The lineage of the Wicha Pong Prai Kumarn finds its most potent expression through the lives and works of Luang Pu Tim Issarigo of Wat Laharn Rai and his primary disciple, Luang Por Sakorn Manunyo of Wat Nong Grub. Luang Pu Tim, a master of Rayong Province, became world-renowned for his mastery of Thai Buddhist occultism, specifically the creation of sacred powders and the “Pat Boke” or Fan Waving Art, which is a high-level form of Metta Mahaniyom (mercy and attraction magic). His expertise in crafting Prai Kumarn powder—a substance derived through complex necromantic rituals involving the spirits of children—set a benchmark in the amulet world that remains unsurpassed.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim 2505-2515 BE
Luang Pu Tim’s spiritual path involved rigorous training under several masters, including Luang Por Graat of Wat Chak Gor Pai. Through these studies, he mastered the esoteric arts required to create the Phra Khun Phaen Pong Prai Kumarn amulets, which are now among the most sought-after and expensive artifacts in the Thai amulet market. These amulets are believed to possess extraordinary protective qualities and an immense power to enhance the wearer’s charisma and fortune.
The transmission of this sacred knowledge was not granted lightly. Luang Por Sakorn Manunyo, as the Looksit Aek or prime apprentice, was the individual entrusted with the complete formulas and secret incantations of Luang Pu Tim’s lineage. Luang Por Sakorn’s journey began under Luang Por Pheung of Wat Nong Bua, where he learned the foundations of sacred craftsmanship. However, it was his time at Wat Laharn Rai that defined his destiny.
Luang Pu Tim recognized the potential in Luang Por Sakorn and provided him with intensive training in the creation of Pong Prai Kumarn. At Luang Pu Tim’s specific recommendation, Luang Por Sakorn also sought further advanced training with Luang Pu Hin at Wat Nong Sanom to master the Ruesi traditions and mystical sciences, ensuring a well-rounded foundation in the occult arts.
The relationship between the two monks was one of deep trust and spiritual inheritance. Luang Por Sakorn was not merely an assistant but a successor who was given the authentic Prai Kumarn powders inherited directly from Luang Pu Tim. This inheritance allowed Luang Por Sakorn to continue the tradition of creating powerful Phra Khun Phaen amulets after Luang Pu Tim’s passing.
Khun Phaen Prai Kumarn LP Sakorn 2546 Wan Dok Thong
Below; Luang Phu Tim Issarigo, or, ‘Pra Kroo Pawanapirat’, was born on the 16th May 2422 Buddhist Era, This was during the time of King Rama 5. Luang Por Tim was born in Ban Hua Tung Ta Budtr in Tambon Lahan, in Ban Kaay Municipality of the Province of Rayong. LP Tim lived to the age of 96 years old, when he passed away on 16th October in the year 2518 BE, with 69 years of ordained life behind him.
Uncovering the history of the Phra Khun Phaen series reveals that Luang Por Sakorn’s reputation was firmly established in 2530 BE with the release of his first Phra Khun Phaen Pong Prai Kumarn amulets. These were produced in both small and large molds, utilizing the authentic powders from his master.
Pra Khun Phaen Pong Prai Kumarn Long Pim (Block 2 Sao Khad) Luang Phu Tim
These amulets often featured metal Takrut—sacred scrolls inscribed with spells—made of gold, silver, or copper, and were infused with sacred oils and floral essences. The ritual process for creating these powders is incredibly complex, involving the transformation of raw spiritual energy into a stabilized, benevolent force that aids the devotee.
The Phra Khun Phaen (Pong Prai Kumarn) – Nong Bua Klee Model, produced between 2543 and 2544 BE, stands as another significant example of Luang Por Sakorn’s mastery. These objects are cherished by collectors not just for their aesthetic value but for the documented miraculous experiences shared by devotees over many decades. The amulets are characterized by a rich texture and a profound spiritual energy that reflects the rigorous consecration methods of the Wat Laharn Rai lineage.
While Luang Por Sakorn is the most famous successor, other monks such as Luang Phu Sin of Wat Laharn Yai, Luang Por Rat of Wat Pha Hwaay, and Pra Ajarn Somkid of Wat Beung Tata also carry forward aspects of Luang Pu Tim’s Wicha. However, it is Luang Por Sakorn who is most widely recognized for maintaining the purity and potency of the original Pong Prai Kumarn formulas.
The study of these masters and their sacred objects provides a look at the intersection of Buddhist philosophy and the ancient Thai occult traditions. The amulets serve as physical vessels for the Wicha, representing a lineage of knowledge passed from teacher to student through years of dedicated practice and spiritual discipline.
Much more information on Luang Pu Tim, Luang Por Sakorn, and the intricacies of Pong Prai Kumarn can be found on the websites of Ajarn Spencer Littlewood, who has authored extensive documentation on these subjects. I recommend visiting ancientamulet.com, thailandamulet.net, buddhamagic.net, dharmathai.com, and sak-yant.com for further research into the biographies of these great masters and the catalogs of their sacred amulets.
Pra Khun Phaen
Classic Masterpiece Pra Khun Phaen Amulets from Thailands Greatest Guru Masters of History.
One famous story tells of how Luang Phu Nak’s devotees would notice that even buffaloes would cower in fear when they passed by, sensing the powerful magic of the Takrut Hnaa Bpaag Suea. This anecdote has become a testament to the amulet’s potency and Luang Phu Nak’s exceptional spiritual powers.
The Takrut Hnaa Bpaag Suea of Luang Phu Nak, Wat Arun, is a legendary amulet that has captured the hearts and imaginations of collectors and enthusiasts around the world. Its exceptional powers and benefits, combined with its rarity and historical significance, make it a truly unique and valuable talisman. This also reminds us of the importance of preserving the cultural heritage and spiritual traditions of Thailand, and the enduring legacy of Luang Phu Nak, a true master of the ancient Wicha, and grimoires of mystical arts.
