearing the traditional robes of a Thai Buddhist monk. His face is serene and peaceful, and his eyes are closed in deep contemplation.
The photograph is mounted on a red background, and it is surrounded by intricate gold filigree. The overall effect is one of great dignity and reverence, and it is clear that this photograph is a treasured possession of the owner. The rarity of this photograph is due in part to the fact that Luang Phu Gaew was a reclusive monk who shunned publicity and avoided being photographed. He was known to be a powerful and influential figure in Thai Buddhist circles, but he preferred to keep a low profile and focus on his spiritual pursuits.
Luang Phu Gaew Wat of Pak_Tale (Later Wat Kruea Wan)
As a result, there are very few photographs or other artifacts that exist from his lifetime, making the one photograph that does exist all the more precious and valuable. Overall, the photograph of Luang Phu Gaew is a rare and valuable artifact that provides a glimpse into the life and teachings of this highly respected Thai Buddhist monk. It is a treasured possession of the owner, and it is a testament to the enduring legacy of Luang Phu Gaew and his teachings.
Pra Nang Paya Nuea Khamin Sek Dtid Gesa Luang Por Dtat; A Rare and Sacred Benjapakee Amulet
In the heart of Thai Buddhist history lies a treasure that transcends time, carrying with it the essence of spirituality and revered wisdom. The Pra Nang Paya Benjapakee amulet, this exhibit being the first edition Pra Nang Paya amulet, by the venerable Luang Por Dtat of Wat Chai Na in the auspicious year 2543, is a perfect example of the sacred craftsmanship and spiritual significance deeply embedded in Thai culture. Craftedand empowered by the esteemed Luang Por Dtat of Wat Chai Na in the auspicious year 2543 B.E., the Pra Nang Paya amulet emerges as a petite yet powerful symbol of prosperity and elevated status.
At the core of this remarkable amulet is a meticulously concocted blend of Sacred Turmeric Powder, known locally as “ผงขมิ้น,” meticulously mixed with the revered hairs (“Gesa”) of the Great Monk Luang Por Dtat. This amalgamation, a fusion of sacred elements, holds a profound spiritual energy that resonates with the devotees and collectors alike.
The triangular shape of the amulet, bearing the iconic seated Buddha imprint on the front in a Māra Vijaya posture (Calling Dharani Goddess by touching the earth with his hand, to witness his Merits as higher than those of the Māra), serves as a visual testament to the divine craftsmanship. On the reverse side, the imprint features a prominent devotee at the top, followed by the characters “ธาตุ๔” (Na, Ma, Pha, Tha), and beneath them, the inscription “หัวใจพระเจ้าห้าพระองค์, แม่ธาตุใหญ๋” (Na, Mo, Phut, Tha, Ya).
Beyond its aesthetic allure, the Pra Nang Paya amulet is infused with the spiritual virtues of compassion, popularity, success in business, and protection against adversities. Devotees believe that the amulet holds the power to guide them through life’s challenges, evoking a sense of mettā (loving-kindness) and overcoming obstacles with grace.
This sacred charm intertwines Sacred Turmeric Powder, locally known as “ผงขมิ้น,” with the revered hairs (“Gesa”) of the Great Monk Luang Por Dtat. The result is a potent blend of sacred elements, resonating with devotees and collectors alike.
While the amulet features a small triangular shape with a seated Buddha imprint on the front, its name, “Nang Paya,” is a nod to its size and reputation. Traditionally associated with women, this amulet serves as a conduit to heightened luck, success, and elevated status, akin to becoming a “Nang Paya” — a lady of high regard.
On the reverse side, the amulet boasts an imprint featuring a prominent devotee, characters “ธาตุ๔” (Na, Ma, Pha, Tha), and the inscription “หัวใจพระเจ้าห้าพระองค์, แม่ธาตุใหญ๋” (Na, Mo, Phut, Tha, Ya). Beyond its visual appeal, the Pra Nang Paya amulet is renowned for its ability to attract wealth, business success, and provide protection. Devotees believe that wearing this amulet guides them through life’s challenges, fostering mettā (loving-kindness) and helping overcome obstacles gracefully.
The intentional inclusion of Great Monk Luang Por Dtat’s hairs adds a unique dimension, creating a channel for Gurunussati — a profound remembrance of the Guru — strengthening the wearer’s spiritual connection. Owning the Pra Nang Paya amulet is an invitation to connect with Thai Buddhist heritage, a symbol of prosperity and spirituality. Its rarity and sacred essence elevate this amulet to unparalleled significance. Wear it with reverence, allowing the Pra Nang Paya to guide you towards prosperity, success, and a life of elevated status.
Kata Maha Ud Luang Por Dtat
Na Ud Mō Ad Na Mō Put Tā Yad Dtan Eu U Sa Ha Sa Bpa Sa U
A Ni Tas Sa Na Ab Bpa Dti Kā
A Ni Tas Sa Na Ab Bpa Dti Kā Dtā
A Ni Tas Sa Na Ab Bpa Dti Kā Dtā Ya
Na Mō Put Tā Ya Na Ma Pa Ta
Then Pray to the Takrut with the Following;
Puttang Ārātanānang Tammang Ārātanānang Sangkang Ārātanānang Agkhara Yandtang Ārātanānang Pra Put Ta Kun Nang, Pra Tam Ma Kun Nang, Pra Sang Ka Kun Nang Bpidtā Kun Nang Mādtā Kun Nang Krū Ājariyākunnang
Putta Būchā Bpādti Hārō Agkhara Yandtang I Dti Wi Sē Sa Bpa Dti Rūbpang Imang Gāya Pan Ta Nang A Ti Thā Mi
Luang Por Dtat of Wat Chai Na Empowering amulets in his alms bowl
The Pra Kam Khaw amulet is an inimitable Thai Buddhist amulet that has become world-famous due to its association with LP Lersi Lingdam, an Arya Sangha Guru Master of Wat Ta Sung. Luang Por Ruesi Lingdam was not only a renowned Buddhist but also a master sorcerer, who worked with the great Luang Por Parn of Wat Bang Nom Kho.
The Pra Kam Khaw amulet is the most well-known amulet associated with LP Lersi Lingdam, and is widely believed to possess miraculous powers. The first edition of Pra Kam Khaw amulets was made in 2533 BE, and consisted of 10,000 amulets. The amulets are famous for their strong power of Lap Sakkara (honorable status, promotion, and wealth), as well as their powers of Metta, Klaew Klaad, and Kong Grapan. The Pong Puttakun (sacred powder) is visibly risen to the surface, making it recognizably authentic.
LP Lersi Lingdam’s Mastery of Muan Sarn
LP Lersi Lingdam was a master of Muan Sarn, the process of creating sacred powders, and was known to make Buddha statues from powdered dried rice from his alms bowl. According to LP Lersi Lingdam, Luang Por Parn advised him to keep the first handful of the most delicious meals and empower them with incantations. Luang Por performed this for four months, constantly keeping and empowering the dried rice wherever he travelled.
Even if he came to Wat Ta Sung, he had to keep the first handful of the meals and store the Muan Sarn because the Wicha only works if the rice is kept for a period of three months of daily collection. If a single day is left out, the Wicha does not work. When the period of three to four months was finished, Luang Por Parn used the Muan Sarn to grind into sacred powders and built a Buddha statue for the shrine room where the monks would pray together.
Sacred Powers of the Pra Kam Khaw Amulet
The Pra Kam Khaw amulet comes in its original box and condition from the temple of Wat Ta Sung. These amulets are highly sacred, and believed to possess miraculous powers. LP Lersi Lingdam’s amulets are seen as a total surety for a definite result, due to the true and pure practice and dedication of this Olden Days Buddhist Guru Master, whose teachings have led so many lay devotees and ordained Monks to a higher understanding of the Dhamma.
His Abhinyā powers are irrefutable by Thai Buddhist people. The Pra Kam Khaw amulet is a must-have for any devotee of LP Lersi Lingdam and is widely believed to bring protection, wealth, and good fortune to those who wear it.
Free Express Shipping is included with this item. Apart from being so highly regarded for their powerful Metta Maha Niyom and Maha Lap, of the highest power of all Pid Ta, the Pid Ta of Luang Phu Gaew are considered to be the top Pra Pid Ta amulet in Thailand, which carries one of the highest prices within its Genre.
Luang Phu Bun
