Ancient Amulet Classics amulet blog series presents The Pra Pim Pra Put Prajam Wan Hlang Yant Trinisinghae Birthday Buddha amulet for your study. The Pra Pong Pim pra Prajam Wan Hlang Yant Trinisinghaem is one more sacred and rare Pim of the pantheon of amulets of Luang Phu To (Wat Pradoo Chimplee), which is very seldom seen, and was part of the 2521 – 2523 BE three year Traimas empowerment ceremony, which came to be Luang Phu To’s most famous blessing ceremony, and which spurned some of the most preferred classic Pra Niyom category amulets within the scene.
The Pra Pim Pra Put Prajam Wan amulet was created by Luang Phu To in the shape of a Bodhi Leaf, inspired by the time he went to India and meditated under the Bodhi tree where the Buddha is said to have become enlightened. only 10,412 amulets were made in two different kinds of Muan Sarn Sacred Powders; Nuea Bailan, and Nuea Gesorn.
Pra Prajam Wan Luang Phu To Wat Pradoo Chimplee Traimas Nuea Bailan
This amulet is shaped in the form of a Bodhi Leaf, and pressed from Black Bailan Powders, mixed with Gesorn Pollens, and has the image of a Buddha in Meditation on the front face (Thursday Buddha), with the sacred Yant Trinisinghae on the rear face, which is reputed to be one of the most powerful sacred Yantra spells in the Dtamra Yant 108.
Luang Por To, of Wat Pradoo Chimplee, was a Master who gained the respect and reverence of the Royal Family, and especially his Majesty King Bhumipol Adulyadej (Rama 9), and whose attaimnents both in the academic field of Pariyatti and of the on hands practice of Patipatā, were exceptional.
His powers and blessings were, and still are considered amongst the most powerful, along with the other greats such as Luang Phu Sukh ( Wat Pak Klong Makham Tao), Luang Por Vheun (Wat Mab Kha) Luang Por Parn (Wat Bang Nom Kho), Luang Phu Tim (Wat Laharn Rai), Luang Por Jong (Wat Na Tang Nork) and so many others.
Presenting another rare featured Ancient Amulet, the Dtua Por Pan Pitsadarn ‘Wierd Letter P’ Wicha Luang Phu Taep Loke Udorn; The Dtua Por Pan Pitsadarn wierd letter P of Luang Phu Yen, of Wat Sra Bprian(2445 BE – 2539 BE), is empowered with the Wicha of Luang Phu Taep Loke Udorn. The Dtua Por Pan Pitsadarn is an Ancient Animist Talisman from one of the great Olden days Guru masters of the Chainat Province. The Por Pan Pitsadarn of Luang Phu Yen is Inimitable, and an All Time Historical Classic, renowned for its Immense Puttakun Power.
Dtua Por Pan Pitsadarn by Luang Phu Yen, of Wat Sra Bprian (21/3/2445 BE – 12/5/2539 BE)
It is said, that Luang Phu Taep Loke Udorn gave the method of making this Spell to Luang Phu Yen, who then shared it with his friend Luang Phu Yai, who passed it then onwards to both of their Looksit respectively, on to reach the current Wicha Holder, Luang Por Tong.Luang Phu Yen was a very famous Master for his Powerful Hun Payont effigies, which he would make in the shape of a Thai letter ‘P’ (Por Pan).
The Hun Payont Por Pan Pitsadarn is empowered with the Lineage blessings of Luang Phu Taep Loke Udorn and prayer to the Hun Payont Por Pan Pitsadarn will call the miracle powers of the Great Master down through the lineage and emanate from the amulet.One should ask both Luang Phu Yen and Luang Phu Taep Loke Udorn for the blessings you wish when praying.
The Por Pan Pitsadarn is a type of Hun Payont Effigy of the ‘Say Bon’ veriety (higher path – sai lang and say bon are the lower and upper paths, meaning white, or black magic). The meaning of the Por Pan effigy is ‘Triple Gem’ of Buddha, Dhamma and Sangha. It is therefore not simply an Animist Charm, but is in fact a Buddhist Sacred Artifact of the New Era.
The Por Pan Pitsadarn emits Countless Magical Properties, including Klaew Klaad, Kong Grapan, Maha Lap, Metta Mahaniyom. The letterPstands for ‘Por’ (father) and the great father of all Buddhists is of course the Lord Buddha.
Kata Bucha Por Pan Pitsadarn
Por Jong Maa Prode Look Kon Nee Hai Khao Kin Im Non Hlab
Por Jong Maa Prode Look Kon Nee Khao Ja Ao Arai Gor Khor Hai Chuay Khao Som Pratanaa
Pra Jao Por Jong Maa Prode Look Kon Nee Putta Dtaechaena Kwaam Dai Yaa Hai Thook Bpadtisaewaami
Presenting a fully authenticated and Pristine Exhibit of the Pra Khun Phaen 15 Block 2 Amulet series of Luang Phu Tim Issarigo (Wat Laharn Rai), in Nuea Hlueang Golden Yellow Powders, consisting of Pong Paya Wan Dork Tong mixed with Pong Prai Kumarn powders with blesséd sticky rice, and double Takrut Sariga Koo in rear face.
The Khun Phaen is a Pim Yai Nuea Hlueang Fang Takrut sariga Koo Pim Niyom and comes with A4 size certificate of Authenticity from the Luead Baan Kaay Luang Phu Tim Amulet Appreciation Society, with the signature of its President, Doctor Ajarn Pisek Sri Sawad.
This exhibit is particularly attractive for its pristinely well preserved fieatures and clear cut detailed relief, with the classic appearance of Dork Tong Herbal powders with the marbled stonelike texture which arises from the mixture of Pong Prai Kumarn bone powders, and Khaw Hniaw Sukh blessed sticky rice.
In the gallery below, you can enjoy some closeup views of the Muan Sarn Powders and the various visual aspects within the sacred Clay
Pra Pid Ta Pong Athi (Pra Pid Ta Graduk Phii) – Pra Ajarn Hnoo, Wat Po Ta Dtian (Wat Chetupon)
The legendary Pra Pong Athi (Graduk Phii) amulet of Pra Ajarn Hnoo Wat Po Ta Dtian became famous during the second world wartime as a powerful protector against deadly dangers, and has remained famous to this day. It was during the second world war and Indo-Chiina wartime era that many powerful sorceror monks in Thailand began to come out and create amulets to distribute to soldiers and the common folk, to protect them against the deadly dangers of wartime. In that time, the Japanese were occupying Thailand as ‘forced allies’, and so Thailand was being bombed by the allied nations, who were attacking the Japanese military installations. Very often bombs would miss the Japanese target, and hit a local village instead,n and innocent Thai people were killed. And so it was in this era than we came to see amulets like the Pra Pid Ta Pong Graduk Phii come into existence.
Pra Ajarn Hnoo of Wat Po Ta Dtian (Wat Chetupon)
Pra Ajarn Hnoo was a Master Gaeji Ajarn who was known for his intensive practice and mastery of Vipassana Kammathana, and Khmer Sorcery. he would not socialise with other monks, and only his most fearless and devote initiates would dare to enter his Kuti Hut, for it was known that he would ‘Liang Phii’ (take care of Ghosts in his hut). In the year 2485 BE, Pra Ajarn Hnoo, of Wat Po Ta Dtian (or, ‘Wat Pra Chetupon Wimon Mangkalaram’), created a powerful amulet, in secret, and with his own hands, to help people survive the war and prosper in life. This amulet was to become a legend that has maintained its status into the modern era, and is even the subject of a documentary.
Pra Pid Ta Pong Athi (Pong Graduk Phii) – Pra Ajarn Hnoo (Wat Po)
This amulet is of course the Pra Pid Ta Nuea Pong Athi (or better known as ‘Pra Pid Ta Pong Graduk Phii’ amulet. Pra Ajarn Hnoo was a Gaeji Ajarn of Khmer Origins, who possessed powerful Necromantic Wicha. He was not very old at the time, but already had a large following of respectful Devotees, who revered him for his powerful Magic. Pra Ajarn Hnoo liked to grow magical herbs around his Kuti Hut at the temple to use for making amulets and potions, holy water and bestowing blessings. Pra Ajarn Hnoo was often visited by devotees to perform spiritual healings with his holy water and herbal potions, and people would ask him for amulets and blessings. Pra Ajarn Hnoo hence began making amulets, in a very unusual manner compared to the usual Thai Buddhist Traditional methods, bringing in his Khmer Sorcery to add to the magical power of the amulet. He used ashes from the bones of cremated corpses, mixed with Puttakun Powders and Ittijae Powders, and Pong Wan Aathan (a mixture of powdered magical herbs and pollens)
The use of the ashes of cremated bones in the amulets came from Pra Ajarn Hnoo’s Khmer Necromantic Sorcery training, which holds to the premise that the ashes or bone powders, funereal earths and corpse oils of the dead, possess immensely powerful magic.
The ashes of Phii Dtaay Hoeng were used, according to the Dtamra Saiasart Khmer Grimoires of Necromantic Sorcery, which specifies that only the ashes of a Hoeng Prai Ghost can be used if the Wicha is to be powerful. A Hoeng Prai is often known as a ‘screaming ghost’ because the word means a person who died in an accident prematurely, or through unforeseen circumstances. So often this will mean a person who died screaming. Hoeng Prai spirits are in Limbo and often angry, possessing immensely powerful psychic energy. The sorceror appeases the spirit in Limbo by agreeing to a collaborative effort, where the ghost of the spirit in Limbo agrees to use its psychic powers to aid the human who owns the amulet made from its ashes, and accumulate good Karma to achieve eventual release from Limbo.
One of the many Pim Song models of the famous Pra Pong Athi Pra Pid Ta Graduk Phii
In addition, astrological Necromancy states that a Hoeng Prai Ghost must die on a Saturday and be cremated on a Tuesday, for the full formula of Lucky Fortunes Magic to come into effect.
Pra Ajarn Hnoo saw to it that he fulfilled al of these Ritual requirements, and gathered the sacred ashes until he had enough to press amulets with them, and mixed them with his other prepared Muan Sarn Sacred Powder ingredients, the Pong Puttakun, Pong Ittijae, and Wan Aathan. In addition, Pra Ajarn Hnoo then added his special ingredient, ‘Wan Pong’, or more commonly known as ‘Wan Graser’. Wan Graser is a very rare herbal plant found in the deep rainforests, and is said in Folk Legends to be a bloodsucking ‘Vampire’ plant. If an animal gets entangled in it, it is said the plant can slowly suck the blood out of the animal until it dies. This herb is a very difficult herb to cultivate, as its true habitat is in the deepest rain forests, but Pra Ajarn Hnoo had managed to cultivate some around his hut at the temple, and he used them for the making of the Pra Pid Ta Pong Graduk Phi.
Pra Ajarn Hnoo made various different amulets from the Graduk Phii Hoeng Prai Ashes, including Pra Somdej, and Pra Pid Ta amulets.
Tamniab Wadthumongkol Pra Pong Graduk Phii – Pantheon of Amulets in the series
In any case, despite the Muan Sarn Sacred Powders used by Pra Ajarn Hnoo to make the Pra Pid Ta Pong Athi amulets seeming very scary in their natural origins, Pra Ajarn Hnoo performed appeasement rituals and purification ceremonies over all the individual ingredients of the Muan Sarn Sacred Powders before the amulets were made, and removed any black magick or negative karmic influences and energies from them beforehand, leaving only the pure unstained magical power and energy remaining, to be re-empowered with its new purpose.
The power extracted through Necromancy was then imbued within the form of the Pra Pid Ta amulets, and blessed with Buddhist Blessings of the Buddha Abhiseka (Dhamma Chakra opening of the eyes of the Buddha), empowering the extremely powerful energies within the Muan Sarn Sacred Powders to be able to bring auspicious blessings and strong protective power to keep the wearer from harm, and lead to prosperity and happiness.
Pra Pid Ta Athi Nuea Pong Graduk Phii Exhibit B Pra Ajarn Hnoo – Wat Po
It is said of the Pra Pid Ta Pong Graduk Phii amulet, that its protective powers are incomparable, and that the traveller who wears one will pass through all his journeys safely. Another strange aspect of the magic of the Pra Pid Ta Pong Graduk Phii, is that people noticed not only that one remained safe whilst traveling, but that when the traveler wearing a Pra Pid Ta Pong Graduk Phii gets off the vehicle alone, people would ask the traveler ‘and aren’t the others going? coming with you?’ (as if they couldn’t imagine the wearer being alone). This shows powerful Metta Maha Niyom Mercy Charm present within the amulet too.’
Pra Pong Graduk Phii Exhibit C – Pra Ajarn Hnoo – Wat Po
Many gamblers have found the Pra Pid Ta Pong Graduk Phii to be an exellent Luckbringer to turn the tables and odds in their favour, and to ‘whisper’ in the ear of the gambler to hint as to what bets should be placed. This is known as ‘Prai Grasip’ Ghost Whisperer Magick. Pra Ajarn gave a rule to gamblers however for this amuletl That ‘If your winnings are within reason, you should not push your luck too far’.
A highly preferred amulet with those devotees who prefer less subtlety for a fast acting amulet that emanates Magickal Power without restraints, the Pra Pid Ta Pong Graduk Phii is a recommendable amulet, for protection, gambling and general prosperity. The Pra Pid Ta Pong Graduk Phii is by no means an easy amulet to find these days, and is a very powerful magickal amulet of great fame and renown in Thailand.
The Pra Khun Phaen Block Sorng, of Luang Phu Tim (Wat Laharn Rai), or, Popularly now known as the ‘Khun Phaenn Pi 15’, has other names too, depending on which of the many subdivisions the particular Pim belongs to. Some of the more commonly heard of Pim are the Khun Phaen Sum Khad,also known as ‘Khun Phaen Sao Khad’, Khun Phaen Block Tong Hlueang (Gorn Dtok Dtaeng pre-refined version, and Hlang Dtok Dtaeng post-refined version), and so on. But in most cases, all of these refer to the Khun Phaen 15 amulet, and are mere subdivisions for cataloguing and categorisation purposes.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim from 2515 BE
The Pra Khun Phaen Pi 15, is in truth a series which includes amulets pressed during the years 2505 BE to 2515 BE, with a vast pantheon of different models and variations, which were only given official release in 2515 BE, but whose making began years before that. For ease of definition, they are all mostly referred to as Pra Khun Phaen Pi 15. It is expected that time will see further subcategorisation as the series is slowly catalogued into different categories.
Pra Khun Phaen Pi 15 4th Prizewinner Luead Ban Kaay Association Meeting
Since the confirmation of the reality of the Block 2 Khun Phaen Luang Phu Tim of 2515 BE, this edition has become one of the hottest prospects of the decade. Now is the time to study and collect, for the near and far future will make the Block 2 Edition as unaffordable as the Block Raek has become in the present day. In fact, the mainstream high end publications and many of the top entrepreneur collectors are now placing them in their showrooms at ever more highly elevated prices, since their general acceptance has become a reality.
Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim
Below; Pra Khun Phaen Pong Prai Kumarn Pi 15 Amulets in the Famous Amata Siam Publication, which focuses on amulets of authenticity and high reputation, and has joined the ranks of those who ‘cheer’ the Pra Khun Phaen, and who are now auctioning and entering the amulets in competitions.
Three major encyclopaedic works have already been released in the last 2 years to catalogue the full pantheon, and the amulets are now beginning to disappear from the streets as the collectors and speculators snap them up and put them away in their safes.
Above and Below; you can see the Khun Phaen Pi 15 already appearing in the famous ‘Amata Siam’ publication. Some showrooms are aldready showing prices of $5000 – $7000 for some models of Khun Phaen Pi 15.
The recent events with confirmed and respected living initiates of Luang Phu Tim coming out to confirm and reveal the full story of the making of the Pra Khun Phaen Pong Prai Kumarn, along with presenting photographic visual evidence of the facts, has served to dispel and doubts or confusion about the reality of the Pra Khun Phaen 15 series. This, and many other conclusive forms of evidence have served to open up the truth and reveal this edition, which has been deliberately, or perhaps through mere oversight, hidden from the public, by a few powerful monopolists for many decades. These same people who once denied the Khun Phaen 15, are now proudly decorating their showrooms with these very same amulets.
The edition has stayed with the local folk, and did not fall only into the hands of the speculators, who have controlled the information available about all the many models which were actually made by Luang Phu Tim. That era is now over, and the Khun Phaen Pi 15 has taken its rightful position amongst the ranks of Pra Niyom amulets of the Tamniab Official Pantheon of Luang Phu Tim. Competitions with all the various models of Khun Phaen 15 and earlier are now commonplace, and proud devotees are entering their amulets into coompetition with great fervour.
Above; Ajarn Pisek of the Glum Anuraks Pra Krueang Luang Phu Tim speaks on National TV to break the News and destroy the Myths about the Pra Khun Phaen Prai Kumarn of Luang Phu Tim (created by Monopolists who only managed to get the 2517 BE edition in their possession, and 1. were unaware of the truth, as well as jealously blocking any editions they did not control, out of greed and prejudice). Luang Phu made other editions throughout the years between 2505 to his passing, with the 2515 BE edition now becoming the most preferred of all, overtaking the 2517 BE ‘Block Raek’ series
Below; A Video Podcast from with Narrative Ajarn Spencer Littlewood explaining a recent News Publication about the Pra Khun Phaen Pi 15
Ajarn Pisek has broken these myths, by revealing that Luang Phu Tim began to make and distribute Pra Khun Phaen in the year 2493 (Year of the Tiger). He then made his second edition in the year 2505 BE, and continuously distributed them throughout until his passing. But that in truth, the old devotees who grew up around Wat Laharn Rai (including Ajarn Pisek), did not wear the 2517 BE so called Pim Niyom edition, rather, that the true preferred edition of the local devotees who we close to Luang Phu, wear and collect the 2515 BE edition as the most preferred edition.
Below; Pra Khun Phaen Pi 15 Pim Yai Block Tong Hlueang Hlang Dtok Dtaeng Niyom Nuea Khaw Hniaw Sukh Long Sai Rae Tong Kam Luang Phu Tim
Below; Ajarn Pisek presents a Khun Phaen Luang Phu Tim Pi 15 amulet to her Majesty Princess Maha Chakri Sirindhorn Prataep Radtana Rachasuda Siam Boroma Rachakumaree
Ajarn Pisek Gives Pra Khun Phaen 15 Luang Phu Tim to Princess Prataep
Below; Pra Khun Phaen Sum Khad (Sao Khad)
Pra Khun Phaen Sum Khad (Sao Khad) – one of the many variations of the Pra Khun Phaen Pi 15
The Block Tong Hlueang was used to press Pra Khun Phaen Pong Prai Kumarn after the Block Hin Meed Gone broke. It was first used before the block press was given fine tuning, and then also again after having been filed down and carved to a more detailed and subtly styled detail, with the first pressings being known as ‘Long Pim Block Tong Hlueang Gon Dtok Dtaeng’. The more refined version was then given the name ‘Block Tong Hlueang Hlang Dtok Dtaeng (Niyom)’. The Block Tong Hlueang press is also known by local devotees of the Era as ‘Pim Sum Khad’ or ‘Pim Sao Khad’, and also other names. All of the different names refer to the very same Pim.
Rear face features of a Pra Khun Phaen Pong Prai Kumarn Pim Sum Khad (Khun Phaen Block Tong Hlueang/Block 2)
After the true Looksit and current mythbusters have revealed the truth, the most preferred edition is now becoming the 2514-2515 BE (Khun Paen 15). The Pra Khun Phaen Pong Prai Kumarn is a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim’s now Legendary Pra Khun Phaen Pong Prai Kumarn Pi 15. Since the confirmation of the reality of various previously undiscovered editions of Khun Phaen Luang Phu Tim, and ‘coming out’ of various Looksit Aek (direct initiates of LP Tim who were involved in the making of the Khun Phaen Prai Kumarn amulets between the years 2505 BE and 2515 BE, the amulet world has been taken by storm, and turned upon its head.
Below; Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim, during the time around 2514 BE when he was helping Luang Phu as a lay practitioner. Ajarn Piarn Wit and various other direct devotees and initiates of Luang Phu have now come out into Public to reveal the facts, for documentation and confirmation.
Luang Phu Tim is seen with Ajarn Piarn Wit (left), thirtheenth direct initiate of Luang Phu Tim
The 2515 BE Block 2 series was the first edition to come to light in this revolution, that was undiscovered by the Samakom Pra and the ‘Chang Ga Buay Puttapanich’ commercial monopolists (self claimed ‘experts’), who forced acceptance of only the 2517 BE edition, and demanded the amulet world should only accept the amulets which they themselves possessed to be classified.
Pra Khun Phaen Pong Prai Kumarn Long Pim (Block 2 Sum/Sao Khad) Luang Phu Tim
One big mistake the Chang Ga Buay Puttapanich and Samakom Pra had made, was to put the name of Ajarn Piarn Wit and Ajarn Sukhothai and other Ajarns such as Ajarn Maeng, into their catalogues and encyclopaedic publications, as being the Ajarns involved in the making of the Khun Phaen Pong Prai Kumarn amulets of Luang Phu Tim. because after the denial of the 2515 BE edition, and statements that Ajarn Piarn Wit was the maker of a later edition in 2517 BE which Luang Phu did not bless were made.
Ajarn Piarn Wit watches Luang Phu Tim perform a blessing on the car of a devotee circa 2514 BE
But then suddenly, Ajarn Piarn Wit came out to speak thorugh this provocation, and provided photographic evidence and official confirmations to show that firstly, Ajarn Piarn Wit was ordained and initiated by Luang Phu Tim in 2514 BE, and assisted in the ,making of the 2515 BE ‘Sao Khad Block 2’ edition with Luang Phu. he provided many pieces of evidence, and the fact that he was already stated to be the 13th direct initiate of Luang Phu Tim and directly involved in the making of the Khun Phaen Pong Prai Kumarn
Above; Video interview conducted by Mor Grit, famous collector of Amulets of Luang Phu Tim, and Talkshow host, inquires with Ajarn Piarn Wit, the 13th direct Initiate of Luang Phu Tim, who ordained with Luang Phu and was one of his close assistants, about the truth of the 2515 BE and earlier editions of Pra Khun Phae, and receives direct confirmation of the facts, authenticating these editions. The beginning of the video shows photographic evidence of Ajarn Piarn Wit as a young man ordained with Luang Phu, as well as serving him as a Lay Practitioner over the years, helping Luang Phu to make amulets, and serving his needs.
Ajarn Piarn Wit as he was Ordained in his early years, at the side of Luang Phu Tim.
Below; Locals of Ban Kaay in Rayong show their Pra Khun Phaen 15 amulets, and tell of their knowledge and experience of the true facts, as local devotees of Luang Phu Tim, who know the truth, much better than a load of so called experts from Bangkok and other Provinces, who happened to pass by decades ago, snap up a few amulets and try to make the whole remaining pantheon disappear, be manipulating public beliefs with their own self sponsoring publications, and influence with the media. Those days are over now in the days of the Internet, where communication has become much easier, and the new younger generation of amulet aficionados have applied their knowledge of internet to put the pieces of the puzzle back together, and reveal the truth to the world.
Below; Locals of Ban Kaay in Rayong show their Pra Khun Phaen 15 amulets.
The Samakom Pra were dumbfounded when Ajarn Piarn Wit came out to confirm the edition which is as good as ‘from the horses mouth’. In video interview with a famous expert and collector and TV star, he called Ajarn Sukhothai, the official expert who first catalogued all the officially accepted Khun Phaen into their respective series block presses, and named them. In the telephone conversation with the President of Luang Phu Tim Amulet Association in Sukhothai (who can be considered to be amongst the top 3 officially accepted people in the Know, and the person who first defined the different block presses), The president of the Sukhothai Luang Phu Tim Amulet Association confirmed the existence and authenticity of the 2515 edition, and the previous editions which were made between 2505 BE and 2515 BE.
Ajarn Piarn Wit once more walking beside Luang Phu Tim, holding his betel nut and areca tray (Chan Hmak)
Examples of Pra Khun Phaen Pong Prai Kumarn from the previous ‘Hin Meed Gone’ razor sharpening stone block press, which after breaking, was superceded by the Block Tong Hlueang Brass Block Press.
Below; Ajarn Piarn Wit reveals the truth of the pressing of the 2515 BE Khun Phaen 15, and that Luang Phu blessed them. He explains that the til now preferred ‘Block Raek supposed ‘first block’ was actually the third block press development, and that the Block Sorng (2nd Block Press), preceded it. Ajarn Piarn Wit confirms the reality of the Khun Phaen 2515 BE with great sincerity.
Ajarn Piarn Wit Seated once more at the side of Luang Phu Tim, as one of his close ‘Looksit Aek’ direct initiate apprentices.
Below; Mr Chui, direct grandson and initiate of Luang Phu Tim, confirms the reality of the Block 2 Sereies, blessed by Luang Phu Tim. The beginning of the video shows Mr Chui as a Samanera Monk at the side of Luang Phu Tim’s corpse at the time of his death.
Below we can admire an example of a Block 2 Pim Yai from a famous Amulet Auctioneer Magazine in Nuea Chompoo from some years ago now, which auctioned for 65,000 Thai baht (Roughly 1950$ US) – the Pi 15 amulets have already quadrupled the below price in various auction rooms and shows.
The block Tong Hlueang was then refined further, separating the two versions of the brass block mold into ‘Gorn Dtok Dtaeng’ (before refinement) and ‘Hlang Dtok Dtaeng’ (after further refinement – these are ‘Pim Niyom’ most preferred). Below; some more examples of the Pra Khun Phaen Pong Prai Kumarn – these belonging to the Block Hin Meed Gone amulet, in a Samakom Pra amulet appreciation society encyclopedia. The block hin meed gone series preceded the block tong hlueang and was less refined, and was superceded by the block tong hlueang after the block hin meed gone broke.
Khun Phaen Prai Kumarn Block Hin Meed Gone Luang Phu Tim
The Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
The Sacredness of the Pra Khun Phaen Pong Prai Kumarn is legendary and unquestioned in Thailand, and its magical power is commonly accepted by all. The Muan Sarn Sacred Powders of the Pra Khun Phaen Pong Prai Kumarn are considered to be amongst the most powerful powders to empower amulets in existence.
The Pra Khun Phaen Pong Prai Kumarn is a highly attractive and rare Sacred Amulet, that is considered truly Powerful, and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The Look Om Pong Prai Kumarn of Luang Phu Tim, is perhaps the most legendary and famous of all Look Om Pong Prai Kumarn in History, and is the prized possession of the high end collector, and devotee. The Look Om Luang Phu Tim is renowned for its Maha Lap, Metta Maha Niyom Maha Sanaeh anmd Maha Pokasap Power, to increase wealth and bring lucky fortunes and mercy charm, as well as providing immense Klaew Klaad and Kong Grapan Chadtri power to protect.
Below we can see a Highly preferred early-Era Look Om Pong Prai Kumarn Pasom Gesa Ta Bronze Wanich Met Klang Niyom (2 Cm diameter medium size ball) – this exhibit is an especially attractive Look Om, highly eligible for entry in competition. This early edition exhibit is rather more highly preferred than the Wat Po Sampant edition of 2517 BE, and of a much earlier edition, with richer Muan Sarn Sacred Powders.
The all-time classic Original Wat Laharn Rai Sacred Powder Ball of the Great Luang Phu Tim of Wat Laharn Rai, is one of the most legendary amulets of all time, and one of the most preferred amulets in Thai Buddhist Amulet Collecting.
The Muan Sarn Sacred Powders of the Look Om Pong Prai Kumarn Luang Phu Tim Wat Laharn Rai, are one and the same as the powders found in the extremely expensive Pra Khun Phaen Pong Prai Kumarn amulets of this Master. For this reason, are considered a perfect alternative (and more affordable,) to the Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim. The Pong Prai Kumarn powders famously contain Pong Gakoke Dek powdered skull bone of a Hoeng Prai Kumarn.
The Look Om came into existence because, after the pressing of Luang Phu Tim’s Pra Khun Phaen Pong Prai Kumarn, Pim Yai, and Pim Lek amulets, there was much of the Muan Sarn Paste which had become too dry for it to be pressed into the finely detailed block press molds of the Pra Khun Phaen amulets.
And so this remainder of Pong Prai Kumarn Powder Muan Sarn, was then rolled into wishing ball amulets, as the powders were just too powerful and Sacred to dispense with without making them into amulets. And so it was, that the famous Look Om Pong Prai Kumarn came into existence.
The Look Om Pong Prai Kumarn of Luang Phu Tim is considered by most people to be the most famous Look Om Amulet of All Time. The Original Look Om of Luang Phu Tim Wat Laharn Rai are known to differentiate themselves from other editions released by Luang Phu Tim at other temples. This is for his use of Bronze Wanich golden paint, to cover the Look Om With only in the editions he released through his own temple.
Other temple releases of his Look Om (i.e. Wat Po Sampant and others), are of course equally authentic and Sacred, but less preferred than the ones which came through direct release at the temple of Wat Laharn Rai. Half the reason being that Luang Phu would use a much more highly concentrated mixture of Pong Prai Kumarn in his own direct releases.
Whereas the related temples where he allowed release and assisted in the blessings, would also mix other Muan Sarn Sacred Powders into the mixture, which despite also being extremely sacred and powerful, would then allow for less quantity of Luang Phu’s highly prized and revered powerful Pong Prai Kumarn powders to be added.
It is hence considered that the Wat Laharn Rai release versions are believed to be much more powerful Maha Lap and Maha Sanaeh type Magic, which are two of the preferred powers with those who like to use Seduction for Love and Business, and Gambling, Lottery and Wealth Attraction.
The second reason for the Wat Laharn Rai Niyom versions being the most highly revered and preferred is more of a speculative one, which means they tend to win over other editions in competition, and are considered to have more aesthetic beauty to them for their high presence of Pong Prai Kumarn and the special high quality ‘Bronze Wanich’ golden coating.
It is a part of the amulet appreciation society expert’s method of authentication to examine and study the appearance of how bronze Wanich golden paint develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim’s famous Pong Prai Kumarn which rises up and through the surface of the fine golden painted surface.
We ourselves feel that all of Luang Phu Tim’s amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the heirarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The Look Om Pong Prai Kumarn Luang Phu Tim amulet, has has been one of the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere in any amulet emporium, except for the most elite showrooms, and at elevated prices.
However, the Look Om is perhaps the most affordable of the Old Classics of Luang Phu Tim when we consider the prices at which his Pra Khun Phaen Pong Prai Kumarn and other master Class Buddha Amulets demand, for which reason, the Look Om Luang Phu Tim is the most highly popular amulet with devotees who do not possess the finances to afford a Pra Khun Phaen Luang Phu Tim, which can cost many thousands of dollars, and even tens of thousands of dollars.
The Sacredness is equal to the more expensive Pra Khun Phaen Pong Prai Kumarn, the Muan Sarn Sacred Powders are the same, and in addition, the Bronze Wanich, is also the very same which Luang Phu used to paint the more highly priced Millionaire Amulets of his pantheon, and is one of the recognition factors used to identify his amulets..
This of course makes the Look Om the most affordable way to obtain an authentic study material to train the eyes as to the appearance of the Muan Sarn and Surface textures of his other Classics, to train oneself in recognising the authentic amulet, before risking thousands and tens of thousands of dollars on a Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim.
Hence, the Look Om is also a perfect ‘Ongk Kroo’ reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
We highly recommend the Look Om Luang Phu Tim as a sound investment, and a rare chance to obtain and be the proud owner of an authentic Wat Laharn Rai release model of the Eternal Classic Look Om Pong Prai Kumarn Luang Phu Tim.
Luang Phu used the Bronze Wanich used in this Look Om, to also paint the famous Nang Paya Plai Diaw, Nang Paya Plai Koo, and the Classic Pra Khun Phaen Pong Prai Kumarn Amulets. This makes it a perfect study piece, a Perfect sacred Amulet for Bucha to receive certain Magical Power, and a perfect showpiece, three excellent reasons all rolled into one (no Pun intended).
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector’s Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings, which History has proved time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Sacred Powders Look Om Pong Prai Kumarn Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
Below; Look Om Pong Prai Kumarn, side by side with a Pra Khun Phaen Pong Prai Kumarn Pim Lek Luang Phu Tim, for visual comparison of the Muan Sarn Sacred Powders
As a result, Luang Phu Tim’s Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.
The Look Om Luang Phu Tim were made with a few differing surfaces; Ta Bronze Wanich (painted with luxury bronze), Chup Bronze (bronze paint immersion), Wan Sabu Luead (with Blood Soap Herb Powders), and ‘Mai Chup Bronze’ (no bronze immersion)
Despite the fact that the Look Om Pong Prai Kumarn Luang Phu Tim Wat Laharn Rai carried a much lower price than his famous Pra Khun Phaen Pong Prai Kumarn, the power of the amulets is just the same as the Pra Khun Phaen, with the only difference being the lower price. The look om wwere always made using the remaining Muan Sarn Sacred Powders after the limited edition Pra Khun Phaen were all pressed. Any extra Muan Sarn would always be rolled into Look Om, and empowered by Luang Phu Tim in this form.
The Look Om is hence the preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim;s amulets, but cannot afford the price of the Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim.
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, and Look Om powder balls. As to the classic ‘Rian mage amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety.
Since his passing, his devotees and apprenticed monks, have now become the world’s top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, perhaps the most famous, preferred, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
Below you can see another authentic exhibit (small pim lek) in HD video from a slightly later edition (circa 2517), for comparison of the features and aspects of the Muan Sarn Sacred Powders.
Presenting a new video with narrative by Ajarn Spencer Littlewood in our new series of videos ‘Amulet Talk’ which present you with the first of many insightful videos with narratives, to increase your awareness, and to bring interesting aspects of the topic of Thai Buddhist Amulets to you for your enjoyment. We hope this new series of videos provides you with useful study material. This episode of Amulet Talk provides a look at two Pra Somdej Pim Chedi Norn Wat Lakorn Tham, from two great master monks, which feature Buddha images seated over one of the horizontal ‘sleeping’ chedi stupas of Wat Lakorn Tam. We invite you to enjoy the HD Video and Narrative by Ajarn Spencer Littlewood, which gives a basic look at these two amulets which have a semi tenuous relationship to each other, but which are also completely distinct from each other. The Pra Somdej Chedi Norn Wat Lakorn Tham amulets of Luang Phu Nak (Wat Rakang Kositaram) and The Pra Somdej Hwaek Man Pim Chedi Norn of Luang Por Supoj (Wat Sutat).
The amulets represent the two chedi stupas at Wat Lakorn Tam temple, which were built and installed by the great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram. The two amulets are made by Luang Phu Nak of Wat Rakang Kositaram in the year 2495 BE (left side in white Puttakun Powders), and from Jao Khun Sri Sonti (Luang Por Supoj) of Wat Sutat, for the Indojin Indo-China Wartime Blessing ceremony, made in Nuea Wan Pasom Pong Gao. There were actually three different masters who made Pra Somdej Pim Chedi Norn, the third being Luang Phu Hin of Wat Rakang Kositaram, whose amulet is not shown in this vide, but which we will show when we obtain an example, in a future video.
Both amulets from both masters (who were colleagues of each other), were made using broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets from the time of Somdej Pra Puttajarn (Dto) Prohmrangsri. The amlets are however distinct, and made at different times, with different designs, the only things in common truly being the Muan Sarn Sacred Powder content using ancient Pra Somdej Wat Rakang Kositaram, and the imagery of the sleeping Chedi Stupas of Wat Sutat. otherwise, the Buddha images and their outer arches, and daises, are distinct and apart from each other. For example, the Buddha on the Pra Somdej Chedi Norn Luang Phu Nak has a single tiered dais, whereas the Buddha on the Pra Somdej Chedi Norn Luang Por Supoj, has four tiered dais.
A closer look, with Macro Photography at the features of the famous classic ancient amulet Pra Wanta Sema 2463 BE, of Luang Phu To (Wat Pradoo Chimplee).
This Pra Wanta Sema, is a truly rare and beautiful ancient amulet, of the pantheon of early era amulets of the great Luang Phu To, of Wat Pradoo Chimplee, the Pra Pim Wanta Sema Nuea Pong Wat Plab. Made from broken pieces of the original Ancient Wat Plab amulets (from which the original Wanta Sema design was taken).
This edition was released in 2463 BE. Classed within the classic pantheon of the first ever 13 Somdej Type amulets of Luang Phu To, which is one of his Great Pantheons of Millionaire Class Amulets of Ultimate Esteem and International Fame.
The amulet is seen by some as the Sayasana Buddha (Reclining), and others pray to it as an image of King Rama 1 praying to the temple wall at the Royal palace, with Lotus flower in hands (part of ritual ordination), as he was ordained for the traditional practice of Thai Males to become a Buddhist Monk for a time.
In those days, the Strategic Infantry Command Regiment were the main sponsors of the amulets created for Luang Phu To to bless, and this design was commissioned for Luang Phu To to press and bless, in the 2463 Edition.
The amulet is reminiscent of the original Pra Wanta Sema Wat Plab by Somdej Pra Sangkarach (Suk). Pra Wanta Sema Wat Plab by Somdej Pra Sangkarach (Suk) has some discussion about the image and what or who it represents. The most common legends say, that it depicts a sleeping Buddha in the Saiyasana posture.
But those who are more well studied believe the image to be a depiction of His Majesty the King Rama 1, holding the lotus of ordination, as a Monk and praying to the temple wall, before ordaining into the Sangha for the traditional period which Kings must ordain for. This is most likely the true meaning of the image.
Wat Plab is one of the 10 official temples of the Dtamra Pra Somdej for its Muan Sarn Sacred Powders which belong within the Dtamra of Pra Somdej of Somdej Pra Puttajarn (Dto) Prohmrangsri Wat Rakang Kositaram.
Above and below Pics;
Macro Close up of the features and visual aspects of front face of Pra Wanta Sema 2463 BE Luang Phu To. A clear visual close up of the Muan Sarn Sacred Powders can serve the student well to examine and take note of the many different ingredients, and the appearance of the surface, its dryness, porosity, and the secrets of the interior content (where cracks reveal the inner substance).
Above Pic; The aged surface is both hardened, dry and dense, and reveals the true characteristics of natural aging process over time, making it easy to authenticate.
This type of clear-to-recognise features make the amulet a ‘Pra Tae Doo Ngaay’ (Easy to see as Real). The surface of the amulet has a crinkled effect to it, where the Muan Sarn Sacred Powders have dried, and shrink inwards closing the gaps between the particles of powder, and tiny cracks have formed all over the surface as the amulet has shrunk from within over time, as it dries and hardens.
The rear face is always the most important surface area for study once the front face features (Pim) have been confirmed to one’s satisfaction, and authenticated.
Examination of the Muan Sarn Sacred Powders and surface features of the rear face, allows a much more accurate and detailed study of the content of the Muan Sarn, without obstruction of any design to obscure sight of the uniform raw surface features.
The rear face surface shows a fine gossamer layer of mildew formation, which ranges in tonality from black, to brown, to light gray.
This is also an important aspect of examining the ‘Kraap’ mildew on the surface of ancient amulets; Namely, that most authentic amulets will have a non-uniform surface tonality to the Kraap Kru Mildew, and that Fake amulets, tend to have a Uniform colour and tonality to the surface mildew.
This is because it is almost impossible to spray a fake mildew onto an amulet, and make it have hundreds of different colours and tones to it, which is something that only happens with natural aging and atmospheric weather changes over many years of time.
Fake mildew is more uniform, and the true authentic mildew is far more complex in its appearance. Please take note of this when examining amulets, and use the ‘Kraap Kru’ mildew as one of your authentication reference tools.
Once one has examined front and rear face of an amulet, one should then continue on to peruse and examine the edges of the amulet, which will reveal its aging.
One should peruse the cracks arisen through contraction, one is able to determine if the front and rear face surface appearance fits with what the edges reveal, as far as atmospheric changes, and under which conditions the amulet has been worn or kept over the years.
For example, if the edges reveal that the amulet has contracted over a long time of constant dryness, but the surface of the front and rear reveal moisture exposure, then something would be amiss wouldn’t it?
If the front face and rear face say the amulet has experienced multiple changes of moist to dry atmospheres, then the edges should also state the same. Of course, this is not an easy art to train the eye in, and you need to examine many amulets over many years to be able to see what the expert sees.
Wat Plab has always been a temple that Luang Phu To was afilliated with and whose Muan Sarn Sacred Powders he always used in the making of his famously priceless amulets. The Muan Sarn Sacred Powders for the Pra Wanta Sema Luang Phu To, are indeed also composed of mainly broken pieces of original Wat Plab amulets, along with the other Sacred Ingredients which Luang Phu To would ubiquitously mix into the Muan Sarn, for all his amulets.
Wat Plab amulets are a sacred powder type amulet using a mixture of ground sea shells, pollens and flowers, incense powders, temple wall bricks. The mixture used by Somdej Pra Sangkarach (Suk) was the basic formula of Pra Somdej made before any other ever, and is thus the keystone of Pra Somdej amulet making, and the origin of the Pra Somdej Wat Rakang.
The Pim Wanta Sema 2463 Luang Phu To was released in the classic famous 13 Pra Somdej First Edition. The 13 Famous Pim, were made by Luang Phu To with the greatest passion and Highest Effort through Pure Intention, and had the intention to make them as Truly powerful as was possible.
He spent a long time with much effort to find the rarest, most powerful and sacred herbs, woods and relic ingredients for the Muan Sarn used in the making of the Sacred Powders used for his Amulet.
Most Pim were pressed by Luang Phu himself with his own hand, but he had help in assembling the Muan Sarn and many menial tasks from the Samaneras and the Lay Masters of Wat Plab temple. This is of course part of the reason that the Amulets of Luang Phu To possess Sacred Powders of Wat Plab in them too.
The Great Masters of Wat Plab in Bangkok Yai revealed their secrets to Luang Phu, about the mixing of Muan Sarn. It is a hardly known inner secret, that, all of the Great Masters with great Wicha, passed through Wat Plab, to receive the Wicha and secrets of the Mastery of the Pra Piti Haa (5 Piti Jhana Control).
They revealed to him the secrets of making ‘Pong Lob’ Sacred Powders, according to the Dtamra Pra Somdej of Ajarn Saeng, who is reputed to have taught the Dtamra of Pra Somdej making to Somdej Pra Puttajarn (Dto_ Prohmrangsri (Wat Rakang Kositaram).
It is Pra Ajarn Saeng, who some groups believe is the True Discoverer of the Hin Sila stone with the Dtamra Somdej hidden within it. The debate on this issue may continue forever, for proof is unfound.
One other major base ingredient of the Muan sarn used in this first edition of Luang Phu To’s Amulet Trajectory, was a type of ‘Pong Wised’ (Special powder) or ‘Pong Puttakun), which was colected over many years by Luang Phu To, as he wandered on Forest Tudong. Often he would travel together with Luang Por Sodh (Wat Pak Nam Pasi Jaroen), and another Famous Monk of that time whose name has been lost from all documentation.
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.
His Blessings are believed to possess the most powerful protective power, and to increase success and prosperity. His amulets are both highly revered for their sacred Power of Protection and Prosperity, but also as a connection and Buddhanissati reminder of the Great Guru master, to beseech his blessings through the amulet.
Ancient Amulet presents you with the Legendary Look Gaew Sarapat Neuk Sacred Crystal, for Wish Fulfilment, from the Great Master Luang Por Ruesi Ling Dam. Powerful Metta Maha Niyom and Serm Duang Magic
The Look Gaew Sarapat Neuk is one of Luang Por Ruesi Ling Dam’s most famous amulets, and popular now as it was in olden days during the time when Luang Por was still alive. The Look Gaew became instantly famous for the number of successes with the devotees who used the Look Gaew to make wishes, and is a legendary amulet that has become a household name with Thai Buddhist People.
The Look Gaew Sarapat Neuk amulet is found in various shapes and sizes, both rounfed, and elongated, and also in various colours, including turqoise, sienna, and white. They were released over various years in various editions, and were all blessed and empowered by Luang Por Ruesi Ling Dam in full Putta Pisek Ceremony (Buddha Abhiseka), at Wat Ta Sung.
The ceremonies were performed with Luang Por’s famous Magical Look Gaew Jakkapat Crystal in the center, with Sincana cords connecting it to all the Look Gaew Sarapat Neuk Crystal amulets, to transmit the power to bring success from the Gaew Jakkapat, into the Look Gaew Sarapat Neuk crystals.
The mysterious Look Gaew Jakkapat was given to Luang Por Ruesi Ling Dam by Kroo Ba Jao Chum, who initiated Luang Por Ruesi Ling Dam into the mysteries of the magic crystal, of unknown origins, taking two consecutive days and nights to explain the methods. It was said to have been in Kroo Ba Jao Chum’s lineage for many generations, but nobody knows where it came from.
Kroo Ba Jao Chum gave it to Luang Por Ruesi Ling Dam, saying he was old and would not be around for much longer, and that Luang Por Ruesi Ling Dam would be able to use its power, to achieve all of his goals successfully, and that the Gaew Jakkapat Crystal would bring him those successes.
It is a fact that during the next years thereafter, Luang Por Ruesi Ling Dam raised incredible amounts of funds and built a large number of auspicious projects, and temple improvements and restorations, and reached such a high level of achievement in meritorious projects, that he realised it was due to the power of the Look Gaew Jakkapat.
Luang Por Ruesi Ling Dam would hence use the Look Gaew Jakkapat to bring the wish fulfilment magic to his amulets, by using the crystal as a lens for meditative focus, and to use Kasina magic to emanate the power outwards through the facets of the crystal into the Look Gaew Sarapat Neuk.
Luang Por Ruesi Ling Dam was the first and foremost comrade, and accomplice in Sorcery to the Great Luang Por Parn of Wat Bang Nom Kho, and a Master Gaeji Ajarn in his own Right and Standing, whose amulets have now become very rare, and have taken on an increasingly higher status, and begin to approach those of his Mentor, Luang Por Parn.
Luang Por Ruesi Ling Dam’s amulets are seen as a total surety for a definite result, due to the true and pure practice and dedication of this Olden Days Buddhist Guru Master, whose teachings have led so many lay devotees and ordained Monks to a higher understanding of the Dhamma. His Abhinya Powers are unrefuted by Thai Buddhist People, and is amulets are seen as highly Sacred, and believed to possess Miraculous Powers.
When we speak of the amulets of Luang Por Ruesi Ling Dam, the first and foremost amulet that would come to mind would usually be the Pra Kam Khaw, and the Pra Hang Hmaak Amulet. This is the Sacred Powder Amulet that can be found to be worn or kept in the house of almost every Devotee of Luang Por Ruesi Ling Dam..
In addition however, Luang Por Ruesi Ling Dam produced a very large number of other amulets, many of which also enjoy Internationally Acclaimed Fame and Status for their Sacred Power, such as the Look Gaew Sarapat Neuk, and the famous ‘Pra Putta Jao Pratap Sadtw’ Buddha Riding on Animals amulets, which are of course the Wicha inherited from his Kroo Ba Ajarn, Luang Por Parn (Wat Bang Nom Ko).
His Pra Rod amulets and Monk Coins are rarities which are highly revered with the true devotee of Luang Por Ruesi Ling Dam.
Rules for Bucha;
Firstly, before we undertake any of our duties or tasks each day, we must think of the Buddha and his Acheivement, and to have deep respect in one’s heart for the Buddha.
If one does this in the moment before Praying to the amulet, and focus to pray mantaining this Respect and Wonder at the Buddha’s Self Enlightenment as you pray.
If you do this properly, then the amulet will emit powerful aura, full of Mercy Charm, and Bestow you with Auspicious Blessings. If we are able to focus on and believe strongly in the Buddha’s Enlightenment and Call Upon His Merits to assist, then this is considered to be Buddhanusssati Kammathana – a Kind of Meditative state likened to, or equal to that known as ‘Jhana’ (absorption).
This is the state of mind that is necessary to activate and call up Miracle Powers, and is tantamount to Pure Faith, which is also a kind of Focused One Pointed Concentration, Absorption, or ‘Jhana’. One should also of course think of Luang Por Ruesi Ling Dam when Praying.
It is this element of the Practice of Faith reverence in Guru Worship, that gives Classic Amulets from great masters the edge over many standard issue amulet. For it is the Faith that the Master instills in the heart of the devotee (the wearer of the amulet), that increases the Power of Absorption.
It is deducibly much easier to feel Faith and Confidence from an Amulet that was made by a Guru Master that we all know of and is Legendary, and whom we believe in his teachings. If we do this every day before undertaking our chores and duties, we wil have Great Success and Acheivements coming our way.
Below; Inside the Uposatha Shrineroom at Wat Ta Sung
When you think of the Buddha with Rapture in your Heart, as a Buddhist, then you should always remember the amulet hanging around your neck, and remember that it represents the Buddha himself.
Look Gaew Sarapat Neuk Luang Por Ruesi Ling Dam
One should place the amulet between the palms of the hand, and raise between the eyebrows to the forehead, and Chant the Maha Namasakara 3 Times, after which, one should say “Today, i ask for ….. (whatever it is you wish for).. Blessings”.
The Buddhas of the Ages will descend and Guard over You who pray correctly to this amulet. Use the Kata Ngern Larn (Millionare Kata for Riches), as given by Luang Por Parn, and Luang Por Ruesi Ling Dam, to empower the amulet with Maha Lap Magic and call great wealthy Fortunes to you.
Chant Maha Namasakara 3 Times First;
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then Chant Kata Ngern Larn;
Sambpadtijchaami Naa Sang Si Mo
Prahmmaa Ja Mahaa Taewaa Sappae Yagkhaa Bparaayandti (Kata to remove Obstacles)
Prahmmaa Ja Mahaa Taewaa Apilaapaa Pawandtumae (Kata for Walthy Fortunes of Money)
Mahaa Bpanyo Mahaa Laapo Pawandtumae
Look Gaew Sarapat Neuk wish fulfilment amulet Luang Por Ruesi Ling Dam
Kata for Luck without Interruptions
Midtae Paahu Hadti
Kata Pra Bpajjaega Putta Jao (Kata for Monetary Millions)
Putta Ma – A – U Namo Puttaa Ya Wiratayo Wirakonaayang Wirahingsaa Wirataasii Wirataasaa Wira Idthiiyo Puttassa Maanii Maama Puttassa Swaahome
Kata to speed up Lucky Fortunes
Sambpadtijchaami Peng Peng Paa Paa Haa Haa Leu Leur